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Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925, British
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925, British
The Flying Pack
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925, British
Over the Bank, Exmoor
ca. 1895
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851, British
Jason
1807
Edward Lear Burpham Oct.4.1834
Edward Lear, 1812–1888, British
Burpham Oct.4.1834
1834
Edward Lear North Stoke. Oct. 21.1834.
Edward Lear, 1812–1888, British
North Stoke. Oct. 21.1834
1834
Edward Lear Furness Abbey East, 29 August 1836
Edward Lear, 1812–1888, British
Furness Abbey East, 29 August 1836
1836
Edward Lear Calder Abbey, September 12. 1836
Edward Lear, 1812–1888, British
Calder Abbey, September 12. 1836
1836
Edward Lear Brothers Water from Patterdale
Edward Lear, 1812–1888, British
Brothers Water from Patterdale
1836
Edward Lear A Ruined Tower House
Edward Lear, 1812–1888, British
A Ruined Tower House
1836
Edward Lear Derwentwater, September 1836
Edward Lear, 1812–1888, British
Derwentwater, September 1836
1836
Edward Lear Bassenthwaite
Edward Lear, 1812–1888, British
Bassenthwaite
1836
Edward Lear Ullswater
Edward Lear, 1812–1888, British
Ullswater
1836
Edward Lear Calder Bridge
Edward Lear, 1812–1888, British
Calder Bridge
1836
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888, British
A View of the Pine Woods Above Cannes
1869
Edward Lear Wady Feiran, Peninsula of Mt. Sinai
Edward Lear, 1812–1888, British
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888, British
Pettenasco, Lago d'Orta
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888, British
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Harb. Gozo
Edward Lear, 1812–1888, British
Harb. Gozo
1866
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888, British
Mqabba, Qrendi
1866
Edward Lear A Dry Halfeh Grass
Edward Lear, 1812–1888, British
A Dry Halfeh Grass
1867
Edward Lear La Cava, 20 July 1838
Edward Lear, 1812–1888, British
La Cava, 20 July 1838
1838
Edward Lear Corpo di Cava, 28 June 1838
Edward Lear, 1812–1888, British
Corpo di Cava, 28 June 1838
1838
Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857
Edward Lear, 1812–1888, British
On the Road, Two Hours from Tepelene, 19 April 1857
1857
Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
Edward Lear, 1812–1888, British
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
Edward Lear Corfu
Edward Lear, 1812–1888, British
Corfu
ca. 1856
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Kurayim
Edward Lear, 1812–1888, British
Kurayim
1867
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888, British
Gozo, near Malta
1866
Edward Lear Albania
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
Edward Lear Nice from the Genoa Road
Edward Lear, 1812–1888, British
Nice from the Genoa Road
1865
Edward Lear Albenga
Edward Lear, 1812–1888, British
Albenga
1864
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827, British
Alas!; Plate 9
1793
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
John Copley Sheep in Twilight
Print made by John Copley, 1875–1950, British
Sheep in Twilight
1922
unknown artist Bulls Fighting
Print made by unknown artist, ( J. N. B. )
Bulls Fighting
undated
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779, British
Bristol High Cross
1734
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821, British
Road Scene, Trowse Hall, near Norwich
1813
Robert Dixon The Black Tower Norwich
Robert Dixon, 1780–1815, British
The Black Tower Norwich
between 1810 and 1811
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
unknown artist Horse
Print made by unknown artist, ( J. N. B. )
Horse
undated
unknown artist Lioness
Print made by unknown artist, ( J. N. B. )
Lioness
undated
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783, British
Postiglione Inglese
1772
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811, British
The Siege of Namur
between 1773 and 1817
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771, French
Wooded Landscape with a River Leading to Distant Buildings
undated
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821, British
Back of the New Mills, Norwich
1812
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
Sir George Howland Beaumont seventh Baronet Lane with Figures, May 1802
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Lane with Figures, May 1802
1802
George Richmond Study of a Tree on a Grassy Bank
George Richmond, 1809–1896, British
Study of a Tree on a Grassy Bank
1866
unknown artist Design for Wall Paper
unknown artist
Design for Wall Paper
ca. 1760
Andrew Fyfe Eragrostis Tef
Andrew Fyfe, 1752–1824, British
Eragrostis Tef
1775
James Duffield Harding Willows by a Stream, Horse and Cart Crossing Bridge
James Duffield Harding, 1798–1863, British
Willows by a Stream, Horse and Cart Crossing Bridge
undated
Thomas Hearne Gundulf's Tower, Rochester Cathedral, Kent
Thomas Hearne, 1744–1817, British
Gundulf's Tower, Rochester Cathedral, Kent
undated
Charles Tomkins Reading Gate-Way
Charles Tomkins, 1757–1823, British
Reading Gate-Way
undated
Charles Warren The Eel Catcher
Charles Warren, 1767–1823, British
The Eel Catcher
undated
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
From Hampstead
1730
Richard Westall Wanstead House
Richard Westall, 1765–1836, British
Wanstead House
undated
George Barret Tree Study with Stags (Landscape)
George Barret, ca. 1728/32–1784, Irish
Tree Study with Stags (Landscape)
undated
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817, British
The Poor House, Hadley, Hertfordshire
1802
Thomas Hearne The Trees and River in the Park at Coleorton Hall, Leicestershire
Thomas Hearne, 1744–1817, British
The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817, British
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Samuel Prout Bolton Abbey
Samuel Prout, 1783–1852, British
Bolton Abbey
undated
Cornelius Varley Study of Boats with Horses and Carts
Cornelius Varley, 1781–1873, British
Study of Boats with Horses and Carts
undated
Henry Moore Showery June, Picardy
Henry Moore, 1831–1895, British
Showery June, Picardy
between 1870 and 1880
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782, British
Temple of Venus and Rome from the Colosseum
1781
John Henry Mole View from Craig-y-Barns, Dunkeld, Looking South
John Henry Mole, 1814–1886, British
View from Craig-y-Barns, Dunkeld, Looking South
1855
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842, British
Two Donkeys in a Landscape
undated
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864, British
Aldenham Church
ca. 1817
John Linnell Llanberis, North Wales
John Linnell, 1792–1882, British
Llanberis, North Wales
1813
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813, British
Nîmes from the Tour Magne
ca. 1765