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Francis Danby A Classical City
Francis Danby, 1793–1861, Irish
A Classical City
undated
John Constable A View on the Orwell
attributed to John Constable, 1776–1837, British
A View on the Orwell
undated
John Constable Suffolk Landscape
John Constable, 1776–1837, British
Suffolk Landscape
undated
John Constable View near Arundel
John Constable, 1776–1837, British
View near Arundel
between 1834 and 1835
John Constable Landscape with Windmill
attributed to John Constable, 1776–1837, British
Landscape with Windmill
between 1825 and 1830
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837, British
The Ruins of Netley Abbey
1826
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Timber Wain
between 1833 and 1834
Samuel Palmer Streets of the Tombs, Pompeii
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Streets of the Tombs, Pompeii
undated
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
1880-1883
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
between 1880 and 1883
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
between 1880 and 1883
Robert Polhill Bevan The Meet
Robert Polhill Bevan, 1865–1925, British
The Meet
1898
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
1874
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851, British
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Rhodes
Joseph Mallord William Turner, 1775–1851, British
Rhodes
between 1823 and 1824
Joseph Mallord William Turner Fisherman's Cottage, Dover
Joseph Mallord William Turner, 1775–1851, British
Fisherman's Cottage, Dover
ca. 1790s
Edward Lear Knowsley Hall
Edward Lear, 1812–1888, British
Knowsley Hall
ca. 1834
Edward Lear Villa Torlania, formerly Villa Conti, Erascati
Edward Lear, 1812–1888, British
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888, British
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Near Suez, 1 pm, 16 January 1849 (48)
Edward Lear, 1812–1888, British
Near Suez, 1 pm, 16 January 1849 (48)
1849
Edward Lear Vjosa
Edward Lear, 1812–1888, British
Vjosa
1857
Edward Lear Tepelene, 19 April 1857
Edward Lear, 1812–1888, British
Tepelene, 19 April 1857
1857
Edward Lear Lebanon
Edward Lear, 1812–1888, British
Lebanon
1858
Edward Lear Abu Simbel
Edward Lear, 1812–1888, British
Abu Simbel
1867
Edward Lear Abu Simbel, 9:00 am, 8 February 1867 (372A)
Edward Lear, 1812–1888, British
Abu Simbel, 9:00 am, 8 February 1867 (372A)
1867
Edward Lear Harb. Gozo
Edward Lear, 1812–1888, British
Harb. Gozo
1866
Edward Lear Vjose, 12:30 p.m., 16 April 1857
Edward Lear, 1812–1888, British
Vjose, 12:30 p.m., 16 April 1857
1857
Edward Lear Tepelene, 18 April 1857
Edward Lear, 1812–1888, British
Tepelene, 18 April 1857
1857
Edward Lear Campagna di Roma
Edward Lear, 1812–1888, British
Campagna di Roma
1843
Edward Lear Gebel Sheikh Embarak
Edward Lear, 1812–1888, British
Gebel Sheikh Embarak
1867
Edward Lear Kourayim
Edward Lear, 1812–1888, British
Kourayim
1867
Edward Lear Albania
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
Edward Lear The Pontine Marshes above Terracina
Edward Lear, 1812–1888, British
The Pontine Marshes above Terracina
ca. 1880
Edward Lear English Country Town
Edward Lear, 1812–1888, British
English Country Town
undated
George Romney Figure Composition Study 27
George Romney, 1734–1802, British
Figure Composition Study 27
undated
George Romney Figure Composition Study 40
George Romney, 1734–1802, British
Figure Composition Study 40
undated
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802, British
Richard Cumberland Frontispiece
undated
George Romney David Playing the Harp
George Romney, 1734–1802, British
David Playing the Harp
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Birth of Man
George Romney, 1734–1802, British
Birth of Man
undated
George Romney Hell
George Romney, 1734–1802, British
Hell
undated
George Romney Jeptha and His Daughter
George Romney, 1734–1802, British
Jeptha and His Daughter
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Two Figures, with One Male Nude Kneeling
George Romney, 1734–1802, British
Two Figures, with One Male Nude Kneeling
undated
George Romney Figure with Head Covering
George Romney, 1734–1802, British
Figure with Head Covering
undated
George Romney Mother and Child
George Romney, 1734–1802, British
Mother and Child
undated
George Romney Seated Female Nude, Probably for "Susannah and the Elders"
George Romney, 1734–1802, British
Seated Female Nude, Probably for "Susannah and the Elders"
undated
George Romney A Standing Female Figure
George Romney, 1734–1802, British
A Standing Female Figure
undated
George Romney A Reclining Woman
George Romney, 1734–1802, British
A Reclining Woman
undated
George Romney Standing Figure
George Romney, 1734–1802, British
Standing Figure
undated
George Romney Seated Figure with Upraised Arm
George Romney, 1734–1802, British
Seated Figure with Upraised Arm
undated
George Romney Two Standing Figures
George Romney, 1734–1802, British
Two Standing Figures
undated
George Romney Apparition
George Romney, 1734–1802, British
Apparition
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Demonic Dances and Attack
George Romney, 1734–1802, British
Demonic Dances and Attack
undated
George Romney Noah's Children Rejoicing
George Romney, 1734–1802, British
Noah's Children Rejoicing
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Ladies in Waiting
George Romney, 1734–1802, British
Ladies in Waiting
undated
George Romney Female Figure
George Romney, 1734–1802, British
Female Figure
undated
George Romney Two Sketches of a Nude Woman
George Romney, 1734–1802, British
Two Sketches of a Nude Woman
undated
William Blake From Antique Coins
William Blake, 1757–1827, British
From Antique Coins
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827, British
Caius Julius Cæsar
1821
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827, British
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794