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William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
Henry Swinburne View of a City Harbor
Henry Swinburne, 1743–1803, British
View of a City Harbor
undated
Henry Swinburne Bois, France
Henry Swinburne, 1743–1803, British
Bois, France
undated
Valentine Green Mrs. Cosway
Print made by Valentine Green, 1739–1813, British
Mrs. Cosway
1787
Newton Limbird Smith Fielding Le Crotoy from the Mouth of the Somme
Newton Limbird Smith Fielding, 1799–1856, British
Le Crotoy from the Mouth of the Somme
1825
Henry Swinburne View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
Henry Swinburne, 1743–1803, British
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
1764
Henry Swinburne Near Agen
Henry Swinburne, 1743–1803, British
Near Agen
undated
Henry Swinburne Porto Azzurro
Henry Swinburne, 1743–1803, British
Porto Azzurro
1777 to 1778
Henry Swinburne Ducal Palace of Urbino in Marche, Italy
Henry Swinburne, 1743–1803, British
Ducal Palace of Urbino in Marche, Italy
1777 to 1778
Henry Swinburne The Most Considerable Remains of the Walls of Gnatia
Henry Swinburne, 1743–1803, British
The Most Considerable Remains of the Walls of Gnatia
1777 to 1778
Henry Swinburne Brindisi, Seen From the Bridge on the Via Traiana
Henry Swinburne, 1743–1803, British
Brindisi, Seen From the Bridge on the Via Traiana
1777 to 1778
Henry Swinburne Pietra Mala
Henry Swinburne, 1743–1803, British
Pietra Mala
1777 to 1778
Henry Swinburne Sketch of a Landscape with Hills and Valleys
Henry Swinburne, 1743–1803, British
Sketch of a Landscape with Hills and Valleys
undated
Henry Swinburne Welden, Germany
Henry Swinburne, 1743–1803, British
Welden, Germany
1779
Henry Swinburne Porto Azzurro, Tuscany, Italy
Henry Swinburne, 1743–1803, British
Porto Azzurro, Tuscany, Italy
1777 to 1778
Henry Swinburne View From the Garden of ye Inn at Mantes
Henry Swinburne, 1743–1803, British
View From the Garden of ye Inn at Mantes
undated
Henry Swinburne La Chapelle-Saint Mesmin near Orleans
Henry Swinburne, 1743–1803, British
La Chapelle-Saint Mesmin near Orleans
undated
Henry Swinburne Mouth of the Guadalquivir River in Spain
Henry Swinburne, 1743–1803, British
Mouth of the Guadalquivir River in Spain
1775 to 1776
Henry Swinburne Lormont Point, France
Henry Swinburne, 1743–1803, British
Lormont Point, France
undated
Henry Swinburne Near Campo Lautrecco, Naples
Henry Swinburne, 1743–1803, British
Near Campo Lautrecco, Naples
1777 to 1778
Henry Swinburne Part of the Ruins Seen From the East End of the Church
Henry Swinburne, 1743–1803, British
Part of the Ruins Seen From the East End of the Church
undated
Henry Swinburne Bagneres-de-Bigoree, France
Henry Swinburne, 1743–1803, British
Bagneres-de-Bigoree, France
undated
Henry Swinburne Modena, Italy
Henry Swinburne, 1743–1803, British
Modena, Italy
1777 to 1778
Henry Swinburne Villeneuve-les-Avignon, France
Henry Swinburne, 1743–1803, British
Villeneuve-les-Avignon, France
undated
Henry Swinburne Tynemouth from the Spanish Fort
Henry Swinburne, 1743–1803, British
Tynemouth from the Spanish Fort
undated
Henry Swinburne Dieppe
Henry Swinburne, 1743–1803, British
Dieppe
undated
Henry Swinburne Lectoure, France
Henry Swinburne, 1743–1803, British
Lectoure, France
undated
Henry Swinburne Blois, From the West
Henry Swinburne, 1743–1803, British
Blois, From the West
undated
Henry Swinburne Dieppe, France
Henry Swinburne, 1743–1803, British
Dieppe, France
undated
Henry Swinburne Vaucluse, France
Henry Swinburne, 1743–1803, British
Vaucluse, France
undated
Henry Swinburne Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
Henry Swinburne, 1743–1803, British
Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
undated
Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery
Henry Swinburne, 1743–1803, British
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery
Henry Swinburne, 1743–1803, British
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery
Henry Swinburne, 1743–1803, British
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery
Henry Swinburne, 1743–1803, British
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
Henry Swinburne Bagneres-de-Bigorre, France
Henry Swinburne, 1743–1803, British
Bagneres-de-Bigorre, France
undated
Henry Swinburne Bagneres-de-Bigorre, France
Henry Swinburne, 1743–1803, British
Bagneres-de-Bigorre, France
undated
Henry Swinburne Aix la Chapelle
Henry Swinburne, 1743–1803, British
Aix la Chapelle
undated
Henry Swinburne Landscape with Anchored Boat and Figure
Henry Swinburne, 1743–1803, British
Landscape with Anchored Boat and Figure
undated
Henry Swinburne Armoured Figure
Henry Swinburne, 1743–1803, British
Armoured Figure
undated
Henry Swinburne The Alhambra From the Fort of St. Helena
Henry Swinburne, 1743–1803, British
The Alhambra From the Fort of St. Helena
1775 to 1776
Henry Swinburne Rocky Landscape with Waterfalls and Goats
Henry Swinburne, 1743–1803, British
Rocky Landscape with Waterfalls and Goats
undated
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Cornelius Varley Study of Boats on Shore
Cornelius Varley, 1781–1873, British
Study of Boats on Shore
1829
James Wyatt Cobham Hall, Kent: Vestibule
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Vestibule
ca. 1790
Paul Sandby The Westgate, Canterbury
Paul Sandby, 1731–1809, British
The Westgate, Canterbury
ca. 1783
Francis Wheatley Donnybrook Fair
Francis Wheatley, 1747–1801, British
Donnybrook Fair
1788
James Bruce Right Corinthian Temple at Suttetula Modern Sheitla
James Bruce, 1730–1794, British
Right Corinthian Temple at Suttetula Modern Sheitla
undated
James Bruce Left Corinthian Temple at Suttetula Modern Sheitla
James Bruce, 1730–1794, British
Left Corinthian Temple at Suttetula Modern Sheitla
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801, British
Hero and Leander
1801
Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'
Benjamin Robert Haydon, 1786–1846, British
Sketches for a Scene from 'Macbeth'
ca. 1811
unknown artist Woman in Egyptian Dress
unknown artist
Woman in Egyptian Dress
undated
James Baynes Extensive wooded landscape with figures in foreground left
James Baynes, 1766–1837, British
Extensive wooded landscape with figures in foreground left
Undated
Sir Richard Colt Hoare Convent at Valmontone. November 1790
Sir Richard Colt Hoare, 1758–1838, British
Convent at Valmontone. November 1790
1790
Jonathan Richardson the Elder Self-Portrait
Jonathan Richardson the Elder, 1667–1745, British
Self-Portrait
undated
Benjamin West A Mother and Two Children
Benjamin West, 1738–1820, American, active in Britain (from 1763)
A Mother and Two Children
1786
W. R. Smith Longships Lighthouse, Lands End
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836
Edward Francis Burney The Elegant Establishment for Young Ladies (study for)
Edward Francis Burney, 1760–1848, British
The Elegant Establishment for Young Ladies (study for)
undated
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811, British
Falstaff Carrying Dead Hotspur
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811, British
Launce Teaching His Dog Crab
undated
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821, British
The River Avon: with Passing Vessels
1785
Henry Phillip Hope Welgelegen: Vue de la Facade de Welgelegen
Henry Phillip Hope, active 1799–1818
Welgelegen: Vue de la Facade de Welgelegen
undated
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817, Swiss
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
unknown artist Townhead and Drummore
unknown artist
Townhead and Drummore
undated
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813, British
Nîmes from the Tour Magne
ca. 1765
James Wyatt Design for the Staircase at Stratford Place
James Wyatt, 1746–1813, British
Design for the Staircase at Stratford Place
undated
James Wilcox Buckingham Palace from St. James's Park
James Wilcox, active 1830
Buckingham Palace from St. James's Park
1830
Joseph Constantine Stadler View of London from Lambeth
Joseph Constantine Stadler, active 1780–1812, British
View of London from Lambeth
1795
Arthur John Reginald Trevor Briscoe Securing the Boats
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British
Securing the Boats
1928
John Goddard This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell...
John Goddard, active 1811–1842
This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell..
1827
unknown artist A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great
unknown artist, ( T. Bourne )
A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great
1821