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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1797

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Subject Terms woman

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William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
James Walker Ely
Print made by James Walker, 1748–1808, British
Ely
1797
James Walker Westminster Bridge
Print made by James Walker, 1748–1808, British
Westminster Bridge
1797
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene III
ca. 1802
James Ward Mrs. Morland's Portrait
James Ward, 1769–1859, British
Mrs. Morland's Portrait
ca. 1802
James Walker Flint, from Park-Gate
Print made by James Walker, 1748–1808, British
Flint, from Park-Gate
1797
James Walker Carlisle
Print made by James Walker, 1748–1808, British
Carlisle
1797
Bartholomew Howlett Grantham Church
Print made by Bartholomew Howlett, 1767–1827, British
Grantham Church
1797
Thomas Girtin Saint Cuthbert's Holy Island
Thomas Girtin, 1775–1802, British
Saint Cuthbert's Holy Island
1797
James Walker Westminster Bridge
Print made by James Walker, 1748–1808, British
Westminster Bridge
1797