Print made by Robert Polhill Bevan, 1865–1925, British
A London Church
1924
2
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
3
Print made by Robert Polhill Bevan, 1865–1925, British
Found!
1898-1899
4
Print made by Robert Polhill Bevan, 1865–1925, British
The Flying Pack
1898-1899
5
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
6
Robert Polhill Bevan, 1865–1925, British
The Horse Mart (Barbican No. 1)
1920
7
Robert Polhill Bevan, 1865–1925, British
Crocks
undated
8
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
1835 or 1836
9
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Rocky Landscape in Wales
1835 or 1836
10
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Mount Siabod from Tyn-y-Coed near Capel Curig
undated
11
George Stubbs, 1724–1806, British
Tiger Skeleton, Lateral View
1795 to 1806
12
George Stubbs, 1724–1806, British
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
13
George Stubbs, 1724–1806, British
Tygers at Play
1780
14
Print made by George Stubbs, 1724–1806, British
A Horse Affrighted by a Lion
1777
15
George Stubbs, 1724–1806, British
Death of the Doe
1817
16
William Hogarth, 1697–1764, British
The Bruiser
1763
17
William Hogarth, 1697–1764, British
Gulielmus Hogarth
1749
18
William Hogarth, 1697–1764, British
And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
1752
19
William Hogarth, 1697–1764, British
And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
1752
20
Edward Lear, 1812–1888, British
Strongyli
May 4, 1864
21
Edward Lear, 1812–1888, British
Agios Prokopios, Corfu, 12 May 1862
1862
22
after Edward Lear, 1812–1888, British
Brown's Parakeet
1832
23
George Romney, 1734–1802, British
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
24
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
25
George Romney, 1734–1802, British
Children with a Goat and a Dog
undated
26
George Romney, 1734–1802, British
Mother and Son
undated
27
William Blake, 1757–1827, British
Book of Job, Plate 10, Job Rebuked by His Friends
1825
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
29
William Blake, 1757–1827, British
Book of Job, Plate 2, Satan before the Throne of God
1825
30
William Blake, 1757–1827, British
Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes
1825
31
William Blake, 1757–1827, British
Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
1825
32
William Blake, 1757–1827, British
Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan
1825
33
William Blake, 1757–1827, British
Book of Job, Plate 7, Job's Comforters
1825
34
William Blake, 1757–1827, British
Book of Job, Plate 8, Job's Despair
1825
35
William Blake, 1757–1827, British
Book of Job, Plate 9, The Vision of Eliphaz
1825
36
William Blake, 1757–1827, British
Book of Job, Plate 11, Job's Evil Dreams
1825
37
William Blake, 1757–1827, British
Book of Job, Plate 12, The Wrath of Elihu
1825
38
William Blake, 1757–1827, British
Book of Job, Plate 15, Behemoth and Leviathan
1825
39
William Blake, 1757–1827, British
Book of Job, Plate 18, Job's Sacrifice
1825
40
William Blake, 1757–1827, British
Book of Job, Plate 17, The Vision of Christ
1825
41
William Blake, 1757–1827, British
Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
1825
42
William Blake, 1757–1827, British
Book of Job, Plate 14, When the Morning Stars Sang Together
1825
43
William Blake, 1757–1827, British
Book of Job, Plate 19, Every One also Gave Him a Piece of Money
1825
44
William Blake, 1757–1827, British
Book of Job, Plate 16, The Fall of Satan
1825
45
William Blake, 1757–1827, British
Book of Job, Plate 20, Job and His Daughters
1825
46
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
47
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
48
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
49
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
50
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
51
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
52
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
53
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
54
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
55
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
56
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
57
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
58
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
59
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
60
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
61
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
62
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
63
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
64
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
65
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing of the Porticos of a Temple
1802-1804
66
Sir Robert Smirke the younger, 1781–1867, British
Temple Near the Site of Ancient Phigalia
1803
67
Sir Robert Smirke the younger, 1781–1867, British
Remains of the Temple of Aphaea, Island of Aigina
1802-1804
68
Sir Robert Smirke the younger, 1781–1867, British
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
69
Sir Robert Smirke the younger, 1781–1867, British
Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum
1802-1804
70
Print made by William Jacobsz Delff, 1580–1638, Dutch
Michael Mirevelt
ca. 1635
71
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Ioannes T'Serclaes
ca. 1635
72
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Cornelius Poelenbourch
ca. 1635
73
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Genovefa d'Urphe
ca. 1635
74
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Diodorus Tuldenus
ca. 1635
75
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Genovefa d'Urphe
ca. 1635
76
Giovanni Battista Borra, 1713–1770, Italian
View of a Valley with Ruins at Sardis
ca. 1750
77
Giovanni Battista Borra, 1713–1770, Italian
View of the Modern City of Pergamon
ca. 1750
78
Giovanni Battista Borra, 1713–1770, Italian
Monte delle Beatitudini
ca. 1750
79
Giovanni Battista Borra, 1713–1770, Italian
Plan of Lake Tiberias
ca. 1750
80
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
81
Giovanni Battista Borra, 1713–1770, Italian
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
82
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Laodicea
ca. 1750
83
Giovanni Battista Borra, 1713–1770, Italian
Is'Tmo di Cizico unito al Continente
ca. 1750
84
Giovanni Battista Borra, 1713–1770, Italian
Unfinished View of the Palatine in Rome
ca. 1750
85
Giovanni Battista Borra, 1713–1770, Italian
View of Ruins at Tivoli
ca. 1750
86
Giovanni Battista Borra, 1713–1770, Italian
Reggio di Calabria
ca. 1750
87
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
88
Print made by Paulus Pontius, 1603–1658, Flemish
Gerardus Hontborst
ca. 1635
89
John Copley, 1875–1950, British
People in a Room
1947
90
Print made by Paulus Pontius, 1603–1658, Flemish
Palamedes Palamedessen
ca. 1635
91
Print made by Paulus Pontius, 1603–1658, Flemish
Theodorus Rombouts
ca. 1635
92
Print made by Paulus Pontius, 1603–1658, Flemish
Cæsar Alexander Scaglia
ca. 1635
93
Print made by Paulus Pontius, 1603–1658, Flemish
Henricus Steenwyck
ca. 1635
94
James Watson, 1740–1790, British
George Bridges Rodney Esqr
1762
95
Samuel Buck, 1696–1779, British
The South West View of Melton Constable in the County of Norfolk, Seat of Sir Jacob Astley
ca. 1741
96
Print made by David Lucas, 1802–1881, British
Summer Evening
1831
97
Print made by David Lucas, 1802–1881, British
Stratford Mill, The Young Waltonians
1834 to 1840
98
Francis Jukes, 1747–1812, British
Canterbury
ca. 1790
99
Print made by William Henry Toms, ca. 1700–ca. 1750, British
A Perspective View of the Chapel adjoining to Wakefield Bridge, in the County of York, which was built by King Edward the fourth in Memory of his Father Richard, Duke of York