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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1795

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Width [cm] 41

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George Stubbs Human Skeleton, Anterior View (Finished Study for Table I)
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View (Finished Study for Table I)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Finished Study for Table II)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Finished Study for Table II)
1795 to 1806
George Stubbs Human Figure, Anterior View, Undissected (Finished Study for Table VI)
George Stubbs, 1724–1806, British
Human Figure, Anterior View, Undissected (Finished Study for Table VI)
1795 to 1806
George Stubbs Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
between 1795 and 1806
George Stubbs Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
George Stubbs, 1724–1806, British
Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
between 1795 and 1806
George Stubbs Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
George Stubbs, 1724–1806, British
Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
between 1795 and 1806
George Stubbs Human Figure, Anterior View (Intended for a Plate That was Never Published)
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline drawing for key figure to Table XII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline drawing for key figure to Table XII)
1795 to 1806
George Stubbs Human Figure, Posterior View (Finished Study for an Unpublished Plate)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
George Stubbs Human Figure, Posterior View
George Stubbs, 1724–1806, British
Human Figure, Posterior View
1795 to 1806
George Stubbs Human Figure, Lateral View (For the key figure to Table XIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (For the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
between 1795 and 1806
George Stubbs Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
Between 1795 and 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Fowl Skeleton, Lateral View (Finished Study for Table V)
George Stubbs, 1724–1806, British
Fowl Skeleton, Lateral View (Finished Study for Table V)
between 1795 and 1806
George Stubbs Human Figure, Posterior View, Undissected (Finished Study for Table VII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View, Undissected (Finished Study for Table VII)
1795 to 1806
George Stubbs Fowl Body, Lateral View
George Stubbs, 1724–1806, British
Fowl Body, Lateral View
1795 to 1806
George Stubbs Human Figure, Anterior View (Outline figure)
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Outline figure)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
George Stubbs Fowl Body, Lateral View
George Stubbs, 1724–1806, British
Fowl Body, Lateral View
1795 to 1806
George Stubbs Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
George Stubbs, 1724–1806, British
Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
between 1795 and 1806
Thomas Rowlandson 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Thomas Rowlandson, 1756–1827, British
'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
undated
unknown artist One of Eleven Designs for Houses and Shops
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
unknown artist One of Eleven Designs for Houses and Shops
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
Caroline Watson The Tempest, Act V, Scene I
Print made by Caroline Watson, 1760–1814, British
The Tempest, Act V, Scene I
1795
James Gillray Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
James Gillray, 1756–1815, British
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
James Gillray The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
James Gillray, 1756–1815, British
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
unknown artist The Elect-r- or H---R- Giving the Embrace of Peace, to a Sans Culotte, or, Two Head Better Than One
unknown artist
The Elect-r- or H---R- Giving the Embrace of Peace, to a Sans Culotte, or, Two Head Better Than One
1795
William Skelton Richard III: Act IV, Scene III, Tower of London
Print made by William Skelton, 1763–1848, British
Richard III: Act IV, Scene III, Tower of London
1795