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Collection Prints and Drawings
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1
- The Pastorals of Virgil, London, 1821
- 1821, reprinted 1977
2
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
- 1821, reprinted 1977
3
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
- 1821, reprinted 1977
4
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
- 1821, reprinted 1977
5
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
- 1821, reprinted 1977
6
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
- 1821, reprinted 1977
7
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
- 1821, reprinted 1977
8
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
- 1821, reprinted 1977
9
- Each creature, Thenot, to his task is born
- 1821, reprinted 1977
10
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
- 1821, reprinted 1977
11
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
- 1821, reprinted 1977
12
- Or blasting winds o'er blossom'd hedge-rows pass
- 1821, reprinted 1977
13
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
- 1821, reprinted 1977
14
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
- 1821, reprinted 1977
15
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
- 1821, reprinted 1977
16
- My sheep quite spent through travel and ill fare
- 1821, reprinted 1977
17
- And now behold the sun's departing ray
- 1821, reprinted 1977
18
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
- 1821, reprinted 1977
19
- The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
- 1821
20
- Study for a willow tree branch
- ca. 1826
21
- Kirstall Abbey, near Leeds Yorkshire
- ca. 1826
22
- House beside a river dam (?)
- ca. 1826
23
- Study of a tree top
- ca. 1826
24
- View of a City Street with Houses and a Church
- ca. 1826
25
- Alter in the Chapel of St. Blase at Westminster Abbey
- 1821
26
- Preston Church
- ca. 1826
27
- Scene of woman walking down lane towards house, in Ashcoombe, Devonshire
- ca. 1826
28
- Three figures set between a tree and a small house, with boats on the sea in the distance
- ca. 1826
29
- Two women standing in gateway at Salisbury
- ca. 1826
30
- View from Putney Bridge, of several figures in sailboats on a river
- ca. 1826
31
- Landscape with trees set at base of low hills
- ca. 1826
32
- Study of the Ruins of Brambletye House, Sussex
- ca. 1826
33
- Study of a ruined abbey
- ca. 1826
34
- Set of six: The High Mettled Racer
- 1821
35
- Set of six: The High Mettled Racer
- 1821
36
- Set of six: The High Mettled Racer
- 1821
37
- Samuel Johnson
- 1821
38
- Racing [set of four]: Coursing. Plate 4. View near Epsom
- 1821
39
- Set of six: The High Mettled Racer
- 1821
40
- Set of six: The High Mettled Racer
- 1821
41
- Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur
- ca. 1826
42
- Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom
- 1821
43
- Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course
- 1821
44
- Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom
- 1821
45
- Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
- between 1821 and 1851
46
- Maternal Affection (Volume of 102 lithographs)
- between 1821 and 1838
47
- Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
- 1821
48
- Set of six: The High Mettled Racer
- 1821
49
- The Interior of the Fives Court with Randall and Turner Sparring
- 1821