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Collection Prints and Drawings

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Period 18th century

Remove constraint Period: 18th century

Subject Terms lyre

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William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
Hubert-François Gravelot Drawing for a Frontispiece: "The Toast"
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Drawing for a Frontispiece: "The Toast"
1735
Hubert-François Gravelot Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
undated
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mrs. Abington as Thalia
1783
William Dickinson Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough
Print made by William Dickinson, 1746–1823, British
Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough
1776
Cornelis Apostool Here Nature List'ning Stood
Print made by Cornelis Apostool, 1762–1844, Dutch
Here Nature List'ning Stood
1795
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mrs. Abington as Thalia
ca. 1783
Francesco Bartolozzi Ticket: Mr. Cox's Museum
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: Mr. Cox's Museum
1772
Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Concert of Ancient Vocal and Instrumental Music
1786