The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
2
Print made by William Hogarth, 1697–1764, British
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
3
Print made by William Hogarth, 1697–1764, British
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
4
William Hogarth, 1697–1764, British
The Enraged Musician
5
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate V: He Marries
1735
6
William Hogarth, 1697–1764, British
The Enraged Musician
1741
7
William Hogarth, 1697–1764, British
The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
1751
8
William Hogarth, 1697–1764, British
Analysis of Beauty, Plate I: A Statuary's Yard
1753
9
William Hogarth, 1697–1764, British
Analysis of Beauty, Plate II: A Country Dance
1753
10
after William Hogarth, 1697–1764, British
Simon, Lord Lovat
1746
11
George Romney, 1734–1802, British
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
12
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
13
George Romney, 1734–1802, British
Prison Scene
undated
14
William Blake, 1757–1827, British
"Visions of the Daughters of Albion", London, by William Blake
1793
15
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
16
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
17
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
18
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
19
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
20
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
21
Giovanni Battista Borra, 1713–1770, Italian
Plan and View of a Cave, Temple, or Tomb
ca. 1750
22
Giovanni Battista Borra, 1713–1770, Italian
Sepolcro di Zagaria
ca. 1750
23
Giovanni Battista Borra, 1713–1770, Italian
Plan of Jerusalem
ca. 1750
24
Giovanni Battista Borra, 1713–1770, Italian
Gierusalemme
ca. 1750
25
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
26
Giovanni Battista Borra, 1713–1770, Italian
View of a Passage Cut into a Hillside
ca. 1750
27
Print made by John Boydell, 1720–1804, British
Greenland Fishery
1754
28
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
29
Print made by John Boydell, 1720–1804, British
Morning
1753
30
Print made by John Boydell, 1720–1804, British
Evening
1755
31
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
32
William Nutter, 1754–1802, British
The Parent Restor'd or the Blessings of Peace
1797
33
unknown artist
An Officer in the Light Infantry, driven by his Lady to Cox-Heath
34
unknown artist
The Politician
35
James Heath, 1757–1834, British
Wooginoos or Bruces Antidysenterica
1789
36
unknown artist
The Overflowing of the Pitt
1771
37
Paul Sandby, 1731–1809, British
Caricature of George Bubb Dodington and Sir Thomas Robinson
ca. 1761
38
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevation of Building with Turret at One End
undated
39
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan of the Attic Story
ca. 1790
40
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Wall Decoration
ca. 1790
41
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of a Turret
ca. 1790
42
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Unidentified Plan for a Passage
ca. 1790
43
James Bruce, 1730–1794, British
No. 7 the interior part of the 3rd temple looking from the west front
undated
44
James Bruce, 1730–1794, British
Fragments of Architecture at Temple of Thignica Ain Tunga
undated
45
James Bruce, 1730–1794, British
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
46
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Mount Palatine
1783
47
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
48
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
49
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan of the Dairy
1794
50
James Bruce, 1730–1794, British
Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots
undated
51
James Bruce, 1730–1794, British
Neophron percnopterus (Egyptian Vulture)
undated
52
James Lambert of Lewes, 1725–1788, British
The Monument of Thomas Fiennes
undated
53
attributed to Benjamin West, 1738–1820, American, active in Britain (from 1763)
Margate
1767
54
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of Dairy
1795
55
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy
1795
56
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy
1795
57
James Wyatt, 1746–1813, British
Cobham Hall, Kent: North Elevation of South Wing
undated
58
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of the drawing room
ca. 1790
59
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevation of Dairy
1794
60
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End
ca. 1790
61
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses
ca. 1790
62
George Shakespear, active 1752, died 1797
Cobham Hall, Kent: South Elevation of North Wing
ca. 1790
63
George Barret, ca. 1728/32–1784, Irish
The Acacia Tree - Figures in a Park
undated
64
Attributed to John Sanderson, active 1730; died 1774, British
Unidentified Country House: Ground Floor Plan
undated
65
James Watson, 1740–1790, British
Lord Charles Bunbury
1768
66
unknown artist, eighteenth century
Prospectus Westmonasteriensis Londini
undated
67
Jacob van Schley, 1715–1779, Dutch
The Monument of King Henry III, in Westminster Abbey
1735
68
unknown artist
Bow Steeple, Cheapside
1798
69
unknown artist
St. Dunstan's Fleet Street
1787
70
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Alexander Pope
ca. 1744
71
unknown artist
North Front of St. Martin's Church
1795
72
unknown artist
S.W. View of St. Martins Church
1795
73
George Barret, ca. 1728/32–1784, Irish
Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
ca. 1775
74
Master of the Giants, active 1779, British
Apollo and Daphne
between 1770 and 1799
75
James Bruce, 1730–1794, British
Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves
undated
76
James Bruce, 1730–1794, British
Sagittarius serpentarius (Secretary Bird)
ca. 1768
77
James Bruce, 1730–1794, British
Back view of the same circular temple in its present state
undated
78
attributed to William Kent, ca.1686–1748, British
Design for an Unidentified Gothic Structure
undated
79
William Kent, ca.1686–1748, British
The Cascade at Chiswick House, Middlesex: Elevation and Plan
between 1720 and 1735
80
Jonathan Richardson the Elder, 1667–1745, British
Self-Portrait
ca. 1730
81
George Robertson, 1749–1788, British
The Colosseum, Rome
undated
82
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
83
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
84
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
85
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Vatican from the road to Ponte Mola
1783
86
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Temple of Venus Monday, March 18th, 1782
1782
87
William Marlow, 1740–1813, British
A Street in Florence with the Duomo and Campanile in the Background
ca. 1765
88
George Morland, 1763–1804, British
Landscape with Cottage and Figures on Horseback
1793
89
unknown artist
Unidentified Country House
between 1700 and 1715
90
James Bruce, 1730–1794, British
Pl. IX Arch of Caracalla at Tebessa
undated
91
James Bruce, 1730–1794, British
Pl. VIII Temple of Jupiter at Tebessa
undated
92
Luigi Schiavonetti, 1765–1810, Italian
New Mackrel
1795
93
Giovanni Vendramini, 1769–1839, Italian
Old Chair to Mend
1795
94
Giovanni Vendramini, 1769–1839, Italian
Knives, Sissors and Razors to Grind
1795
95
Giovanni Vendramini, 1769–1839, Italian
Fresh gathered Peas. Young Hastings
1795
96
Print made by John Raphael Smith, 1752–1812, British
Love in Her Eyes Sits Playing
1778
97
Print made by John Raphael Smith, 1752–1812, British
Proverbs, Chapter VII, verses 7, 10, 13
1780
98
Engraved by Richard Earlom, 1743–1822, British
[A Soft Tumble after a Hard Ride]
ca. 1790
99
Print made by workshop of Mark Catesby, 1682–1749, British
An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754