Print made by Samuel William Reynolds, 1773–1835, British
Death of Captain Alexander Hood
1798
207
unknown artist
Old Houses in the Butcher Row
1798
208
Thomas Malton the Younger, 1748–1804, British
Cambridge University: Kings College Chapel
1798
209
Thomas Malton the Younger, 1748–1804, British
Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
1798
210
Thomas Malton the Younger, 1748–1804, British
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
211
unknown artist
South Front of the Bank
1798
212
unknown artist, eighteenth century
Bishopsgate Volunteer
1798
213
unknown artist
The Monument of Frances Dutchess Dudley - St. Giles
1798
214
unknown artist
The Royal Exchange
1798
215
James Peller Malcolm, 1767–1815, American
Manor House, St. Leonard's, Bromley
1798
216
J. Dadley, active 19th century
View of London Bridge
1798
217
unknown artist
St. Laurence's Church and Guild-Hall
1798
218
unknown artist
St. Laurance's Church and Guild-Hall
1798
219
James Gillray, 1756–1815, British
United Irishmen in Training
1798
220
James Gillray, 1756–1815, British
Councellor Ego. - i.e.: - Little I, Myself, I
1798
221
James Gillray, 1756–1815, British
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
222
James Gillray, 1756–1815, British
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
223
James Gillray, 1756–1815, British
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
224
James Gillray, 1756–1815, British
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
225
James Gillray, 1756–1815, British
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
226
James Gillray, 1756–1815, British
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
227
James Gillray, 1756–1815, British
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
228
James Gillray, 1756–1815, British
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
229
Isaac Cruikshank, 1764–1811, British
The Gallant Nelson Bringing Home Two Uncommon Fierce French Crocodiles from the Nile as a Present to the King
1798
230
James Gillray, 1756–1815, British
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
231
James Gillray, 1756–1815, British
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
232
James Gillray, 1756–1815, British
Shrine at St. Ann's Hill
1798
233
James Gillray, 1756–1815, British
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
234
James Gillray, 1756–1815, British
United Irishmen Upon Duty
1798
235
James Gillray, 1756–1815, British
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
236
Franciscus Sansom, active 1785–1799, British
More Short Petticoats of Highland Association Under Episcopal Examination
1798
237
William Ward, 1766–1826, British
[No. 5] Prints / of the / Improved British Cattle: Holderness Cow / Taken from His Majesty's Stock at Windsor
1798
238
Isaac Cruikshank, 1764–1811, British
The Origin of Cockney
1798
239
unknown artist
Nibbling at a Thin Slice of Single Gloucester!!
1798
240
James Gillray, 1756–1815, British
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
241
James Gillray, 1756–1815, British
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
242
Isaac Cruikshank, 1764–1811, British
Scotch Eloquence to a Chilly Congregation
1798
243
unknown artist
John Bull - Swearing to his Property
1798
244
William O'Keefe, active 1794–1807
Inspection of Property and Income, John Bull and The Inquisition
1798
245
William O'Keefe, active 1794–1807
A Pious Endeavour to Moralize John Bull
1798
246
Franciscus Sansom, active 1785–1799, British
Pupil of Nature
1798
247
unknown artist, ( G. L. )
Prospero on the Enchanted Island
1798
248
unknown artist
What Do You Want, Paddy?
1798
249
unknown artist
A Political Hypocondriac!!!
1798
250
unknown artist
Shades of Opposition; or, More Ghosts!!
1798
251
unknown artist
The Royal Rush Light
1798
252
unknown artist
A Voice from the Clouds or Modest Merit Rewarded
1798
253
George Moutard Woodward, ca. 1760–1809, British
The Effects of British Valour on the French Directory
1798
254
unknown artist
Revolution of the 4th of Sept(embe)r - (The 18th Fructidor of the 5th Year)
1798
255
unknown artist
Let us all be Unhappy Together: A Poem written and composed by Mr. Dibdin for His Entertainment called the Wags
1798
256
James Gillray, 1756–1815, British
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
257
James Gillray, 1756–1815, British
Extirpation of the Plagues of Egypt
1798
258
Thomas Rowlandson, 1756–1827, British
Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen
1798
259
Thomas Rowlandson, 1756–1827, British
High Fun for John Bull or the Republicans put to their Last Shift
1798
260
unknown artist, (T. S.)
The Old Goat and Young Kid - or the Queensborough-Novelist
1798
261
Charles Ansell, ca.1752–active 1790, British
The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure
1798
262
unknown artist
Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty
1798
263
unknown artist
Days of Prosperity; Or, Congratulations for John Bull
1798
264
unknown artist, eighteenth century
Sympathy or Paddy Bull's - Appeal to Gentlemen of Feeling
1798
265
unknown artist, eighteenth century
The Bedfordshire Hannibal taking the Oath of Eternal Enmity!!!
1798
266
unknown artist
A Military Extinguisher!!
1798
267
unknown artist
A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England
1798
268
Samuel Howitt, 1756–1822, British
Shooting a Buck
1812-reprint
269
Samuel Howitt, 1756–1822, British
Male Red Deer
1812 reprint
270
James Gillray, 1756–1815, British
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
271
Benjamin Thomas Pouncey, active 1772–1799, British
An Iron Work at Downton, Herefordshire
1798
272
unknown artist, eighteenth century
A View of the House of Correction in Gold Bath Fields
1798
273
James Gillray, 1756–1815, British
The Apotheosis of Hoche
1798
274
James Gillray, 1756–1815, British
Destruction of the French Collossus
1798
275
James Gillray, 1756–1815, British
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
276
Charles Knight, 1743–c.1826, British
Hay Makers in a Storm
1798
277
Robert Thew, 1758–1802, British
King Henry the Eighth: Act IV Scene II: Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1798
278
Thomas Rowlandson, 1756–1827, British
Cut Two and Right Protect
1798
279
Samuel Howitt, 1756–1822, British
Does and Fawns
1812 reprint
280
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Fonrose
1798
281
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Adelaide
1798
282
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
May
1798
283
Andrew Geddes, 1783–1844, British
Study of Two Peacocks
undated
284
John Murphy, ca. 1748–1820, British
A Tiger
1798
285
James Gillray, 1756–1815, British
Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)
1798
286
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)