Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
4
unknown artist, ( Lewis )
Returning from a Review...Paris
1802
5
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Peasants Going to Market
1802
6
Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
O Evening thou Bringest All
1802
7
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
8
Print made by James Basire the younger, 1769–1822, British
Inside View of the East End of Merton College Chapel
1802
9
Print made by S. Porter, active 1802
Durham Cathedral
1802
10
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
11
James de Carle Sowerby, 1787–1871, British
Heads of Two Proboscis Monkeys
undated
12
Joseph Constantine Stadler, active 1780–1812, British
Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
1802
13
Print made by George Chinnery, 1774–1852, British
Henry Tresham, Esq, R.A
1802
14
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
15
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
16
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
17
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
18
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
19
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
20
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
21
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
22
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
23
Print made by William Daniell, 1769–1837, British
Thomas Hardwick
between 1802 and 1814
24
Print made by William Daniell, 1769–1837, British
Edmund Garvey, R.A
between 1802 and 1814
25
Samuel Howitt, 1756–1822, British
Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check
1802
26
Samuel Howitt, 1756–1822, British
Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry
1802
27
Samuel Howitt, 1756–1822, British
Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home
1802
28
James Gillray, 1756–1815, British
Tales of wonder
1802
29
James Gillray, 1756–1815, British
"all Bond Street trembled as he strode"
1802
30
Charles Williams, active 1796–1830, British
Close Shaveing or the will our own way
1802
31
unknown artist
Old Times Returned
1802
32
Thomas Girtin, 1775–1802, British
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
33
Charles Williams, active 1796–1830, British
English Patriots Bowing at the Shrine of Despotism
1802
34
Charles Williams, active 1796–1830, British
Two Pair of Candidates Proposed to the Independant Electors of Middlesex
1802
35
Charles Williams, active 1796–1830, British
Close Shaveing, or The Will Our Own Way
1802
36
Charles Williams, active 1796–1830, British
The Norwich Bull-Bait
1802
37
unknown artist
A View of the East-India House, Leadenhall Street, London
1802
38
unknown artist, ( J. Taylor )
The Remarkable Dirty Warehouse in Leadenhall Street
1802
39
Joseph Constantine Stadler, active 1780–1812, British
Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
1802
40
Joseph Constantine Stadler, active 1780–1812, British
Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
1802
41
Charles Williams, active 1796–1830, British
Theatrical Doctors recovering Clara's Notes!
1802
42
James Gillray, 1756–1815, British
Going to London, through "Epping Forest"
1802
43
Print made by Samuel William Reynolds, 1773–1835, British
James Northcote
1802
44
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
45
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
46
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
47
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
48
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
49
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
50
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
51
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
52
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
53
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
54
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
55
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
56
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
57
unknown artist, ( Giles Grinagain ) nineteenth century
Hodge Outwitted
1802
58
unknown artist, ( Giles Grinagain ) nineteenth century
How to Obtain a Request
1802
59
Print made by William Daniell, 1769–1837, British
Nathaniel Marchant, R.A
between 1802 and 1814
60
Print made by William Daniell, 1769–1837, British
Henry Howard
between 1802 and 1814
61
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
62
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
63
Charles Williams, active 1796–1830, British
Theatrical Doctors Recovering Clara's Notes
1802
64
Charles Williams, active 1796–1830, British
The Little Green Man or the Bath Bugabo, or the Widows Terror
1802
65
Charles Williams, active 1796–1830, British
Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton
1802
66
Charles Williams, active 1796–1830, British
A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting
1802
67
Charles Williams, active 1796–1830, British
Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor
1802
68
Charles Williams, active 1796–1830, British
John Bull Viewing Billy's Preparations for His Birthday
1802
69
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
70
James Godby, 1767–1849, British
The Drinking Well in Hyde Park
1802
71
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Distinguishing Characteristic of Masonry
1802
72
unknown artist
Proclamation of Peace at the Royal Exchange, London, April 29th, 1802
1802
73
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
He Was Wounded For Our Transgressions
1802
74
James Godby, 1767–1849, British
The Drinking Well in Hyde Park
1802
75
James Godby, 1767–1849, British
The Dipping Well in Hyde Park
1802
76
Joseph Constantine Stadler, active 1780–1812, British
The House in Portman Square, of His Excellency L. G. Otto, Minister Plenipotentiary from the French Republic
1802
77
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
78
Print made by James Basire the younger, 1769–1822, British
Inside View of the East End of Merton College
1802
79
Print made by William Daniell, 1769–1837, British
Francis Wheatley, R.A
between 1802 and 1814
80
Joseph Constantine Stadler, active 1780–1812, British
View of London, taken from Albion Place, Blackfryar Bridge
1802
81
Samuel Rawle, 1771–1860, British
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
1802
82
unknown artist, (Williams, S.)
Light Head Dress and Long Petticoats
1802
83
Samuel William Reynolds, 1773–1835, British
Vice Admiral Lord Hugh Seymour
1802
84
Richard Earlom, 1743–1822, British
Tiger Hunting in the East Indies
1802
85
Print made by Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
86
Print made by Thomas Girtin, 1775–1802, British
View of the City with the Louvre & Taken from Pont Marie
1802
87
Print made by Thomas Girtin, 1775–1802, British
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
88
Print made by Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
89
Print made by Thomas Girtin, 1775–1802, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
90
unknown artist, ( Lewis )
Inn Yard at Calais
1802
91
unknown artist, ( Lewis )
Changing Horses Near Clermont
1802
92
Thomas Burke, 1749–1815, British
Saturday Morning, Favorite Chickens Going to Market
1802
93
Robert Smirke, 1752–1845, British
Untitled: Prince Amgrad & Prince Affad
1802
94
Print made by Richard Cooper the Younger, 1740–1814, British
Landscape with Group of Trees
1802, published 1806
95
Print made by Richard Corbould, 1757–1831, British
Old Trees with Old Man, a Girl and a Dog
1802, published 1806
96
Print made by Thomas Girtin, 1775–1802, British
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
97
Print made by Thomas Girtin, 1775–1802, British
View of Pont St. Michel, Taken from Pont Neuf
1802
98
Print made by Thomas Girtin, 1775–1802, British
View of the Tuileries and Bridge taken from the Pont de la Concorde