The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
2
Print made by William Hogarth, 1697–1764, British
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
3
Print made by William Hogarth, 1697–1764, British
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
4
Print made by William Hogarth, 1697–1764, British
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
5
Print made by William Hogarth, 1697–1764, British
Marriage à la Mode, Plate 6
1745
6
Print made by William Hogarth, 1697–1764, British
Simon Lord Lovat
1746
7
Etched by Joseph Mallord William Turner, 1775–1851, British
Winchelsea, Sussex
1812
8
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
10
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
11
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
12
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
13
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
17
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
18
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
19
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
20
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
21
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
22
Print made by John Copley, 1875–1950, British
Sheep in Twilight
1922
23
Print made by Paulus Pontius, 1603–1658, Flemish
Paulus Pontius
ca. 1635
24
Print made by John Boydell, 1720–1804, British
Noon
1753
25
Print made by John Boydell, 1720–1804, British
A Calm
1754
26
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
27
James McArdell, ca. 1729–1765, Irish
Charles Saunders Esq
1748
28
Print made by Charles William Cain, 1893–1962, British
The Nautch Dancers
ca. 1925
29
unknown artist, ( Lewis )
Returning from a Review...Paris
1802
30
unknown artist, ( Lewis )
Breakfast at Breteuil
1801
31
Print made by James Clark, 19th century
Cowdray Ruins
1824
32
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
33
Print made by William Bernard Cooke, 1778–1855, British
Hurstmonceux Castle
1820
34
Print made by Henry Le Keux, 1787–1868, British
Simmer Lake near Askrig
1818-1823
35
Print made by Charles Heath, 1785–1848, British
Ingleborough, from Hornby Castle Terrace
1818-1823
36
Print made by Charles Heath, 1785–1848, British
Kirkby Lonsdale Churchyard
1818-1823
37
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
38
Print made by Robert Wallis, 1794–1878, British
Edinburgh from Leith Harbour, Vignette Title to Vol. II
1826
39
Print made by Edward Francis Finden, 1791–1857, British
Genoa
1832-1834
40
Sir David Young Cameron, 1865–1945, British
The Five Sisters, York Minister
1907
41
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Tom Jones Assisting Molly Seagrim
1782
42
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British
The Main Tack
1928
43
Print made by Charles William Cain, 1893–1962, British
A Persian Bazaar
undated
44
Sir David Young Cameron, 1865–1945, British
The Five Sisters, York Minister
1907
45
Print made by James Basire the younger, 1769–1822, British
A View of Worcester College &c
1804
46
Print made by James Basire the younger, 1769–1822, British
View of Oxford from the South Side of Heddington Hill
1808
47
Print made by George Cooke, 1781–1834, British
Edinburgh Castle, Vignette Title to Vol. I
1826
48
Print made by John Landseer, 1769–1852, British
Freshwater Bay
1799
49
Print made by James Basire the younger, 1769–1822, British
South View of Christ Church, etc. from the Meadows
1799
50
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
51
Print made by Benjamin Green, ca. 1736–ca. 1800, British
Oxford Physic Garden
1766
52
Michael Landy, Born 1963, British
Creeping Buttercup
2002
53
Print made by Willem Janszoon Blaeu, 1571–1638
Magnae Britanniae et Hiberniae Tabula
1634
54
Print made by Edward Goodall, 1795–1870, British
Valombre
1834
55
Samuel William Reynolds, 1773–1835, British
Animals [a pair]: 2. Tigress
1799
56
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Gainsborough
undated
57
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
58
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
59
Samuel William Reynolds, 1773–1835, British
Animals [a pair]: 1. Lioness
1799
60
Print made by Matthew Dubourg, active 1786–1838, British
Pheasant Shooting
1822
61
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
62
Print made by William Richardson, active 1842–1877, British
Crossing the Brook
between 1859 and 1861
63
Print made by John Samuel Agar, ca. 1773–1858, British
Sir George Beaumont, Bart
1812
64
Print made by James Basire, 1730–1802, British
Plate VIII: St Stephen's Chapel
1795
65
Print made by Anthony Cardon, 1772–1813, Flemish
Henry Tresham, Esq. R. A
1814
66
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
67
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
68
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
69
Print made by James Gillray, 1756–1815, British
A Cognocenti Contemplating ye Beauties of ye Antique
1801
70
Print made by Simon François Ravenet, 1706–1774, French, active in Britain
Marriage à la Mode, Plate 4
1745
71
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage à la Mode, Plate 1
1745
72
Print made by Simeon Solomon, 1840–1905, British
The Haunted House
1858
73
Print made by Sir Frank William Brangwyn, 1867–1956, British
The Headless Christ
1910
74
Print made by unknown artist, eighteenth century
Miss Tipapin Going for All Nine
1779
75
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
Anglia Perdita
1921
76
Jacques Rigaud, 1681–1754, French
Prospect of Hampton Court from the Garden Side
1736
77
Print made by Valentine Green, 1739–1813, British
Benjamin West and His Son Raphael
1775
78
Sir Francis Seymour Haden, 1818–1910, British
A Lancashire River
1881
79
Print made by Sir Francis Seymour Haden, 1818–1910, British
The Breaking Up of the Agamemnon, no. 2
after 1880
80
Print made by William Doughty, 1757–1782, British
The Rev. William Mason, M. A
1779
81
John Finlayson, 1730–1776, British
William Drummond of Hawthornden
1766
82
Edward Fisher, 1722–1785, British
Admiral George Edgcumbe, first Earl of Mount Edgcumbe
1760
83
Edward Fisher, 1722–1785, British
The Most Noble Granville Leveson, Earl Gower
1765
84
William Dickinson, 1746–1823, British
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
85
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
86
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
1788
87
Henry Papprill, 1816–d.after 1883, American
The Review of the Queens Own Regiment of the Yeomanry Cavalry
88
Print made by Johann Lorenz Haid, 1702–1750, German
S. Philippus
early 1750s
89
Print made by Johann Lorenz Haid, 1702–1750, German
S. Matthias
undated
90
Print made by Johann Lorenz Haid, 1702–1750, German
Portrait of Boy and Dog
undated
91
Print made by Johann Lorenz Haid, 1702–1750, German
Portrait of a Woman Holding Fruit
undated
92
Print made by Johann Lorenz Haid, 1702–1750, German