Phaeton with a Pair of Cream Ponies and a Stable-Lad
between 1780 and 1784
Not on view
2
George Stubbs, 1724–1806, British
Greenland Falcon
1780
Not on view
3
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
William and Margaret from Percy's 'Reliques of Ancient English Poetry'
ca. 1785
Not on view
4
George Morland, 1763–1804, British
Winter Landscape with Figures
ca. 1785
Not on view
5
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
A Grotto in the Gulf of Salerno, Sunset
1780 to 1781
Not on view
6
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
A Lake by Moonlight
1780 to 1782
Not on view
7
Paul Sandby, 1731–1809, British
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
8
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Matlock Dale, looking toward Black Rock Escarpment
between 1780 and 1785
Not on view
9
Gilbert Stuart, 1755–1828, American, active in Britain (1775–93)
Colonel Isaac Barre
ca. 1785
Not on view
10
unknown artist, eighteenth century
Brown Horse in a Hilly Landscape
ca. 1785
Not on view
11
Alexander Nasmyth, 1758–1840, British
Loch Awe, Argyllshire
ca. 1785
Not on view
12
Arthur William Devis, 1762–1822, British
Portrait of a Gentleman and an Indian Servant
ca. 1785
Not on view
13
Thomas Luny, 1759–1837, British
A Packet Boat Under Sail in a Breeze off the South Foreland
1780
Not on view
14
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Study of the Lamentation on the Dead Christ
ca. 1785
Not on view
15
Josiah Wedgwood, 1730–1795, British
Horse Frightened by a Lion (Episode A)
modeled 1780
Not on view
16
James Tassie, 1735–1799, British
David Garrick
1780
Not on view
17
George Stubbs, 1724–1806, British
Tygers at Play
1780
18
Joseph Mallord William Turner, 1775–1851, British
Fisherman's Cottage, Dover
ca. 1790s
19
Willey Reveley, [?], 1760–1799, British
Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
20
Paul Sandby, 1731–1809, British
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
21
Paul Sandby, 1731–1809, British
James Gandon and Family
1780
22
Attributed to Thomas Harrison, 1744–1829, British
Laid Out Wall Plan of a Room for Clifton Castle
between 1780 and 1790
23
Attributed to Thomas Harrison, 1744–1829, British
Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York
ca. 1780-1790
24
William Lewin, 1747–1795, British
Warbler: Reed Wren
before 1790
25
William Lewin, 1747–1795, British
Jackdaw
before 1790
26
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
27
Paul Sandby, 1731–1809, British
Halfway House, Sadler's Wells
1780
28
Attributed to Thomas Harrison, 1744–1829, British
Variant Ceiling Plan for Clifton Castle
ca. 1780-1790
29
Attributed to Thomas Harrison, 1744–1829, British
Ceiling Plan for Clifton Castle
ca. 1780-1790
30
Attributed to Thomas Harrison, 1744–1829, British
Working Drawing for the Plasterwork of a Frieze for Clifton Castle
ca. 1780-1790
31
William Lewin, 1747–1795, British
Falcon: Hen Krestel
before 1790
32
William Lewin, 1747–1795, British
Hoopoe: Common Hoopoe
before 1790
33
William Lewin, 1747–1795, British
Roller: Garrulous Roller
before 1790
34
William Lewin, 1747–1795, British
Owl: Little Owl
before 1790
35
Jacob More, 1740–1793, British
Naples from Posillipo
1780's
36
Nicholas Pocock, 1740–1821, British
The Ranger, Private Ship of War, with her Prizes
1780
37
Paul Sandby, 1731–1809, British
Group of Figures: A Dogfight
ca. 1785
38
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
39
Robert Marris, 1750–1827
Waterfall near Lynton
1780
40
Thomas Hearne, 1744–1817, British
Goodrich Castle on the Wye
ca. 1785
41
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
42
unknown artist
Design for a blacksmith's shop
between 1780 and 1790
43
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style
ca. 1780-1790
44
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
45
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
46
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style
ca. 1780-1790
47
unknown artist
Design for stables, plan with 2 elevations
undated
48
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
49
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
50
Henry Tresham, 1751–1814, British
Playing at Dice, Trepani
between 1780 and 1790
51
Paul Sandby, 1731–1809, British
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
52
Thomas Rowlandson, 1756–1827, British
Bucks of the First Head
ca. 1785
53
Print made by John Raphael Smith, 1752–1812, British
A Man-Trap
c.1780
54
Thomas Rowlandson, 1756–1827, British
George Morland
between 1780 and 1799
55
Thomas Rowlandson, 1756–1827, British
Skating on the Serpentine
before 1790
56
Thomas Rowlandson, 1756–1827, British
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
57
Francis Towne, 1740–1816, British
The Foot Bridge
1780
58
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket for the Benefit of Mr. Giardini
1780
59
Joseph Farington, 1747–1821, British
Palace on a Cliff Above a River
1780-1789 (?)
60
Thomas Gainsborough, 1727–1788, British
Open Landscape with Horsemen and Covered Cart
between 1780 and 1788
61
Mary Hoare, 1744–1820, British
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
62
Prince Hoare, 1755–1834, British
Head of a Young Girl
1780
63
Joseph Farington, 1747–1821, British
Landscape with Trees by a Lake
1780-1789
64
Thomas Daniell, 1749–1840, British, active in India
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
65
Thomas Daniell, 1749–1840, British, active in India
Boats near a Dutch Folly Fort, Canton
ca. 1785
66
Willey Reveley, (?), 1760–1799, British
Views in the Levant: The Colossus of Barletta
ca. 1785
67
John Hoppner, 1758–1810, British
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
68
Thomas Rowlandson, 1756–1827, British
An English Postilion
ca. 1785
69
Thomas Bowles, ca. 1712–died 1753, British
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
70
Thomas Bowles, ca. 1712–died 1753, British
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
71
Thomas Bowles, ca. 1712–died 1753, British
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
72
J. Couse, active 1750
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
73
Thomas Bowles, ca. 1712–died 1753, British
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
74
Remi Parr, active 1723–1750, British
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
75
Julius Caesar Ibbetson, 1759–1817, British
Skating in Hyde Park
ca. 1785
76
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
77
William Hodges, 1744–1797, British
Original Drawings for Choix de Vues de L'Inde and Others, Volume III
between 1780 and 1788
78
William Hodges, 1744–1797, British
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
79
William Hodges, 1744–1797, British
Original Drawings for Choix de Vues de L'Inde and Others, Volume II
between 1780 and 1788
80
Charles Reuben Ryley, 1752–1798, British
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
81
Charles Reuben Ryley, 1752–1798, British
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
82
unknown artist, eighteenth century
[ man with a candle ]
178-?
83
Engraved by unknown artist
The Ladies' Shooting Poney
1780
84
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Concert Ticket: Benefit Night of Luigi Borghi
1780
85
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket for the Benefit of Mr. Giardini
1780
86
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Angelica Kauffman
1780
87
Thomas Bowles, ca. 1712–died 1753, British
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
88
John Bowles, 1701–1779, British
A Perspective View of Venice
between 1780 and 1815
89
Nathaniel Parr, active 1742–1751, British
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
90
Nathaniel Parr, active 1742–1751, British
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
91
James Gillray, ?, 1756–1815, British
National Discourse
1780
92
Richard Cooper the Younger, 1740–1814, British
Classical Landscape
ca. 1785
93
Richard Cooper the Younger, 1740–1814, British
Classical Italian Landscape with Temples and a Ruined Aquaduct
ca. 1785
94
Attributed to Sir Joseph Ayloffe, 1709–1781, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
95
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
96
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
97
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
98
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
99
Engraved by James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
100
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)