Collection: Prints and Drawings / Subject Terms: bonnets / Classification: Prints

Richard Parkes Bonington, 1802–1828, British

Bergues - La Tour du March,

Print made by Richard Parkes Bonington, 1802–1828, British

Rue du Gros-Horloge, Rouen

1824

John Goldar, 1729–1795, British

The Refusal

1768

Print made by David Allan, 1744–1796, British, born in Scotland

Peggy Advocates a Sweetheart

1808

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by George Cruikshank, 1792–1878, British

Peg Todd, as Head Nurse

undated

Print made by David Allan, 1744–1796, British, born in Scotland

Glaud and Peggy

1808

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by Rowney & Forster, active 1820–1822

The Show

after 1821

Print made by Rowney & Forster, active 1820–1822

May Day

after 1821

Print made by George Cruikshank, 1792–1878, British

Virgo - Unmatched Enjoyment

undated

Print made by Robert Havell & Son, 1769–1832, British

View of the Front of the New Public Buildings, Guildford

1819

Print made by Robert Sargent Austin, 1895–1973, British

Italian Fair

1923

Thomas Gaugain, 1748–1812, French

An Airing in Hyde Park

1796

Print made by John Franklin, c.1800–1868

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

ca. 1825

John Hill, 1770–1850, British

Dining Hall, Asylum

1808

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

The Morning Rose, What Shall Poor Harpax Do!

1744

Print made by Johann Jacobus Haid, 1704–1767

Das Lombre-Spiel

undated

Print made by Henry Thomas Alken, 1785–1851, British

The Infant

1824

Print made by George Cruikshank, 1792–1878, British

Traveling in France -or, -Le départ de la diligence

1818

Print made by Henry Heath, active 1824–1835, British

Extravaganza's of 1827

1827

Print made by Thomas Gaugain, 1748–1812, French

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Print made by Thomas Gaugain, 1748–1812, French

Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

1797

Print made by George Arnald, 1763–1841, British

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841, British

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by Richard Parkes Bonington, 1802–1828, British

Untitled (one of three)

undated

Print made by Bradshaw & Blacklock, active ca.1850, British

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Her Majesty Queen Victoria & Family

ca. 1851

Print made by Bradshaw & Blacklock, active ca.1850, British

Italian Peasants - Tryoliean Waltz

after 1850

James Duffield Harding, 1798–1863, British

Cascades de Thiers, Auvergne

undated

Louis Haghe, 1806–1885, British

Thornbury Castle, Gloucestershire

between 1823 and 1835

Print made by Robert Barnes, 1840–1895, British

The Beehive

1854

Print made by Robert Barnes, 1840–1895, British

Woman Doing Laundry with Two Girls

undated

Print made by Alfred Henry Forrester, 1804–1872, British

The Follies of Costume

undated

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

St. Martin's Church Westminster

1810

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Matthew Darly, active 1754–1778, British

Hats

1773

Print made by Thomas Allom, 1804–1872, British

The Ceremony of Opening London Bridge, August 1, 1831

undated

Print made by Bradshaw & Blacklock, active ca.1850, British

Eaton Hall

after 1850

Print made by Richard Parkes Bonington, 1802–1828, British

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Bradshaw & Blacklock, active ca.1850, British

Swiss Costumes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Print made by Benjamin Fawcett, 1808–1893, British

Scene Illustration: Milton's 'L'Allegro'

between 1860 and 1885

Print made by Matthew Darly, active 1754–1778, British

Statue Hall or the Modern Register Office

1769

Print made by Rowney & Forster, active 1820–1822

Punch

after 1821

Print made by Thomas Barber, ca. 1768–1843, British

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by Robert Barnes, 1840–1895, British

Boy Holding an Apple for a Girl with Two Girls Beyond

undated

Luigi Schiavonetti, 1765–1810, Italian

The Father's Admonition

1801

Charles Heath, 1785–1848, British

Tower Hill

1825

Charles Heath, 1785–1848, British

Green Park

1825

Print made by Robert Havell & Son, 1769–1832, British

View of the Old Corn Market and Tuns Inn, Guildford

1819

Published by John Jones, ca. 1745–1797, British

Black Monday or the Departure for School

1790

William Lee Hankey, 1869–1952, British

The Summer Moon

1905

Hedley Fitton, 1859–1929, British

Founders Tomb, Winchester

undated

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

Robert Dighton, 1752–1814, British

Mr. Deputy Dumpling and Family Enjoying a Summer Afternoon

1781

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