Collection: Prints and Drawings / Width [cm]: 62 / Image Use: Free to Use

Joseph Mallord William Turner, 1775–1851, British

The Moselle Bridge, Coblenz

ca. 1842

Samuel Alken, 1756–1815, British

St. Mary Magdelen College, Oxford

1799

Print made by J. P. Quilley, active 1828

The Deluge

1828

John Roe of Warwick, active 1771–1812, British

Church, Churchyard and Figures (The Graveyard)

undated

Raphael Lamar West, 1769–1850, British

Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)

undated

Wenceslaus Hollar, 1607–1677, Bohemian

A View from Peterborough Tower at Tangier

1669

John Rocque, 1704?–1762, French, active in Britain

...Plan of Windsor Park

1738

Robert Adam, 1728–1792, British

Headfort House, Ireland: Elevation of the Eating Parlor

1775

Francis Nicholson, 1753–1844, British

View of Edinburgh from Calton Hill

1811

Lady Diana Beauclerk, 1734–1808, British

An Allegory of Love

Undated

John Singer Sargent, 1856–1925, American

Study for Gassed Soldiers

1918

Thomas Rowlandson, 1756–1827, British

Hyde Park Corner

undated

Print made by John Doyle ('H.B.'), 1797–1868, Irish

A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume

1846

Sir William Chambers, 1723–1796, British

Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan

1765

Sir William Chambers, 1723–1796, British

Headfort House: Chamber Floor Plan

1765

Sir William Chambers, 1723–1796, British

Headfort House: Plan of the Cellar Story

1765

George Arthur Fripp, 1813–1896, British

Old British Camp in Bulstrode Park

1860

Joseph Farington, 1747–1821, British

View of St. Nicholas Church at Valenciennes after the Siege

1793

John Robert Cozens, 1752–1797, British

The Bay of Naples from Capodimonte

1790

Mary Hoare, 1744–1820, British

The Three Witches from Macbeth: Double, Double, Toil and Trouble

1781

Thomas Daniell, 1749–1840, British, active in India

Tremal Naig's Choultry, Madura

1792

William Ward, 1766–1826, British

The Sportsman's Return

1792 (re-issue of 1791)

Print made by Thomas Girtin, 1775–1802, British

A View of Pont Neuf, the Mint, & c

1803

Day and Son

The Early Repast

1851

Print made by Henry Robert Robertson, 1839–1921, British

The Fighting Téméraire

ca. 1887

Engraved by Robert Pollard, 1755–1838, British

View of Queen Square

1789

Thomas Sutherland, ca. 1785–1838, British

Morning of the Gale, November 23 1824 in Catwater at Plymouth

ca. 1825

James Pollard, 1792–1867, British

Easter Monday. 2. A View of Fair Mead Bottom Epping Forest

1820

Print made by John Murphy, ca. 1748–1820, British

[Animals: an eagle with a dead pheasant, watched by a fox]

1799

James Pollard, 1792–1867, British

Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

1820

John Harris, 1811–1865, British

Fox-hunting: Who-hoop!

1844

John Harris, 1811–1865, British

Fox Hunting: Away!

1844

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812, French

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

Print made by Robert Walker Macbeth, 1848–1910, British

Marlow Ferry

1880

John Robert Cozens, 1752–1797, British

The Lake of Albano and Castel Gandolfo

between 1783 and 1785

John Robert Cozens, 1752–1797, British

Near Chiavenna in the Grisons

ca. 1779

Sir William Chambers, 1723–1796, British

Headfort House, Ireland: Plan of Principal Floor

ca. 1765

Sir William Chambers, 1723–1796, British

Headfort House, Ireland: Elevations of the North and South Fronts

1765

Sir William Chambers, 1723–1796, British

Headfort House, Ireland: Sections of the House and Offices

1765

Samuel Davis, 1760–1819, British

Mountainous Landscape with River

undated

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: South Elevation

1845

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: North Elevation

1845

William Henry Ward M.A., A.R.I.B.A., 1865–1924, British

Square of Twelve Cottages, for the Co-partnership Tenants Ltd, Erskine Hill, Hampstead

ca. 1909

John Robert Cozens, 1752–1797, British

Galleria di Sopra, Albano

ca. 1778

Samuel Davis, 1760–1819, British

Chukha Castle in Bhutan

1783

Samuel Davis, 1760–1819, British

Boree Timranze Durgum Taken from the Pehher River Near Cavenpatan-Barramah'l (South India)

undated

Charles Turner, 1774–1857, British

Francis Noel Clark Mundy and His Grandson, William

1810

unknown artist, ( J. S. Kenn )

Launch of H.M.S. 'Resistance' at Isle of Dogs

1861

Print made by Richard Earlom, 1743–1822, British

Rubens' Son and Nurse

1785

Print made by Edward Goodall, 1795–1870, British

Caligula's Palace and Bridge

1842

Print made by Edward Goodall, 1795–1870, British

Caligula's Palace and Bridge

1842

George Vertue, 1684–1756, British

King Edward VI presenting the Charter for Bridewell to Sir George Barnes

1750

Print made by Thomas Girtin, 1775–1802, British

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Etched by Thomas Girtin, 1775–1802, British

View of the Pont St. Michael, taken from the Pont Neuf

1803

Print made by Thomas Girtin, 1775–1802, British

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Print made by Thomas Girtin, 1775–1802, British

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802, British

A General View of Paris, taken from Chaillot 1803

1803

Print made by Thomas Girtin, 1775–1802, British

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Print made by Thomas Girtin, 1775–1802, British

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame

1803

Print made by Thomas Girtin, 1775–1802, British

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Print made by Thomas Girtin, 1775–1802, British

Views of the Pantheon, taken from the Arsenal

1803

Print made by Thomas Girtin, 1775–1802, British

The Water Works at Marli,and St. Germain en Laye Seen in the Distance

1803

Print made by Thomas Girtin, 1775–1802, British

View of the Gate of St. Denis Taken from the Suburbs

1803

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802, British

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Print made by Jacob Hogg, active 1751, British

John Howard, Esq. Visiting and Relieving the Miseries of a Prison

1790

William Ward, 1766–1826, British

Garrick in the Green Room

1829

Thomas Goldsworth Dutton, 1819/20–1891, British

Colombo and Cabral (Floating Batteries Built for the Imperial Brazilian Navy)

William Dickinson, 1746–1823, British

The Gardens of Carleton House with Neapolitan Ballad Singers

1784

Victor Marie Picot, 1744–1805, French

Wanstead House in Essex

1775

unknown artist, ( Smart & Reeve )

Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

1825

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Charles Rosenberg, active 1828–1848

Harwich

1841

William Johnstone White, active 1804–died c.1870, British

Representation of the Festival for the Return of Peace

1814

Peltro W. Tomkins, 1760–1840, British

Encampment at Fornham near St. Edmund's Bury

1782

Thomas Sutherland, ca. 1785–1838, British

Morning of the Gale, November 23 1824 in Catwater at Plymouth

ca. 1825

Print made by William S. Barnard, 1774–1849, British

A Correct View of the Golden Lake Genuine Brewery

1807

Thomas Malton the Younger, 1748–1804, British

Cambridge University: Queens College

1800

Thomas Malton the Younger, 1748–1804, British

The Sessions House for the County of Middlesex

1799

Edward Duncan, 1803–1882, British

Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825

1825

William Ward, 1766–1826, British

Reaping

1810

Abraham Raimbach, 1784–1868, British

The Parish Beadle

1834

Print made by James Heath, 1757–1834, British

The Riot in Broad Street on the Seventh of June 1780

1790

Willey Reveley, (?), 1760–1799, British

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

ca. 1785

Print made by unknown artist

This Celebrated Ewe was Bred and Fed, by Mr. Wilcox

undated

William Henry Davis A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

William Henry Davis, active 1803–1849, British

A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

1840