Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
2
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
3
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
4
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
5
Joseph Mallord William Turner, 1775–1851, British
Corsica
between 1830 and 1835
6
Joseph Mallord William Turner, 1775–1851, British
Fishing Boats Becalmed off le Havre
undated
7
Joseph Mallord William Turner, 1775–1851, British
Lake Geneva and Mount Blanc
1802 to 1805
8
Joseph Mallord William Turner, 1775–1851, British
Tours: Sunset: Looking Backwards
between 1826 and 1830
9
after Joseph Mallord William Turner, 1775–1851, British
Tours - Looking Backward
1833
10
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
11
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
12
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
13
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
14
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
15
Joseph Mallord William Turner, 1775–1851, British
The Channel Sketchbook
ca. 1845
16
Edward Lear, 1812–1888, British
Entrance to the Port of Marseille
undated
17
Edward Lear, 1812–1888, British
A View of the Harbour at Cannes
1869
18
Edward Lear, 1812–1888, British
A View of the Pine Woods Above Cannes
1869
19
Edward Lear, 1812–1888, British
Bavella, Corsica
ca. 1868
20
Edward Lear, 1812–1888, British
Nice from the Genoa Road
1865
21
Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
22
Newton Limbird Smith Fielding, 1799–1856, British
Le Crotoy from the Mouth of the Somme
1825
23
Richard Parkes Bonington, 1802–1828, British
Abbeville - Vue Pris, de la route de Calais
24
Frederick Goulding, 1842–1909, British
Ruins of the Old Bridge, Vernon
1879
25
Richard Parkes Bonington, 1802–1828, British
Lillebonne - Château d'Harcourt
26
Print made by Louis Francais, 1814–1897, French
Bords de la Seine
between 1849 and 1862
27
Richard Parkes Bonington, 1802–1828, British
Bergues - La Tour du March,
28
Print made by Sigismond Himely, 1801–1872, French
Rouen, looking up the River
undated
29
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
30
Print made by Sigismond Himely, 1801–1872, French
Rouen, looking up the River
undated
31
William Callow, 1812–1908, British, active in France
The Seine at St. Cloud
undated
32
William Callow, 1812–1908, British, active in France
Notre Dame, Paris
1835
33
follower of Thomas Shotter Boys, 1803–1874, British
Mantes
undated
34
Thomas Shotter Boys, 1803–1874, British
Fountain in the Gardens, Paris: Evening
undated
35
Mary Harcourt, 1750–1833, British
Tournon Opposite to Teint on the Rhone
ca. 1780
36
Attributed to James Holland, 1799–1870, British
Calais Harbour
undated
37
Mary Harcourt, 1750–1833, British
On the Rhone
ca. 1780
38
James Duffield Harding, 1798–1863, British
French Coast Scene with Fisherboy
1829
39
Thomas Shotter Boys, 1803–1874, British
The Pont des Arts, Paris
between 1831 and 1837
40
William Callow, 1812–1908, British, active in France
Versailles
1833
41
Samuel Prout, 1783–1852, British
Beauvais Cathedral
undated
42
Thomas Leeson Rowbotham, 1783–1853, British
A View of Rouen from the River
undated
43
Print made by Robert Brandard, 1805–1862, British
Quilleboeuf
1834
44
Print made by John Cousen, 1804–1880, British
Château Gaillard, from the South (Vignette)
1835
45
Print made by Robert Wallis, 1794–1878, British
Havre
1832
46
Print made by William Miller, 1796–1882, British
Nantes
1833
47
Print made by Robert Brandard, 1805–1862, British
Blois
1833
48
Print made by W. R. Smith, active 1819–1851
Amboise
1833
49
Print made by Thomas Jeavons, ca. 1800–1867, British
Canal of the Loire and Cher, near Tours
1833
50
Print made by James Baylis Allen, 1803–1876, British
Château of Amboise
1833
51
Print made by Robert Brandard, 1805–1862, British
Tours
1833
52
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
53
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
54
Print made by Robert Wallis, 1794–1878, British
Havre, Tower of Francis I
1834
55
Print made by John Cousen, 1804–1880, British
Harfleur
1834
56
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve
1834
57
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
58
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Château
1834
59
Print made by Robert Brandard, 1805–1862, British
La Chaise de Gargantua near Duclair
1834
60
Print made by James Charles Armytage, 1802–1897, British
Jumièges
1834
61
Print made by William Miller, 1796–1882, British
Rouen, looking down the river
1834
62
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
63
Print made by James T. Willmore, 1800–1863, British
Vernon
1835
64
Print made by James T. Willmore, 1800–1863, British
Pont de l'Arche
1835
65
Print made by Robert Brandard, 1805–1862, British
View on the Seine between Mantes and Vernon
1835
66
Print made by James Baylis Allen, 1803–1876, British
St. Germains
1835
67
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834-1836
68
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
69
Print made by William Miller, 1796–1882, British
St. Cloud
1834
70
Benjamin Ferrey, 1810–1880, British
Halle au Blé, - Interior
undated
71
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
72
Print made by James T. Willmore, 1800–1863, British
Saumur
1833
73
Print made by Robert Brandard, 1805–1862, British
Rietz near Saumur
1833
74
Print made by James T. Willmore, 1800–1863, British
Montjen
1833
75
Print made by Robert Wallis, 1794–1878, British
Scene on the Loire
1833
76
Print made by William Miller, 1796–1882, British
Between Clairmont and Mauves
1833
77
Print made by Robert Brandard, 1805–1862, British
Château Hamelin
1833
78
Print made by Robert Wallis, 1794–1878, British
Coteaux de Mauves
1831
79
Print made by James T. Willmore, 1800–1863, British
Clairmont
1833
80
Print made by Robert Brandard, 1805–1862, British
Graville
1834
81
Print made by Thomas Jeavons, ca. 1800–1867, British
Lillebonne, Château and Tower
1834
82
Print made by Robert Brandard, 1805–1862, British
Château de Tancarville with Town of Quilleboeuf
1834
83
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
84
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
85
Henry Moore, 1831–1895, British
Showery June, Picardy
between 1870 and 1880
86
William Marlow, 1740–1813, British
Nîmes from the Tour Magne
ca. 1765
87
William Marlow, 1740–1813, British
Sketch of the Pont du Gard
undated
88
Henry Moore, 1831–1895, British
Mer de Glace
1856
89
Ambrose Poynter, 1796–1886, British
Sketches from Life in Paris: Man in Blue Trousers
ca. 1835
90
Sir David Young Cameron, 1865–1945, British
St. Laumer-Blois
1903
91
Sir David Young Cameron, 1865–1945, British
The North Porch, Harfleur
1904
92
Sir David Young Cameron, 1865–1945, British
The North Porch, Harfleur
1904
93
Sir David Young Cameron, 1865–1945, British
Beauvais
1910
94
Print made by Richard Parkes Bonington, 1802–1828, British
Rue du Gros-Horloge, Rouen
1824
95
Sir David Young Cameron, 1865–1945, British
Montivilliers
1903
96
Sir David Young Cameron, 1865–1945, British
The Chimera of Amiens
1910
97
Sir David Young Cameron, 1865–1945, British
Yvon
1911
98
Print made by Andrew Fairbairn Affleck, 1874/7–1936