Print made by John Sell Cotman, 1782–1842, British
Column at Yarmouth to the Memory of Lord Nelson
1817
3
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of Tower Staircase
ca. 1790
4
Samuel Davis, 1760–1819, British
Tassisudon
1783
5
John Rocque, 1704?–1762, French, active in Britain
...Plan of Windsor Park
1738
6
William Henry Hunt, 1790–1864, British
The Essex Chantry, Watford Church
ca. 1820
7
Frederick Catherwood, 1799–1854, British
Well at Bolonchen, Yucatan
1843
8
unknown artist, nineteenth century
Roundway Park, Wiltshire: Exterior View
ca. 1840
9
Thomas Hearne, 1744–1817, British
Cottage
undated
10
Sir William John Newton, 1785–1869, British
Design for the Rotunda, Ranelagh Gardens
undated
11
Agostino Aglio the elder, 1777–1857, Italian, active in Britain
An Imaginary Design for a Monument to Lord Nelson
1805
12
attributed to Thomas Shotter Boys, 1803–1874, British
Le Château de Blois
undated
13
William Pars, 1742–1782, British
A View of Rome Taken from the Pincio
1776
14
William Henry Hunt, 1790–1864, British
View of a Street in a French Town
ca. 1831
15
William Marlow, 1740–1813, British
A Street in Florence with the Duomo and Campanile in the Background
ca. 1765
16
unknown artist
Design for an English Silver Table
between 1670 and 1680
17
attributed to Augustus Welby Northmore Pugin, 1812–1852, British
Section of Aisles St. Paul's Cathedral
1823
18
Print made by Edward Goodall, 1795–1870, British
Venice (vignettes)
1830
19
Thomas Girtin, 1775–1802, British
Eton College from Datchet Road
1790
20
Print made by Joseph Pennell, 1860–1926, American
The Choir or The Nave, Washington Cathedral
1923
21
Charles Reginald Aston, 1832–1908, British
Mont Saint-Michel
undated
22
William May, active 19th century, British
Long Ships Lighthouse off the Land’s End, Cornwall
1860s
23
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
24
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
25
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
26
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
27
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
28
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
29
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
30
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
31
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
32
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
33
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
34
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
35
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
36
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
37
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
38
Studio of Sir Jeffry Wyatville, 1766–1840, British
Cottage at Belton House, Lincolnshire: Plan, Section and Elevations
undated
39
William Daniell, 1769–1837, British
Windsor Castle from near Brocas Meadows
1827
40
Joseph Farington, 1747–1821, British
View of St. Nicholas Church at Valenciennes after the Siege
1793
41
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
42
John Piper, 1903–1992, British
The Red House, Painswick, Glos
1987
43
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
44
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
45
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
46
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
47
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
48
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
49
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
50
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
51
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
52
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
53
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
54
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
55
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
56
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
57
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
58
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
59
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
60
John Buckler FSA, 1770–1851, British
View of the Staircase at Longleat House, Wiltshire; the Seat of the Marquis of Bath
1810
61
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
62
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
63
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
64
Tracey Moffatt, born 1960, Australian
Plantation (Diptych No. 6)
2009
65
Published by Giovanni Giacomo de Rossi, 1627–1691, Italian
Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
between 1546 and 1590
66
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
between 1546 and 1590
67
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
between 1546 and 1590
68
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
between 1546 and 1590
69
John Sell Cotman, 1782–1842, British
South-East View of the Church of Ifs, Near Caen, Normandy
ca. 1820
70
Michael Kenna, born 1953, British
Covered Urn, Study 1, Versailles, France
1987
71
John Donowell, active 1753–1786
East View of West Wycombe House, Buckinghamshire
undated
72
Samuel Davis, 1760–1819, British
View of Tashichoedzong, Bhutan and Foot Bridge
1783
73
Michael Kenna, born 1953, British
Strong Man and Tower (Day), Paris, France
1987
74
Print made by Andrew Fairbairn Affleck, 1874/7–1936
The Rialto
undated
75
Victor Marie Picot, 1744–1805, French
Wanstead House in Essex
1775
76
Sutton Nicholls, active 1725, British
St. Mary le Strand
undated
77
Print made by Gerard van der Gucht, 1696–1776, British
Fort St. George
1736
78
Print made by Richard Parkes Bonington, 1802–1828, British
Tour aux Archives a Vernon
1824
79
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Hope
1781
80
Thomas Malton, 1726–1801, British
North Front of the Chapel and Hall of Greenwich Hospital
ca. 1790
81
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
82
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
83
Print made by Etienne Dupérac, ca. 1535–1604, French
Flvvivs Tiberis (Plate 6, in lower left quadrant)
1574
84
Print made by Etienne Dupérac, ca. 1535–1604, French
Monvmentis Accvratiss (Plate 3)
1574
85
unknown artist
The Plan of the Stable Yard, Westminster
1811
86
Richard Pare, born 1948, British
Horyu-ji, Nara, Japan
1985
87
Print made by Etienne Dupérac, ca. 1535–1604, French
Vrbis Romae Sciographia, S.P.Q.R. (Plate 1)
1574
88
Print made by Etienne Dupérac, ca. 1535–1604, French
Ex Antiqvis (Plate 2)
1574
89
Print made by Etienne Dupérac, ca. 1535–1604, French
Via Flaminia (Plate 5)
1574
90
Print made by Etienne Dupérac, ca. 1535–1604, French
Delineata (Plate 4)
1574
91
Print made by Etienne Dupérac, ca. 1535–1604, French
Amphi. Vespasiani (Plate 7, in lower right quadrant)
1574
92
Print made by Etienne Dupérac, ca. 1535–1604, French
Cartouche, Dedication to Karolo IX (Plate 8)
1574
93
Robert Frank Atkinson, 1869 or 1871–1923, British
Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool
ca. 1911
94
Rubbed by Townsend Rich, 1909–1998, American
Maiden Lady of the Clopton Family, The Parish Church of the Holy Trinity, Long Melford
1968
95
Rubbed by Townsend Rich, 1909–1998, American
Richard Huntingdon, Rector, The Parish Church of St. Michael and All Angels, Waddesdon