Collection: Prints and Drawings / Width [cm]: 38 / Subject Terms: women

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Paul Sandby, 1731–1809, British

Roslin Castle, Midlothian

ca. 1780

Francis Wheatley, 1747–1801, British

Country Scene: Figures by a Cottage Door and Cattle in a Stream

1795

Print made by Thomas Shotter Boys, 1803–1874, British

St. Paul's from Ludgate Hill

1842

Richard Westall, 1765–1836, British

Rosebud, or the Judgement of Paris

1791

Francis Wheatley, 1747–1801, British

Lismore Castle, Ireland

1783

William Turner of Oxford, 1789–1862, British

View from the Dean's Garden, Christ Church, Oxford

undated

Print made by John Alexander, 1686–before 1768, British

Lot and His Family

ca. 1718

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Lecture on Gadding

1789

John Goldar, 1729–1795, British

The Sacrifice

1767

Thomas Rowlandson, 1756–1827, British

A Woodcutter's Picnic

undated

Thomas Rowlandson, 1756–1827, British

Harvesters Setting Out

undated

Print made by Charles Jameson Grant, active 1830–1852, British

The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

1833

Charles Cooper Henderson, 1803–1877, British

A French Diligence of 1830

undated

Samuel Howitt, 1756–1822, British

Return From the Chase, After a Fall

undated

Samuel Howitt, 1756–1822, British

A Chaise and Pair, With Post-Boy

undated

Possibly James Pollard, 1792–1867, British

The Derby Day: Tits and Trampers on the Road to Epsom

undated

Thomas Rowlandson, 1756–1827, British

Bodmin Cornwall: The Arrival of the Stage-Coach

1795

Hablot Knight Browne, 1815–1882, British

"You're Not Going to Follow, Belle, Are You?"

undated

Hablot Knight Browne, 1815–1882, British

The Sporting Parson: "He Sends Mother Eve's Apples Flying"

undated

Joseph Josiah Dodd, 1809–1894, British

View of Tonbridge During the Late Election

after 1832

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

William Gauci, active 1825–1854, British

The Sea Walls, from the Leigh Wood Quarry, Clifton

undated

George Dance, 1741–1825, British

Two Ladies Standing in Conversation, Presumably a Scene from a Play

undated

Thomas Rowlandson, 1756–1827, British

Bodmin Cornwall: French Prisoners on Parole

1795

Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"

1791

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745