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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1783
Remove constraint Date: 1783Classification Prints
Remove constraint Classification: PrintsSearch Results
1
- "There is No Natural Religion", London, by William Blake
- ca. 1788
2
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
3
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
4
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
5
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
6
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
7
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
8
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
9
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
10
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
11
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
12
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
13
- "A Select Collection of English Songs," London, 1783
- 1783
14
- A Select Collection of English Songs
- 1783
15
- A Select Collection of English Songs
- 1783
16
- A Select Collection of English Songs
- 1783
17
- A Select Collection of English Songs
- 1783
18
- A Select Collection of English Songs
- 1783
19
- A Select Collection of English Songs
- 1783
20
- A Select Collection of English Songs
- 1783
21
- A Select Collection of English Songs
- 1783
22
- A Select Collection of English Songs
- 1783
23
- A Select Collection of English Songs
- 1783
24
- A Select Collection of English Songs
- 1783
25
- A Select Collection of English Songs
- 1783
26
- A Select Collection of English Songs
- 1783
27
- A Select Collection of English Songs
- 1783
28
- A Select Collection of English Songs
- 1783
29
- A Select Collection of English Songs
- 1783
30
- The Society for the Encouragement of the Arts (2 copies)
- after 1783
31
- The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
32
- Front, Side View, and Back Front, of a Modern fine Gentleman
- 1783
33
- Sir Harbord Harbord Bart
- 1783
34
- Lucan-House
- 1783
35
- King Street, Guildhall
- 1783
36
- Painting
- 1783
37
- A pair: 1. Symptoms of Rearing, 2. Moses
- 1783
38
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- undated
39
- A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
- 1783
40
- Junction of Parties
- 1783
41
- Angelica Kauffman
- undated
42
- A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
- 1783
43
- City Malitia (sic) Marching
- ca. 1788
44
- Bonus / Mellior / Optimus
- 1783
45
- A New Administration, or the State Quacks Administering
- 1783
46
- A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
- 1783
47
- The Nabob Rumbled or a Lord Advocates Amusement
- 1783
48
- Mrs. Abington as Thalia
- 1783
49
- The Nabob Rumbled or A Lord Advocates Amusement
- 1783
50
- George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
- 1783
51
- Young Lady in Feathered Hat
- 1783
52
- Coriolanus, Act 5, Scene III
- 1783
53
- A View of Paddington Green
- 1783
54
- Sappho Embracing Love
- 1783
55
- Cleopatra And Meleagar
- 1783
56
- The Encampment in St. James's Park MDCCLXXX
- 1783
57
- St. James's Park
- 1783
58
- Cecilia
- 1783
59
- A Sacrifice To Cupid
- 1783
60
- The Triumph of Beauty and Love
- 1783
61
- Paulus Aemelius
- 1783
62
- Diana, The Huntress
- 1783
63
- Mrs. Abington As Thalia
- 1783
64
- Polyhemus, Playing The Panpipes For Galatea
- 1783
65
- Chiswick House in Middlesex, the Seat of Duke of Devonshire
- 1783
66
- G. B. Cipriani, RA
- 1783
67
- Beauty
- 1783
68
- Prosperity
- 1783
69
- Prudence, Holding A Land Mirror, And An Arrow With A Serpant
- 1783
70
- Meekness
- 1783
71
- Lady Amelia Hume
- 1783
72
- John, Lord Cardiff
- 1783
73
- The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
- after 1783
74
- The Inflexible Porter, a Tragedy
- 1783
75
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
76
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
77
- Mademoiselle Baccelli
- 1783
78
- The Death of Captain Cook
- 1783
79
- The Fall of Agandecca
- 1783
80
- Fainasollis, Borbar and Fingal
- 1783
81
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
82
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
83
- Honorable Mrs. Stanhope
- 1783
84
- The Encampment in the Museum Garden
- 1783
85
- S. E. View of Copenhagen House
- 1783
86
- Lady Elizabeth Harriet Bulkeley (née Warren)
- 1783
87
- The Elevation of the Brazen Serpent in the Wilderness
- 1783
88
- The Elevation of the Brazen Serpent in the Wilderness
- 1783
89
- Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
- 1783
90
- Building of a Cutter
- 1783
91
- Chase of a Cutter
- 1783
92
- The Spell, or Hobnelia
- 1783
93
- Samuel, Lord Hood
- 1783
94
- The Battle of Agincourt
- 1783
95
- The Battle of Agincourt
- 1783
96
- The Battle of Agincourt
- 1783
97
- Cherub Whispering To Woman Holding Letter
- 1783
98
- Carlo Khan's Triumphal entry into Leadenhall Street
- 1783
99
- A Transfer of East India Stock
- 1783
100
- View of Mr. Hatchett's Capital House in Long Acre
- 1783