The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
2
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
3
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
4
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
5
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
6
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
7
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
8
John Hamilton Mortimer, 1740–1779, British
Edgar, from King Lear, Act III, Scene iii
9
Print made by Thomas Bewick, 1753–1828, British
Dog and the Shadow
1909
10
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain