<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1827

Remove constraint Date: 1827

Height [cm] 27

Remove constraint Height [cm]: 27

Search Results

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
William James Muller Farm Buildings
William James Muller, 1812–1845, British
Farm Buildings
undated
Edward Goodall Old London Bridge and Vicinity
Print made by Edward Goodall, 1795–1870, British
Old London Bridge and Vicinity
1827
William James Muller The Bridge at Llangollen
William James Muller, 1812–1845, British
The Bridge at Llangollen
undated
William James Muller A Mountain Torrent
William James Muller, 1812–1845, British
A Mountain Torrent
undated
William James Muller Study of a Rustic Interior Scene
William James Muller, 1812–1845, British
Study of a Rustic Interior Scene
undated
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870, British
Rievaulx Abbey, Yorkshire
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870, British
Rievaulx Abbey, Yorkshire
1827
Robert Wallis Lancaster, from the Aqueduct Bridge
Print made by Robert Wallis, 1794–1878, British
Lancaster, from the Aqueduct Bridge
1827
Robert Wallis Colchester, Essex
Print made by Robert Wallis, 1794–1878, British
Colchester, Essex
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878, British
Barnard Castle, Durham
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Edward Goodall Fall of the Tees, Yorkshire
Print made by Edward Goodall, 1795–1870, British
Fall of the Tees, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878, British
Barnard Castle, Durham
1827
Augustus Welby Northmore Pugin Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852, British
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835, British
Extravaganza's of 1827
1827
unknown artist The Remains of H.R.H. the Duke of York Lying in State
unknown artist, nineteenth century
The Remains of H.R.H. the Duke of York Lying in State
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827