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Collection Prints and Drawings

Height [cm] 24

Robert Polhill Bevan The Horse Mart

Robert Polhill Bevan, 1865–1925, British

The Horse Mart

ca. 1917

Robert Polhill Bevan Study for Mare and Foal, Lytchetts, Clayhidon

Robert Polhill Bevan, 1865–1925, British

Study for Mare and Foal, Lytchetts, Clayhidon

1917

John Constable Salisbury Cathedral From the Meadows

John Constable, 1776–1837, British

Salisbury Cathedral From the Meadows

1829

Samuel Palmer Italian Hill Town

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Italian Hill Town

after 1838

Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq

ca. 1840

Samuel Palmer Boxhill

attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Boxhill

1868

Samuel Palmer The Rock Slip near Boscastle

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rock Slip near Boscastle

undated

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

George Stubbs A Foxhound on the Scent

George Stubbs, 1724–1806, British

A Foxhound on the Scent

1788

George Stubbs Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)

George Stubbs, 1724–1806, British

Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)

1795 to 1806

George Stubbs Tiger, Recumbent, Viewed Ventrally

George Stubbs, 1724–1806, British

Tiger, Recumbent, Viewed Ventrally

1795 to 1806

George Stubbs Leopard Body, Lateral View

George Stubbs, 1724–1806, British

Leopard Body, Lateral View

1795 to 1806

Robert Polhill Bevan The Hunt

Robert Polhill Bevan, 1865–1925, British

The Hunt

undated

William Hogarth Subscription Ticket: Three Characters and Four Caricaturas

William Hogarth, 1697–1764, British

Subscription Ticket: Three Characters and Four Caricaturas

1743

Joseph Mallord William Turner Stonehenge at Daybreak

Engraved by Joseph Mallord William Turner, 1775–1851, British

Stonehenge at Daybreak

1815 to 1819

Joseph Mallord William Turner Near Grindelwald

Joseph Mallord William Turner, 1775–1851, British

Near Grindelwald

ca. 1796

Joseph Mallord William Turner Marine Dabblers

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Joseph Mallord William Turner London from Greenwich

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Joseph Mallord William Turner Inverary Pier, Loch Fyne, Morning

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Inverary Pier, Loch Fyne, Morning

1811

Joseph Mallord William Turner Landscape with Barn

Joseph Mallord William Turner, 1775–1851, British

Landscape with Barn

ca. 1795

Edward Lear Calder Bridge

Edward Lear, 1812–1888, British

Calder Bridge

1836

Edward Lear Oasis Village

Edward Lear, 1812–1888, British

Oasis Village

1854

Edward Lear Views of Sicily

Edward Lear, 1812–1888, British

Views of Sicily

Edward Lear Palermo

Edward Lear, 1812–1888, British

Palermo

Edward Lear Vignette

Edward Lear, 1812–1888, British

Vignette

Edward Lear Palermo

Edward Lear, 1812–1888, British

Palermo

Edward Lear Palermo

Edward Lear, 1812–1888, British

Palermo

Edward Lear Landscape Study

Edward Lear, 1812–1888, British

Landscape Study

Edward Lear Termini

Edward Lear, 1812–1888, British

Termini

Edward Lear Cefalù

Edward Lear, 1812–1888, British

Cefalù

Edward Lear Catania

Edward Lear, 1812–1888, British

Catania

Edward Lear Toske

Edward Lear, 1812–1888, British

Toske

1867

Edward Lear Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)

Edward Lear, 1812–1888, British

Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)

1867

Edward Lear Valmontone, from Views in Rome and its Environs, 1841

Edward Lear, 1812–1888, British

Valmontone, from Views in Rome and its Environs, 1841

1841

Edward Lear Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

Edward Lear, 1812–1888, British

Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

1841

Edward Lear Rocky Valley of Mosta, Malta

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta

1866

Edward Lear Albogasio

Edward Lear, 1812–1888, British

Albogasio

1837

Edward Lear Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

1866

Edward Lear Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

1866

Edward Lear The Pontine Marshes above Terracina

Edward Lear, 1812–1888, British

The Pontine Marshes above Terracina

ca. 1880

Edward Lear Cefalù

Edward Lear, 1812–1888, British

Cefalù

Edward Lear Rocca di Falconiera

Edward Lear, 1812–1888, British

Rocca di Falconiera

Edward Lear Segesta

Edward Lear, 1812–1888, British

Segesta

Edward Lear Borghetto

Edward Lear, 1812–1888, British

Borghetto

Edward Lear Monte Pellegrino

Edward Lear, 1812–1888, British

Monte Pellegrino

Edward Lear Segesta

Edward Lear, 1812–1888, British

Segesta

Edward Lear Sommantino

Edward Lear, 1812–1888, British

Sommantino

Edward Lear Landscape Study with Ancient Ruins

Edward Lear, 1812–1888, British

Landscape Study with Ancient Ruins

Edward Lear Agrigento

Edward Lear, 1812–1888, British

Agrigento

Edward Lear Agrigento

Edward Lear, 1812–1888, British

Agrigento

Edward Lear Pantalica

Edward Lear, 1812–1888, British

Pantalica

Edward Lear Favara

Edward Lear, 1812–1888, British

Favara

Edward Lear Pantalica

Edward Lear, 1812–1888, British

Pantalica

Edward Lear Agrigento

Edward Lear, 1812–1888, British

Agrigento

Edward Lear Syracuse

Edward Lear, 1812–1888, British

Syracuse

Edward Lear Syracuse

Edward Lear, 1812–1888, British

Syracuse

Edward Lear Taormina

Edward Lear, 1812–1888, British

Taormina

Edward Lear Castel D'Aci

Edward Lear, 1812–1888, British

Castel D'Aci

Edward Lear Taormina

Edward Lear, 1812–1888, British

Taormina

Edward Lear Syracuse

Edward Lear, 1812–1888, British

Syracuse

ca. 1845

Edward Lear Mola

Edward Lear, 1812–1888, British

Mola

Edward Lear Graphite sketch on loose sheet

Edward Lear, 1812–1888, British

Graphite sketch on loose sheet

George Romney Seated Figure

George Romney, 1734–1802, British

Seated Figure

undated

George Romney Iphigenia Kneeling over an Altar

George Romney, 1734–1802, British

Iphigenia Kneeling over an Altar

undated

William Blake The Death of Juliet

Print made by William Blake, 1757–1827, British

The Death of Juliet

1799

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827, British

Satan Approaching the Court of Chaos

1784 to 1785

William Blake America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

1793

William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake America. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 10, "The Terror Answered...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

William Blake America. A Prophecy, Plate 14, "So Cried He...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 14, "So Cried He...."

1793

William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake America. A Prophecy, Plate 17, "On Albions Angels...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 17, "On Albions Angels...."

1793

William Blake America. A Prophecy, Plate 18, "Over the Hills...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 18, "Over the Hills...."

1793

William Blake America. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 2, Title Page

1793

William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

William Blake America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

1793

William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

1793

William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

William Blake America. A Prophecy, Plate 8, "The Morning Comes...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake Europe. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 2, Title Page

1794

William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

1794

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 13 (Bentley 10)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Europe. A Prophecy, Plate 3, "Preludium"

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 3, "Preludium"

1794

William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

1794

William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

1794

William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake Europe. A Prophecy, Plate 8 (Bentley 9)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 8 (Bentley 9)

1794

William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

William Blake, 1757–1827, British

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827