Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1824

John Constable, 1776–1837, British

Ploughing Scene in Suffolk

1824 to 1825

Not on view

John Constable, 1776–1837, British

Hove Beach

1824 to 1828

Not on view

Richard Parkes Bonington, 1802–1828, British

A Fish-market near Boulogne

1824

Richard Parkes Bonington, 1802–1828, British

Near Quillebeuf

between 1824 and 1825

Patrick Nasmyth, 1787–1831, British

Penshurst Place, Kent

between 1824 and 1830

Not on view

John Dunthorne, 1798–1832, British

The Rainbow, near Salisbury

ca. 1829

Not on view

Thomas Christopher Hofland, 1777–1843, British

Greenwich Hospital from the Observatory with a Distant View of London

1824

Not on view

George Jones, 1786–1869, British

The Passing of the Great Emancipation Act

ca. 1829

Not on view

George Vincent, 1796–1832, British

A Harbor Scene in the Isle of Wight, Looking Towards the Needles

1824

Not on view

John Frederick Lewis, 1804–1876, British

A Sketch for `Foresters Stalking Deer'

between 1824 and 1827

Not on view

James Pollard, 1792–1867, British

John Smith Barry’s Private Drag and Grey Team

1824

Not on view

Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)

Old Smithfield Market

1824

Not on view

John Constable, 1776–1837, British

A Bridge near Salisbury Court, Perhaps Milford Bridge

ca. 1829

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Cow Lodge with a Mossy Roof

ca. 1829

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Cornfields with Barn, Shoreham

ca. 1829

Joseph Mallord William Turner, 1775–1851, British

Folkestone Harbour and Coast to Dover

ca. 1829

Print made by John Sell Cotman, 1782–1842, British

Cader Idris

between 1824 and 1830

Print made by Charles Turner, 1774–1857, British

More Park, near Watford, on the River Colne

1824

Print made by Charles Turner, 1774–1857, British

More Park, near Watford, on the River Colne

1824

Print made by Charles Turner, 1774–1857, British

Norham Castle, on the River Tweed

1824

unknown artist

May Day

1824

Print made by James Clark, 19th century

Cowdray Ruins

1824

William Henry Bartlett, 1809–1854, British

Richmond

undated

Henry William Burgess, active 1809–1860

Interior of a Coppersmith's, Shoe Lane

undated

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1824

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

James William Giles, 1801–1870, British

Nemi

1824

James William Giles, 1801–1870, British

The Villa Adrianna, Rome

1824

William Henry Harriott, active 1811, died 1839, British

Fish Market, Hastings

1824

Sir George Hayter, 1792–1871, British

Georgiana, Duchess of Bedford

1824

William Heath, 1795–1840, British

Circassians

1824

William Heath, 1795–1840, British

Russian Cossacks at a Boathouse on the Banks of the Don

1824

William Mulready, 1786–1863, Irish

Woman with Ringlets, Standing

1824

Julia Swinburne, ca. 1795–1893

A Sandwich Islands Group

June 5, 1824

Print made by John Horsburgh, 1791–1869, British

Bell Rock Lighthouse

1824

George Richmond, 1809–1896, British

Effigy of a Crusader, Stisted Church

1824-1896

unknown artist, nineteenth century

Fulham Church (Middlesex)

1824

unknown artist

St. James Pentonville (Middlesex)

1824

Sir George Hayter, 1792–1871, British

A Minuet

1824

John Frederick Lewis, 1804–1876, British

Figures and Animals in a Vineyard

ca. 1829

John Linnell, 1792–1882, British

Mrs. William Wilberforce and Child

1824

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by John Horsburgh, 1791–1869, British

Bell Rock Lighthouse

1824

Edward Radclyffe, 1809–1863, British

Deepdene near Dorking

undated

Print made by James C. Allen, active 1821–1831, British

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831, British

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by James Thompson, 1790–1850, British

W. Sharp

1824

Henry Thomson, 1773–1843, British

Martin Archer Shee

1824

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

1824

Alfred Diston, active 1818–1829

Walking Dress, Tenerife

1824

William Evans of Bristol, 1809–1858, British

Study of Country Boys

undated

Print made by unknown artist

Elevations and Plans of the Court of Kings Bench

ca. 1827

William Turner of Oxford, 1789–1862, British

The Exeter College Eight on the Isis, Oxford

1824

George Maile, active 1824–1840

[Shooting] The Sportsman (four lines of verse by J. Emery)

1824

George Hunt, active 1820–1840, British

The Toast

1824

Frederick Christian Lewis the Elder, 1779–1856, British

H. Bone, Esqr., R.A

1824

Frederick Christian Lewis the Elder, 1779–1856, British

James Northcote

1824

unknown artist, ( Thomson )

Wilson Lowry

1824

Henry Heath, active 1824–1835, British

An Irish Tilting Match, or the Poissardes against the Poignards

1824

Thomas Hartley Cromek, 1809–1873, British

Turk on a Horse

undated

David Cox Jr., 1809–1885, British

A Merchantman Becalmed Offshore

undated

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

1824

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

1824

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

1824

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

1824

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Robert Isaac Cruikshank, 1789–1856, British

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

1824