Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Shoreham, Kent
between 1831 and 1832
3
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Cornfield and Church by Moonlight
early 1830s
4
Print made by David Lucas, 1802–1881, British
A Summerland
1831
5
Print made by David Lucas, 1802–1881, British
Summer Morning
1831
6
Print made by David Lucas, 1802–1881, British
Summer Evening
1831
7
J. P. Quilley, active 1828
R. P. Bonington
1831
8
Print made by Robert Brandard, 1805–1862, British
Gosport, Entrance to Portsmouth Harbor
1831
9
Print made by Robert Brandard, 1805–1862, British
Gasport, Entrance to Portsmouth Harbor
1831
10
Thomas Shotter Boys, 1803–1874, British
The Pont des Arts, Paris
between 1831 and 1837
11
Alfred Edward Chalon, 1780–1860, British
A Dancer
ca. 1836
12
Edward Matthew Ward, 1816–1879, British
Portrait of a Young Man
undated
13
Print made by William Miller, 1796–1882, British
Marly
1831
14
Print made by Robert Wallis, 1794–1878, British
Coteaux de Mauves
1831
15
John Varley, 1778–1842, British
London from the South West
1831
16
Sir Edwin Henry Landseer, 1802–1873, British
Hounds and Hunters Attacking Deer
1831
17
Richard Henry Nibbs, 1816–1893, British
Greenwich Hospital
undated
18
Alfred Edward Chalon, 1780–1860, British
Mrs. Mary Cawse
1831
19
John Chessell Buckler, 1793–1894, British
Costessy Hall, Norfolk
1831
20
Josiah Henshall, 1806–1869, British
Fleet Street
1831
21
John Woods, active 1836–1860
Custom House
1831
22
Print made by David Lucas, 1802–1881, British
Opening of Waterloo Bridge
1831
23
David Hall McKewan, 1816–1875, British
Landscape with Stream and Haymakers
undated
24
David Hall McKewan, 1816–1875, British
Mountain Rocks
undated
25
Print made by John Horsburgh, 1791–1869, British
Folkestone: Harbour, and Coast to Dover, Kent
1831
26
Print made by John Horsburgh, 1791–1869, British
Folkestone: Harbour, and Coast to Dover, Kent
1831
27
Thomas Shotter Boys, 1803–1874, British
Notre Dame, Paris
between 1831 and 1845
28
Thomas Shotter Boys, 1803–1874, British
Versailles
between 1831 and 1837
29
Richard Henry Nibbs, 1816–1893, British
Hay and Log Barges on the Conway
undated
30
Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Ornamentation
1831
31
Print made by David Lucas, 1802–1881, British
Summer Morning
1831
32
Print made by William Radclyffe, 1780–1855, British
Eaton College, Berkshire
1831
33
Print made by William Miller, 1796–1882, British
Windsor Castle, Berkshire
1831
34
Print made by William Radclyffe, 1780–1855, British
Eaton College, Berkshire
1831
35
Print made by James T. Willmore, 1800–1863, British
Bedford, Bedfordshire
1831
36
Print made by James T. Willmore, 1800–1863, British
Bedford, Bedfordshire
1831
37
Print made by Thomas Jeavons, ca. 1800–1867, British
Pembroke Castle, Wales
1831
38
Print made by Robert Wallis, 1794–1878, British
Margate, Kent
1831
39
Print made by Robert Wallis, 1794–1878, British
Margate, Kent
1831
40
Print made by Robert Wallis, 1794–1878, British
Margate, Kent
1831
41
Print made by Edward Goodall, 1795–1870, British
Florence from the Chiesa al Monte
1831
42
Print made by Edward Goodall, 1795–1870, British
Florence from the Chiesa al Monte
1831
43
Print made by Thomas Jeavons, ca. 1800–1867, British
Pembroke Castle, Wales
1831
44
Print made by William Miller, 1796–1882, British
The Tower of London
1831
45
Print made by Richard Dagley, ca. 1765–1841, British
Paul Sandby
1831
46
Print made by John Horsburgh, 1791–1869, British
Folkstone: Harbour, and Coast to Dover, Kent
1831
47
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1831
48
Charles Turner, 1774–1857, British
Prince Hoare
1831
49
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-laye
1831
50
Thomas Shotter Boys, 1803–1874, British
The Pont Neuf
undated
51
Anthony Vandyke Copley Fielding, 1787–1855, British
Mountainous Landscape with Lake and Stream
1831 to 1841
52
François Louis Thomas Francia, 1772–1839, French, active in Britain
Calais Sands
1831
53
C. Hacker
Crosses on Gables
1831
54
William Ellis, 1747–1810, British
A River Scene
1831
55
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
56
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
57
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
58
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
59
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
60
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
61
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
62
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
63
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
64
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
65
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
66
Frederick Rosenberg, active 1816–1832
Coaching: The Royal Mails Preparing to Start for the West of England
1831
67
George Hunt, active 1820–1840, British
[Coaching]: Highgate Tunnel
1831
68
George Hunt, active 1820–1840, British
Coaching: The Cambridge Telegraph, Starting from the White Horse
1831
69
Richard Gilson Reeve, 1803–1889
Angling: Anglers Packing Up
1831
70
Print made by William Miller, 1796–1882, British
Windsor Castle
1831
71
Thomas Higham, 1796–1844, British
St. Mary, Lambeth
1831
72
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1831
73
Print made by James T. Willmore, 1800–1863, British
Bedford, Bedfordshire
1831
74
Print made by John Le Keux, 1783–1846, British
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
75
John Buckler FSA, 1770–1851, British
North East View of Crest Park, Bedfordshire
1831
76
Benjamin Holl, 1808–1884, British
James Northcote
1831
77
Print made by Philip Audinet, 1766–1837, British
James Northcote
1831
78
Print made by James T. Willmore, 1800–1863, British
Folkestone Harbour and Coast to Dover
1831
79
James Thomson, 1789–1850, British
John Jackson, R. A
1831
80
Print made by Thomas A. Woolnoth, 1785–1857, British
Plate III: Crypt under St Stephen's Chapel
ca. 1836
81
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
82
John Buckler FSA, 1770–1851, British
South East View of Crest Park, Bedfordshire
1831
83
Print made by Thomas Anthony Dean, 1801–1860, British
Portrait of Lawrence When a Boy
1831
84
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
Sir Thomas Lawrence P.R.A. Aged 35
1831
85
Print made by Robert Wallis, 1794–1878, British
Coteaux de Mauves
1831
86
Print made by Robert Wallis, 1794–1878, British
Coteaux de Mauves
1831
87
Print made by Robert Wallis, 1794–1878, British
Coteaux de Mauves
1831
88
Rev. James Bulwer, 1794–1879, British
[One from] A Volume of Drawings and Prints
1831
89
John Chessell Buckler, 1793–1894, British
Costessy Hall, Norfolk
1831
90
Joshua Cristall, 1768–1847, British
Young Girl Holding a Milk Can
1831
91
David Cox, 1783–1859, British
The Opening of the New London Bridge
1831
92
William Day, 1764–1807
Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge
1831
93
William Day, 1764–1807
Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge
1831
94
Print made by William Miller, 1796–1882, British
Marly
1831
95
Print made by James T. Willmore, 1800–1863, British