Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
2
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
between 1880 and 1883
3
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
4
Print made by William Hogarth, 1697–1764, British
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764, British
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851, British
Tours - Looking Backward
1833
7
Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by John Boydell, 1720–1804, British
The Wreck of the Nuestra Senora de los Remedios
1753
9
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
10
Print made by David Lucas, 1802–1881, British
A Mill
1830
11
Print made by David Lucas, 1802–1881, British
Sir Richard Steele's Cottage
1845
12
Print made by David Lucas, 1802–1881, British
Spring
1829 to 1830
13
Print made by David Lucas, 1802–1881, British
Stoke by Neyland, Suffolk
1829
14
Print made by David Lucas, 1802–1881, British
A Summerland
1831
15
Print made by David Lucas, 1802–1881, British
Summer Morning
1831
16
Print made by David Lucas, 1802–1881, British
Weymouth Bay, Dorsetshire
1830
17
Print made by David Lucas, 1802–1881, British
Summer Evening
1831
18
Print made by David Lucas, 1802–1881, British
View on the River Stour
1830
19
Print made by David Lucas, 1802–1881, British
Stratford Mill, The Young Waltonians
1834 to 1840
20
Print made by John Sell Cotman, 1782–1842, British
Cader Idris
between 1824 and 1830
21
Print made by John Sell Cotman, 1782–1842, British
Column at Yarmouth to the Memory of Lord Nelson
1817
22
Print made by Miles Edmund Cotman, 1810–1858, British
Study of Trees on the Banks of the Yare
1846
23
Robert Dixon, 1780–1815, British
The Black Tower Norwich
between 1810 and 1811
24
Robert Dixon, 1780–1815, British
The Greyfriars Tower, Lynn, as it appeared 1801
between 1810 and 1811
25
Robert Dixon, 1780–1815, British
Cottage at Diss
1811
26
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
27
Robert Dixon, 1780–1815, British
Sketch at Mulbarton
between 1810 and 1811
28
Robert Dixon, 1780–1815, British
Remains of the Priory, Beeston Regis
1810
29
Print made by Henry William Bunbury, 1750–1811, British
Paysan des Alpes
1769-1770
30
Print made by Alfred Dawson, active 1860–1894, British
Val d'Aosta
1885
31
Frederick Goulding, 1842–1909, British
Ruins of the Old Bridge, Vernon
1879
32
Robert Dixon, 1780–1815, British
Beeston Priory, Beeston Regis
between 1810 and 1811
33
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
34
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
35
Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
36
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
37
Print made by William Bernard Cooke, 1778–1855, British
Weymouth
1814-1826
38
Print made by William Bernard Cooke, 1778–1855, British
Lulworth Cove, Dorset
1811-1812
39
Print made by William Bernard Cooke, 1778–1855, British
Lulworth Cove, Dorset
1814
40
Print made by William Bernard Cooke, 1778–1855, British
Margate
1822
41
Print made by William Bernard Cooke, 1778–1855, British
Margate
1822
42
Print made by William Bernard Cooke, 1778–1855, British
Margate
1823
43
Print made by William Miller, 1796–1882, British
Clovelly Bay and Lundy Island
1824
44
Print made by Robert Wallis, 1794–1878, British
Ramsgate
1814 to 1826
45
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
46
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
47
Print made by Edward Goodall, 1795–1870, British
Boscastle, Cornwall
1814 to 1826
48
Print made by William Miller, 1796–1882, British
Coombe-Martin, Devonshire
1814 to 1826
49
Print made by William Miller, 1796–1882, British
Portsmouth, Hampshire
1825
50
Print made by Edward Goodall, 1795–1870, British
Boscastle, Cornwall
1814 to 1826
51
Print made by George Cooke, 1781–1834, British
Brighton
1814 to 1826
52
Print made by George Cooke, 1781–1834, British
Brighton
1825
53
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1825
54
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1814 to 1826
55
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1826
56
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1825
57
Print made by Edward Goodall, 1795–1870, British
Mount Edgecomb, Devonshire
1814 to 1826
58
Print made by John Horsburgh, 1791–1869, British
Whitstable, Kent
1814 to 1826
59
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1821
60
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1818-1820
61
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1818-1820
62
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1818-1820
63
Print made by John Landseer, 1769–1852, British
Cascade of Terni
1818-1820
64
Etched by Samuel Middiman, ca. 1750–1831, British
Lake of Nemi
1818-1820
65
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1820
66
Etched by Samuel Middiman, ca. 1750–1831, British
Lake of Nemi
1819
67
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1819
68
Print made by Samuel Rawle, 1771–1860, British
Florence, from the Ponte alla Carria
1818-1820
69
John Greig, active 1803–1853, British
Herstmonceux Castle, Sussex
1815
70
William Tombleson, ca.1795–1835, British
Herstmonceux Castle, Sussex
undated
71
William Henry Brooke, 1772–1860, Irish
Herstmonceux Castle from the South
undated
72
Walter Geikie, 1795–1837, British
Edinburgh Castle and Horse Fair
1830
73
Print made by Robert Brandard, 1805–1862, British
Quilleboeuf
1834
74
Print made by Robert Wallis, 1794–1878, British
Havre
1832
75
Print made by Robert Brandard, 1805–1862, British
Blois
1833
76
Print made by W. R. Smith, active 1819–1851
Amboise
1833
77
Print made by Thomas Jeavons, ca. 1800–1867, British
Canal of the Loire and Cher, near Tours
1833
78
Print made by James Baylis Allen, 1803–1876, British
Château of Amboise
1833
79
Print made by Robert Brandard, 1805–1862, British
Tours
1833
80
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
81
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
82
Print made by John Cousen, 1804–1880, British
Harfleur
1834
83
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
84
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Château
1834
85
Print made by James Charles Armytage, 1802–1897, British
Jumièges
1834
86
Print made by William Miller, 1796–1882, British
Rouen, looking down the river
1834
87
Print made by James T. Willmore, 1800–1863, British
Vernon
1835
88
Print made by James T. Willmore, 1800–1863, British
Pont de l'Arche
1835
89
Print made by Robert Brandard, 1805–1862, British
View on the Seine between Mantes and Vernon
1835
90
Print made by James Baylis Allen, 1803–1876, British
St. Germains
1835
91
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
92
Print made by James T. Willmore, 1800–1863, British
Saumur
1833
93
Print made by Robert Brandard, 1805–1862, British
Rietz near Saumur
1833
94
Print made by James T. Willmore, 1800–1863, British
Montjen
1833
95
Print made by Robert Wallis, 1794–1878, British
Scene on the Loire
1833
96
Print made by William Miller, 1796–1882, British
Between Clairmont and Mauves
1833
97
Print made by Edward Francis Finden, 1791–1857, British