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George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802, British
Richard Cumberland Frontispiece
undated
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802, British
Richard Cumberland Frontispiece
undated
George Romney The Banquet Scene
George Romney, 1734–1802, British
The Banquet Scene
ca. 1792
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802, British
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802, British
Richard Cumberland Frontispiece
undated
George Romney Standing Figure, Probably for Lady Macbeth
George Romney, 1734–1802, British
Standing Figure, Probably for Lady Macbeth
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802, British
Witches' Cavern: MacBeth's Second Visit
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802, British
Witches' Cavern: MacBeth's Second Visit
undated
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802, British
"Lear in the Storm," King Lear, Act III, Scene II
undated
Giovanni Battista Borra View of a Valley with Ruins at Sardis
Giovanni Battista Borra, 1713–1770, Italian
View of a Valley with Ruins at Sardis
ca. 1750
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770, Italian
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra View of the Ruined Theater of Aezani at Tjaden
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
Theodor von Holst Sheet of Sketches
Theodor von Holst, 1810–1844, British
Sheet of Sketches
undated
Theodor von Holst A Sheet of Sketches - Theatrical Studies
Theodor von Holst, 1810–1844, British
A Sheet of Sketches - Theatrical Studies
undated
Theodor von Holst Theatrical Group
Theodor von Holst, 1810–1844, British
Theatrical Group
undated
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844, British
Faust and Margaret
undated
Spencer Frederick Gore Interior of the New Bedford
Spencer Frederick Gore, 1878–1914, British
Interior of the New Bedford
between 1908 and 1909
Samuel Wale The Theatre-Goers
Samuel Wale, 1721–1786, British
The Theatre-Goers
undated
Charles Tomkins Goodman's Field Theatre
Charles Tomkins, 1757–1823, British
Goodman's Field Theatre
1801
Thomas Rowlandson An Audience Watching a Play at Drury Lane Theatre
Thomas Rowlandson, 1756–1827, British
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
John Doyle ('H.B.') The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
Sir Muirhead Bone The Indian Theatre
Print made by Sir Muirhead Bone, 1876–1953, British
The Indian Theatre
1901
John Dixon David Garrick, Esq.
John Dixon, ca. 1740–1811, Irish
David Garrick, Esq
1779
John Doyle ('H.B.') A Scene From the Farce of "The Critic," a Little Altered.
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Scene From the Farce of "The Critic," a Little Altered
1848
John Doyle ('H.B.') This is NOT the Baron of Oakland, in the Opera of the Haunted Tower
Print made by John Doyle ('H.B.'), 1797–1868, Irish
This is NOT the Baron of Oakland, in the Opera of the Haunted Tower
1831
John Franklin Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
Print made by John Franklin, c.1800–1868
Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
ca. 1825
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835, British
'The Gamester,' Act V, Scene IV
1792
Robert Bremmel Schnebbelie The Strand with Astley's Theatre
Robert Bremmel Schnebbelie, active 1803–1849
The Strand with Astley's Theatre
undated
John Doyle ('H.B.') A Great Actor between Tragedy and Comedy
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Great Actor between Tragedy and Comedy
1834
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
unknown artist The Young Roscius
Print made by unknown artist, ( J. B. )
The Young Roscius
1804
William Heath Opera Reminiscences: Desdemona and Othello
Print made by William Heath, 1795–1840, British
Opera Reminiscences: Desdemona and Othello
1829
Spencer Frederick Gore Cave of the Golden Calf: Interior of a Theatre
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Interior of a Theatre
1912
John W. Gear Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
Print made by John W. Gear, 1806–1866
Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
undated
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815, British
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"
Print made by Henry William Bunbury, 1750–1811, British
Pistol eating Fluellen's Leak - "Henry V"
between 1811 and 1815
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834, British
"Then go, bid the huntsmen wake them with their horns"
1802
William Heath Opera Reminiscences: Desdemona and Otello
Print made by William Heath, 1795–1840, British
Opera Reminiscences: Desdemona and Otello
1829
William Greatbach Falstaff and his Friends
William Greatbach, Born 1802, British
Falstaff and his Friends
ca. 1868
William Byrne A View in the Villa Madama, near Rome, called II Teatro
William Byrne, 1743–1805, British
A View in the Villa Madama, near Rome, called II Teatro
1765
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845, British
Isabella and Mariana Kneeling Before the Duke
1822
Spencer Frederick Gore The Alhambra Theatre, "On the Sands"
Spencer Frederick Gore, 1878–1914, British
The Alhambra Theatre, "On the Sands"
1910
Spencer Frederick Gore Study for "On the Sands"
Spencer Frederick Gore, 1878–1914, British
Study for "On the Sands"
1910
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815, British
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
Spencer Frederick Gore Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
Spencer Frederick Gore Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
Spencer Frederick Gore Cave of the Golden Calf: Study for Mural
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Study for Mural
1912
Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Reconstruction of the Second Theatre at Laodicea
ca. 1750
Giovanni Battista Borra Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis
Giovanni Battista Borra, 1713–1770, Italian
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
Giovanni Battista Borra View and Plan of the Theater of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra Plan and View of the Third Theater at Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Plan and View of the Third Theater at Laodicea
ca. 1750
Giovanni Battista Borra Reconstruction of the Proscenium of the Theater at Hierapolis
Giovanni Battista Borra, 1713–1770, Italian
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770, Italian
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
Samuel William Reynolds Garrick, In the Character of Abel Drugger
Samuel William Reynolds, 1773–1835, British
Garrick, In the Character of Abel Drugger
1825