Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1792 / Classification: Prints

1. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Complaint and The Consolation: or Night Thoughts

Creator:: William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Hand-colored line engraving
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 27, "O treacherous conscience!"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Moon-Light

Creator:: Print made by John Browne, 1741–1801, British
Date:: ca. 1797
Medium:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. After Sun-Set

Creator:: Print made by John Browne, 1741–1801, British
Date:: ca. 1797
Medium:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Evening

Creator:: Print made by John Browne, 1741–1801, British
Date:: ca. 1797
Medium:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Evening

Creator:: Print made by John Browne, 1741–1801, British
Date:: ca. 1797
Medium:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Moon-Light

Creator:: Print made by John Browne, 1741–1801, British
Date:: ca. 1797
Medium:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Morning

Creator:: Print made by John Browne, 1741–1801, British
Date:: ca. 1797
Medium:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821, British
Date:: 1792
Medium:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. View of the Forth, Including the Queen's Ferry

Creator:: Francis Jukes, 1747–1812, British
Date:: 1792
Medium:: Aquatint, hand-colored
Dimensions:: Sheet: 21 1/2 x 29 3/4in. (54.6 x 75.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Farm House

Creator:: Joseph Constantine Stadler, active 1780–1812, British
Date:: 1792
Medium:: Engraving
Dimensions:: Sheet: 11 3/16 x 16 3/4in. (28.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817, Swiss
Date:: 1792
Medium:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817, Swiss
Date:: 1792
Medium:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817, Swiss
Date:: 1792
Medium:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Westminster Bridge

Creator:: unknown artist
Date:: 1792
Medium:: Aquatint, hand-colored
Dimensions:: Sheet: 11 11/16 x 15 1/4in. (29.7 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Partial View of the West Front of St. Pauls

Creator:: Thomas Morris, born 1771, British
Date:: 1792
Medium:: Engraving
Dimensions:: Sheet: 22 1/4 x 17in. (56.5 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Grosvenor House at Walthamstow, Essex, Outer Suburb - East

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Islington Church

Creator:: William Ellis, 1747–1810, British
Date:: 1792
Medium:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Greenwich Hospital

Creator:: William Walker, 1791–1867, British
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Monument in St. Botolph's Bishopsgate

Creator:: unknown artist, eighteenth century
Date:: 1792
Medium:: Engraving
Dimensions:: Sheet: 9 x 6 13/16in. (22.9 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Parish Church of St. Botolph without Aldgate

Creator:: unknown artist, eighteenth century-nineteenth century
Date:: 1792
Medium:: Engraving
Dimensions:: Sheet: 15 5/8 x 9 1/16in. (39.7 x 23cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Islington

Creator:: William Ellis, 1747–1810, British
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View on Westminster Bridge

Creator:: unknown artist
Date:: 1792
Medium:: Aquatint, hand-colored
Dimensions:: Sheet: 11 7/8 x 15 1/4in. (30.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Action off Cape St. Vicent, 14 February 1797

Creator:: Robert Dodd, 1748–1816, British
Date:: ca. 1797
Dimensions:: Sheet: 19 1/2 x 29in. (49.5 x 73.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Shooting [a pair]: 2. Evening

Creator:: Print made by George Morland, 1763–1804, British
Date:: 1792
Medium:: Aquatint, hand-colored, title in wash border
Dimensions:: Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ticket for the Brandenbourg House Masquerade

Creator:: Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: ca. 1797
Medium:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Resignation the Greatest of all Virtues

Creator:: Isaac Cruikshank, ?, 1764–1811, British
Date:: 1792
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Maid of Bath or Mac in her Teens

Creator:: Isaac Cruikshank, 1764–1811, British
Date:: 1792
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

Creator:: Charles Loraine Smith, 1751–1835, British
Date:: 1792
Medium:: Hand colored engraving
Dimensions:: Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Necessary War or Quixotism Revived, or The Knight of the Little House

Creator:: Isaac Cruikshank, 1764–1811, British
Date:: 1792
Medium:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Sportsman's Return

Creator:: William Ward, 1766–1826, British
Date:: 1792 (re-issue of 1791)
Medium:: Mezzotint, printed in color and hand colored
Dimensions:: Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

Creator:: Print made by Charles Williams, active 1796–1830, British
Date:: 1792
Medium:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 15in. (27 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Physick; - or - The News of Shooting the King of Sweden

Creator:: James Gillray, 1756–1815, British
Date:: 1792
Medium:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot

Creator:: James Gillray, 1756–1815, British
Date:: 1792
Medium:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Wha Wants Me?

Creator:: James Gillray, 1756–1815, British
Date:: 1792
Medium:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales

Creator:: J. Thornthwaite, 1740–active 1776
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Angelica Kauffmann

Creator:: Print made by John Chapman, active ca. 1792–1823, British
Date:: undated
Medium:: Stipple engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 3 1/8 inches (12 × 8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Wha Wants Me?

Creator:: James Gillray, 1756–1815, British
Date:: 1792
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Resignation the Greatest of all Virtues

Creator:: Isaac Cruikshank, 1764–1811, British
Date:: 1792
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Tom Paine's Nightly Pest

Creator:: James Gillray, 1756–1815, British
Date:: 1792
Medium:: Etching
Dimensions:: Image: 11 1/2 x 14 5/16 inches (29.2 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Creator:: Print made by Robert Thew, 1758–1802, British
Date:: 1792
Medium:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Sir Joshua Reynolds

Creator:: William Ridley, 1764–1838, British
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. 2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]

Creator:: Charles Loraine Smith, 1751–1835, British
Date:: 1792
Medium:: Hand colored engraving
Dimensions:: Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. 3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball

Creator:: Charles Loraine Smith, 1751–1835, British
Date:: 1792
Medium:: Hand colored engraving
Dimensions:: Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation

Creator:: Charles Loraine Smith, 1751–1835, British
Date:: 1792
Medium:: Hand colored engraving
Dimensions:: Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Shooting [a pair]: 1. Morning

Creator:: Print made by George Morland, 1763–1804, British
Date:: 1792
Medium:: Aquatint, hand-colored, title in wash border
Dimensions:: Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Collection of Prints by Notable Dilettanti

Creator:: Print made by John Condé, 1765–1794, French, active in Britain
Date:: 1792
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. London Wall

Creator:: unknown artist
Date:: 1792
Medium:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. An Old House which is now standing on Little Tower Hill

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Georgius Johannes Commes, Spencer

Creator:: Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: 1792
Medium:: Line engraving and stipple engraving on Not signed
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Lodona

Creator:: Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: 1792
Medium:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Sun Rising

Creator:: unknown artist, ( J. Kirk )
Date:: 1792
Medium:: Stipple engraving
Dimensions:: Sheet: 7 1/2 x 10 5/8in. (19.1 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Newington Buts

Creator:: William Ellis, 1747–1810, British
Date:: 1792
Medium:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Earl of Mansfield's at Caen Wood near Hampstead

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Lord Southampton's Lodge at Highgate, Middlesex

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. View in Margaret Street

Creator:: unknown artist
Date:: 1792
Medium:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Freeing of Amoret

Creator:: Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: 1792
Medium:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Islington Church

Creator:: William Ellis, 1747–1810, British
Date:: 1792
Medium:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Sir Charles Asgill's Villa, with a View of the Bridge at Richmond, Surrey

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Savoy in 1650 (after Hollar), and As it is at Present, 1792

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. London Wall, in the Church Yard of St. Giles', Cripplegate

Creator:: unknown artist
Date:: 1792
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1792

Classification Prints

Search Results

1. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

2. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

3. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

4. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

5. The Complaint and The Consolation: or Night Thoughts

6. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

7. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

8. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

9. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

10. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

11. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

12. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

13. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

14. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

15. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

16. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

17. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

18. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

19. Young's Night Thoughts, Page 27, "O treacherous conscience!"

20. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

21. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

22. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

23. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

24. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

25. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

26. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

27. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

28. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

29. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

30. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

31. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

32. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

33. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

34. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

35. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

36. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

37. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

38. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

39. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

40. Moon-Light

41. After Sun-Set

42. Evening

43. Evening

44. Moon-Light

45. Morning

46. Windsor Bridge

47. View of the Forth, Including the Queen's Ferry

48. The Farm House

49. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

50. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

51. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

52. Westminster Bridge

53. Partial View of the West Front of St. Pauls

54. The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex

55. The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East

56. Grosvenor House at Walthamstow, Essex, Outer Suburb - East

57. Islington Church

58. Greenwich Hospital

59. Monument in St. Botolph's Bishopsgate

60. The Parish Church of St. Botolph without Aldgate

61. Islington

62. View on Westminster Bridge

63. Action off Cape St. Vicent, 14 February 1797

64. Shooting [a pair]: 2. Evening

65. Ticket for the Brandenbourg House Masquerade

66. Resignation the Greatest of all Virtues

67. The Maid of Bath or Mac in her Teens

68. 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

69. A Necessary War or Quixotism Revived, or The Knight of the Little House

70. The Sportsman's Return

71. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

72. The Physick; - or - The News of Shooting the King of Sweden

73. Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot