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Credit Line Yale Center for British Art, Paul Mellon Collection

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John R. Skeaping One of Burch's
John R. Skeaping, 1901–1980, British
One of Burch's
1974
Robert Polhill Bevan Huntsman and Hounds
Print made by Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
1898-1899
Robert Polhill Bevan Huntsman and Hounds
Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
ca. 1896
John Constable Hampstead Heath
John Constable, 1776–1837, British
Hampstead Heath
1820
John Constable Mary Constable Reading
John Constable, 1776–1837, British
Mary Constable Reading
1812
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study of a Pilgrim
undated
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
George Stubbs Human Skeleton, Anterior View (Finished Study for Table I)
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View (Finished Study for Table I)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Finished Study for Table II)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Finished Study for Table II)
1795 to 1806
George Stubbs Human Figure, Anterior View, Undissected (Finished Study for Table VI)
George Stubbs, 1724–1806, British
Human Figure, Anterior View, Undissected (Finished Study for Table VI)
1795 to 1806
George Stubbs Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
between 1795 and 1806
George Stubbs Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
1795 to 1806
George Stubbs Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
between 1795 and 1806
George Stubbs Study of the Human Figure, Anterior View (Probably related to Table XI)
George Stubbs, 1724–1806, British
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
George Stubbs Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
George Stubbs, 1724–1806, British
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
George Stubbs Human Figure, Anterior View (Intended for a Plate That was Never Published)
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
George Stubbs Human Skeleton, Anterior View (Final study)
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View (Final study)
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline drawing for key figure to Table XII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline drawing for key figure to Table XII)
1795 to 1806
George Stubbs Human Figure, Posterior View (Finished Study for an Unpublished Plate)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Relates to Table II)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Relates to Table II)
1795 to 1806
George Stubbs Human Figure, Posterior View
George Stubbs, 1724–1806, British
Human Figure, Posterior View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)
1795 to 1806
George Stubbs Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (For the key figure to Table XIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (For the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
George Stubbs Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
between 1795 and 1806
George Stubbs Human Skeleton, Posterior View
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
Between 1795 and 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
1795 to 1806
George Stubbs Human Skeleton, Posterior View
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View
1795 to 1806
George Stubbs Human Skeleton, Anterior View (Right Arm Outstretched; finished study for unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View (Right Arm Outstretched; finished study for unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Study for the Self-portrait in Enamel
George Stubbs, 1724–1806, British
Study for the Self-portrait in Enamel
ca. 1781
George Stubbs Human Figure, Posterior View, Undissected (Finished Study for Table VII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View, Undissected (Finished Study for Table VII)
1795 to 1806
George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
1795 to 1806
George Stubbs Human Figure, Anterior View (Largely in outline)
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Largely in outline)
1795 to 1806
George Stubbs Human Figure, Anterior View (Outline drawing)
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Outline drawing)
1795 to 1806
George Stubbs Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
George Stubbs Human Body, Posterior View (Outline Drawing for Table VII)
George Stubbs, 1724–1806, British
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
George Stubbs Human Figure, Anterior View (Outline figure)
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Outline figure)
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
George Stubbs Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
George Stubbs Human Figure, Posterior View (Further Study for Table XII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
William Hogarth Hymen
William Hogarth, 1697–1764, British
Hymen
ca. 1748
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764, British
Hogarth Painting the Comic Muse
1764
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851, British
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851, British
A Great Tree
ca. 1796
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851, British
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851, British
Jason
1807
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851, British
Procris and Cephalus
1812
George Romney The Bath of Bath-sheba
George Romney, 1734–1802, British
The Bath of Bath-sheba
undated
George Romney Study of the Head of a Young Man
attributed to George Romney, 1734–1802, British
Study of the Head of a Young Man
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802, British
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake An Angel with a Trumpet
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
William Blake A Visionary Head
William Blake, 1757–1827, British
A Visionary Head
1819 to 1820
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake Socrates, a Visionary Head
William Blake, 1757–1827, British
Socrates, a Visionary Head
ca. 1820
William Blake Study for a Destroying Deity
William Blake, 1757–1827, British
Study for a Destroying Deity
1820 to 1825
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798