Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
7
Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672)
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
8
Print made by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1811
9
Print made by John Pye, 1782–1874, British
A View of Oxford from the Abingdon Road
1818
10
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
11
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
12
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
13
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
14
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
15
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
16
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
17
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
18
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
19
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
20
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
21
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
22
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
23
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
24
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
25
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
26
John Varley, 1778–1842, British
Llanberis Lake, with Castle Dolbadern
ca. 1805
27
William Daniell, 1769–1837, British
Windsor Castle from near Brocas Meadows
1827
28
Joseph Farington, 1747–1821, British
View of Skiddaw and Derwentwater
ca. 1780
29
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
30
Samuel Howitt, 1756–1822, British
The Kill
undated
31
William Bernard Cooke, 1778–1855, British
[Racing] Hap-Hazard. The Property of the Rt. Hon. the Earl of Darlington
1805
32
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
33
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
34
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
35
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
36
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
37
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
38
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
39
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
40
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
41
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
42
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
43
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
44
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
45
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
46
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
47
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
48
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
49
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
50
Print made by Joseph Constantine Stadler, active 1780–1812, British
Rosehill
ca. 1810
51
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
52
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
53
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
54
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
55
Samuel Davis, 1760–1819, British
Mr. Croft's bungalow, Near Madras
undated
56
Samuel Davis, 1760–1819, British
Old Mosque at Rajemahl [Rajmahal]
undated
57
James Godby, 1767–1849, British
The Drinking Well in Hyde Park
1802
58
unknown artist, ( James Phelps )
A View of St. Katharine's Dock in the Month of January, 1828
1828
59
Robert Adam, 1728–1792, British
Headfort House: Lady's Room Ceiling
1772
60
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
61
Print made by Daniel Wilson, 1816–1892
Ancient Carthage - The Embarcation of Regulus
1840
62
Print made by James T. Willmore, 1800–1863, British
Ancient Italy - Ovid Banished from Rome
1842
63
Richard Earlom, 1743–1822, British
Tiger Hunting in the East Indies
1802
64
Richard Earlom, 1743–1822, British
Embassy of Hyderbeck to Calcutta
1800
65
Richard Earlom, 1743–1822, British
Labourers
1790
66
William Ward, 1766–1826, British
The Truants
1796
67
Thomas Malton, 1726–1801, British
Lleweney Bleach Works
1798
68
James Ward, 1769–1859, British
A Boy Employed in Burning Weeds
1793
69
Print made by Samuel William Reynolds, 1773–1835, British
Death of Captain Alexander Hood
1798
70
Print made by Thomas Malton the Younger, 1748–1804, British
Cambridge University: Queens College
1800
71
Thomas Malton the Younger, 1748–1804, British
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
72
Thomas Malton the Younger, 1748–1804, British
The East Front of the Library of Trinity College in the University of Cambridge
1800
73
Richard Woodman, 1784–1859, British
Hare Hunting and Coursing: His Majesty's Harriers
1815
74
Charles Knight, 1743–c.1826, British
Fox Hunting
1808
75
Print made by Andrew Lawrence, 1708–1747, French
The Death of the Stag
1753
76
Augustus Edwin John, 1878–1961, British
Portrait Sketch of Paul Mellon, 1931 or 1932
undated
77
Augustus Edwin John, 1878–1961, British
Portrait Sketch of Paul Mellon
1931 or 1932
78
Print made by Gerard van der Gucht, 1696–1776, British
The Cape of Good Hope
1736
79
William Ward, 1766–1826, British
Selling Rabbits
1796
80
Lawrence Josset, 1910–1995
The Drummond Family
1960
81
Lawrence Josset, 1910–1995
The Drummond Family
1960
82
Print made by William Sharp, 1749–1824, British
Niobe
1792
83
Abraham Raimbach, 1784–1868, British
Distraining for Rent
1828
84
Wenceslaus Hollar, 1607–1677, Bohemian
(i) A True and Exact Prospect of the Famous Citty of London, . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
85
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
86
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
87
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
88
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
89
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
90
Thomas Anburey, 1759–1840, British
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
91
Print made by James Basire the younger, 1769–1822, British
PLATE XV. Elevation of a Window Bay &c
1805
92
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Chamber Floor Plan
1830
93
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
94
Print made by William Miller, 1796–1882, British
Kilchurn Castle, Loch Awe
1847
95
Print made by James T. Willmore, 1800–1863, British
Italy - Childe Harold's Pilgrimage
1861
96
Print made by James T. Willmore, 1800–1863, British