Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Width [cm]: 31

John R. Skeaping, 1901–1980, British

Sketch of a Base for the Mill Reef statue, 1972: Base with Statue

1972

Robert Polhill Bevan, 1865–1925, British

Under the Hammer

between 1912 and 1913

attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Boxhill

1868

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

George Stubbs, 1724–1806, British

Human Skeleton, Lateral View

1795 to 1806

George Stubbs, 1724–1806, British

A Lion [A Lion resting on a Rock]

1788

Print made by George Stubbs, 1724–1806, British

A Tiger and a Sleeping Leopard

1788

George Stubbs, 1724–1806, British

Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)

1795 to 1806

George Stubbs, 1724–1806, British

Leopard Body, Lateral View

1795 to 1806

George Stubbs, 1724–1806, British

Tiger Body, Recumbent, Viewed Ventrally

1795 to 1806

Robert Polhill Bevan, 1865–1925, British

Hounds in Covert

ca. 1896

Robert Polhill Bevan, 1865–1925, British

The Pink Apron

ca. 1904

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Joseph Mallord William Turner, 1775–1851, British

View of Hampton Court, Herefordshire, from the Southeast

ca. 1806

Joseph Mallord William Turner, 1775–1851, British

View of Hampton Court, Herefordshire, from the Northwest

ca. 1806

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Original Sketch of a Picture for W. Leader, Esq

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Near Blair Athol, Scotland

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Inverary Pier, Loch Fyne, Morning

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

George Romney, 1734–1802, British

Achilles Wounded

undated

William Blake, 1757–1827, British

Mary Magdalen at the Sepulchre

ca. 1805

William Blake, 1757–1827, British

Moses Receiving the Law

ca. 1780

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Robert Smirke, 1752–1845, British

The Gem for 1830

Luigi Balugani, 1737–1770, Italian

Cynanchum altiscandens and Tacazzea venosa

undated

Luigi Balugani, 1737–1770, Italian

Azzo (Clemantis hirsuta)

undated

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

Print made by Sir Frank Short, 1857–1945, British

Shipping at the Entrance of the Medway, No. 2

1896

Henry Swinburne, 1743–1803, British

Lazzaretto

undated

Luigi Balugani, 1737–1770, Italian

A Secretary Bird

undated

Luigi Balugani, 1737–1770, Italian

Aloe Pianta 2a

undated

Luigi Balugani, 1737–1770, Italian

Aloe Macrocarpa (aloe): outline of habit, right, rough outline of inflorescence, with floral details

undated

Print made by George Cuitt, 1779–1854, British

Presented by the Officers

after 1813

Thomas Girtin, 1775–1802, British

Ruins of the Savoy Palace, London

undated

Alexander Cozens, 1717–1786, British

A Valley

between 1775 and 1780

James Spyers, active 18th century

Design for a Landscape Garden with Ponds Seen Through Trees

undated

Allan Ramsay, 1713–1784, British

Study for the Portrait of William Guise

ca. 1761

Allan Ramsay, 1713–1784, British

Man Standing, Leaning on Left Elbow, Full-Length

undated

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

James Bruce, 1730–1794, British

No. 7 the interior part of the 3rd temple looking from the west front

undated

James Bruce, 1730–1794, British

Finished Drawing of Unidentified Palladian Mansion

undated

James Bruce, 1730–1794, British

Elevation and Plan of Arch at Makther

ca. 1768

unknown artist, eighteenth century

Coccinia abyssinica (Lam.) Cogn. : finished drawing of flowering shoot, with details below

undated

Sir George Howland Beaumont seventh Baronet, 1753–1827, British

Mount Palatine

1783

Mary Harcourt, 1750–1833, British

Tournon Opposite to Teint on the Rhone

ca. 1780

Wenceslaus Hollar, 1607–1677, Bohemian

View of the East Part of Southwark, Looking Towards Greenwich

ca. 1638

John Glover, 1767–1849, British

Man Sleeping Outdoors

undated

Wenceslaus Hollar, 1607–1677, Bohemian

A View from St. Mary's, Southwark, Looking Towards Westminster

ca. 1638

James Duffield Harding, 1798–1863, British

Minster

1861

Francis Swaine, 1730–1782, British

Hulks in the Medway

undated

John Thomas Serres, 1759–1825, British

Gibraltar, The Signal House

undated

Paul Sandby Munn, 1773–1845, British

Pale Melancholy

ca. 1804

John Vanderbank, 1694–1739, British

Preparatory Study for the decoration "Equestrian Portrait of George I"

undated

Ambrose Poynter, 1796–1886, British

Avranches

undated

James Bruce, 1730–1794, British

Rhamnus prinoides L'Herit. (African Buckthorn): finished drawing without details and with berries added

undated

James Bruce, 1730–1794, British

Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds

undated

James Bruce, 1730–1794, British

Bostrychia carunculata (Wattled Ibis)

undated

Print made by William Bernard Cooke, 1778–1855, British

Weymouth

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

Margate

1822

Print made by William Bernard Cooke, 1778–1855, British

Margate

1823

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1824

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Portsmouth, Hampshire

1825

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by George Cooke, 1781–1834, British

Brighton

1825

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by Edward Goodall, 1795–1870, British

Mount Edgecomb, Devonshire

1814 to 1826

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by William Miller, 1796–1882, British

An Old Manor House

1834

Print made by Robert Wallis, 1794–1878, British

Tornaro

1834

Print made by Edward Goodall, 1795–1870, British

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870, British

Captivity

1834

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

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Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Width [cm] 31

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Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Width [cm] 31

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