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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1817

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Width [cm] 25

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1. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Hogarth Declaring His Love to Miss Thornhill

Hogarth Declaring His Love to Miss Thornhill
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Smock Exposed

The Smock Exposed
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Reconcilation

The Reconcilation
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Hogarth at Old Slaughter's Hobbing with Highmore the Painter
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Hogarth Engraving His Master's Shop-bill the Sign of the Angel
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Hogarth Drawing Sarah Malcolm

Hogarth Drawing Sarah Malcolm
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Hogarth Sitting to Roubiliac for His Bust

Hogarth Sitting to Roubiliac for His Bust
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Thomas Girtin

Thomas Girtin
Creator:
Samuel William Reynolds, 1773–1835, British
Date:
1817
Medium:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 10 1/4 inches (38.4 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Ploughboy Riding One of a Pair of Draught-horses Up a Hill

A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
Creator:
John Frederick Tayler, 1802–1889, British
Date:
undated
Medium:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 15/16 × 9 3/4 inches (20.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of the Donjon of Château Gaillard, near Andelys, Normandy

View of the Donjon of Château Gaillard, near Andelys, Normandy
Creator:
John Sell Cotman, 1782–1842, British
Date:
ca. 1822
Medium:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Part of the Old Fortifications at Saint Lo, Normandy

Part of the Old Fortifications at Saint Lo, Normandy
Creator:
John Sell Cotman, 1782–1842, British
Date:
1817
Medium:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 8 5/8 inches (30.8 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Sir Isaac Heard

Sir Isaac Heard
Creator:
Charles Turner, 1774–1857, British
Date:
1817
Medium:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 7/8 × 13 15/16 inches (42.9 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country

Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country
Creator:
Robert Havell, 1769–1832, British
Date:
1817
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 8 x 9 7/8in. (20.3 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection