Collection: Prints and Drawings / Period: 19th century / Subject Terms: green - YCBA Collections Search Search Results

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Collection Prints and Drawings

Period 19th century

Subject Terms green

1. Green and White - Dieppe

Green and White - Dieppe

Creator:: James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Date:: ca. 1885
Medium:: Watercolor and gouache on medium, smooth, beige wove paper mounted on card
Dimensions:: Sheet: 4 7/8 x 8 1/2 inches (12.4 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Given in Memory of John B. Oliver, Yale BA 1941, by his Widow and Children

2. Looking South From the Black Stream Bridge, 6 September 1841

Looking South From the Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

Creator:: James Gillray, 1756–1815, British
Date:: 1806
Medium:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

Creator:: James Gillray, 1756–1815, British
Date:: 1806
Medium:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The North Prospect of the Cathedral Church of St. Mary at Worcester

The North Prospect of the Cathedral Church of St. Mary at Worcester

Creator:: John Harris, 1811–1865, British
Date:: undated
Medium:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 13 7/16 inches (25.3 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Cathedral Church of Worcester

The Cathedral Church of Worcester

Creator:: John Harris, 1811–1865, British
Date:: undated
Medium:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 x 12 9/16 inches (20.9 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Bedford from the North

Bedford from the North

Creator:: Print made by Henry Burn, active 1845
Date:: ca. 1840
Medium:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Queen Victoria

Creator:: after George Baxter, 1804–1867, British
Date:: ca. 1860
Medium:: Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Clapham Manor-House, Surry

Clapham Manor-House, Surry

Creator:: John Hassell, 1767–1825, British
Date:: between 1804 and 1822
Medium:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection