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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1796
Remove constraint Date: 1796Image Available Unavailable
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1
- Pl. 15: `The Conjugal Union of Cupid'
- 1796
2
- Pl. 16: `Cupid & Psyche'
- 1796
3
- Pl. 18: `Iron Age'
- 1796
4
- Pl. 12: `Psyche Disobeys.'
- 1796
5
- Pl. 19: `Aristophanes Clouds. Scene I'
- 1796
6
- Pl. 19: `Aristophanes Clouds. Scene I'
- 1796
7
- Pl. 23: `Anacreon Ode LII'
- 1796
8
- Pl. 13: `Psyche Repents.'
- 1796
9
- Pl. 14: `Venus Counsels Cupid'
- 1796
10
- Pl. 15: `The Conjugal Union of Cupid'
- 1796
11
- Pl. 16: `Cupid & Psyche'
- 1796
12
- Pl. 23: `Anacreon Ode LII'
- 1796
13
- Pl. 12: 'Psyche Disobeys'
- 1796
14
- Pl. 13: `Psyche Repents'
- 1796
15
- Pl. 14: `Venus Councels Cupid'
- 1796
16
- An Airing in Hyde Park
- 1796
17
- A Midsummer Night's Dream, Act IV, Scene I
- c.1796
18
- The Environs of London
- between 1796 and 1811
19
- An Airing in Hyde Park
- 1796
20
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
21
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
22
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
23
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
24
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
25
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
26
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
27
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
28
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
29
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
30
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
31
- Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists
- 1796
32
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
34
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
35
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
36
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
37
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
38
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
39
- Views of Quebec: Falls of Montmorenci
- 1796
40
- Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
- undated
41
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
42
- Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
- 1796
43
- Album of Twenty Etchings of Shakespearian Subjects
- 1796
44
- Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
- 1796
45
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
46
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
47
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
48
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
49
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
50
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
51
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
52
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
53
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
54
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
55
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
56
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
57
- The Death of Dido
- 1796
58
- The Admiralty
- 1796
59
- Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)
- 1796
60
- Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)
- 1796
61
- Alexander Wedderburn, 1st Earl of Rosslyn
- 1796
62
- 'Sweetwilliam'
- 1796
63
- Emilia, Duchess of Leinster
- 1796
64
- Whitehall
- 1796
65
- Old Palace Yard, Westminster
- 1796
66
- The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)
- 1796
67
- An Airing in Hyde Park
- 1796
68
- Tynemouth
- undated
69
- Edgeworthstown archive,
- 1796-1815