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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1780

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Subject Terms cityscape

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1. An Unfinished View of the West Gate, Canterbury

An Unfinished View of the West Gate, Canterbury
Creator:
Paul Sandby, 1731–1809, British
Date:
between 1780 and 1785
Medium:
Pen and brown ink and oil on paper laid down on panel
Dimensions:
17 7/8 x 25 inches (45.4 x 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
Creator:
Willey Reveley, [?], 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 18 3/4in. (25.1 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A View of Rotterdam, and the River Maese with Variety of Shipping

A View of Rotterdam, and the River Maese with Variety of Shipping
Creator:
unknown artist
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Creator:
Thomas Bowles, ca. 1712–died 1753, British
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Creator:
Thomas Bowles, ca. 1712–died 1753, British
Date:
between 1780 and 1815
Medium:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Creator:
Thomas Bowles, ca. 1712–died 1753, British
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
J. Couse, active 1750
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A View of Little St. Mark's Place at Venice to the Sea

A View of Little St. Mark's Place at Venice to the Sea
Creator:
Thomas Bowles, ca. 1712–died 1753, British
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Creator:
Remi Parr, active 1723–1750, British
Date:
between 1780 and 1815
Medium:
Hand-colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The City of Dresden

The City of Dresden
Creator:
unknown artist, (Patton)
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A View of the City of Oporto

A View of the City of Oporto
Creator:
unknown artist
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Perspective View of the Town and Fortifications of Malta

A Perspective View of the Town and Fortifications of Malta
Creator:
Thomas Bowles, ca. 1712–died 1753, British
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Perspective View of Venice

A Perspective View of Venice
Creator:
John Bowles, 1701–1779, British
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Creator:
Nathaniel Parr, active 1742–1751, British
Date:
between 1780-1815
Medium:
Hand colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A View of the Ruins of the Temple of Jupiter Olympius at Athens

A View of the Ruins of the Temple of Jupiter Olympius at Athens
Creator:
unknown artist
Date:
between 1780 and 1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Creator:
Nathaniel Parr, active 1742–1751, British
Date:
between 1780-1815
Medium:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A South-East View of the City of Boston in North America

A South-East View of the City of Boston in North America
Creator:
J. Carwitham, active 1720–1740
Date:
undated
Medium:
Hand-colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea

Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
Creator:
unknown artist
Date:
ca. 1785
Medium:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 13 1/16 inches (21.9 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Views in the Levant: Rome with Ruins seen Through an Archway

Views in the Levant: Rome with Ruins seen Through an Archway
Creator:
Willey Reveley, 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea
Creator:
Willey Reveley, (?), 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea

Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea
Creator:
Willey Reveley, (?), 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 14 5/16 inches (16.8 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Creator:
Willey Reveley, (?), 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection