The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
6
Sir Robert Smirke the younger, 1781–1867, British
Temple at Phigalia
1803
7
Sir Robert Smirke the younger, 1781–1867, British
Temple Near the Site of Ancient Phigalia
1803
8
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
9
George Jones, 1786–1869, British
Fire on the Thames
ca. 1808
10
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Romantic Landscape
1803
11
William Green, 1760–1823, British
View of Lakes Buttermere and Crummock Water
1803
12
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
13
William Williamson, active 1803
Bombay from Malabar Point, the Night of 17th February 1803
1803
14
George Johann Scharf, 1788–1860, British
St. Paul's, Deptford
undated
15
Francis Nicholson, 1753–1844, British
Scarborough: Shipwreck at the Foot of the Castle Cliff
ca. 1808
16
unknown artist, ( J. Cook )
Bambridge on Trial for Murder by a Committee of the House of Commons
1803
17
C. John M. Whichelo, 1784–1865, British
Inside of Part of Cloisters, Adjoining St. Bartholomews Porch
1803
18
Edward Hawke Locker, 1777–1849, British
Reading Abbey Gateway
1803
19
Frederick Mackenzie, 1788–1854, British
Charts Edge, Kent
undated
20
Frederick Mackenzie, 1788–1854, British
The West Door, Rochester Cathedral, Kent
undated
21
Print made by William Byrne, 1743–1805, British
Wickham from the Marlow Road
1803
22
Print made by William Byrne, 1743–1805, British
Eton, from the Slough Road
1803
23
Thomas Girtin, (etching), 1775–1802, British
The Watermill Above the Bridge at Charenton
1803
24
Cornelius Varley, 1781–1873, British
Mountain Panorama in Wales, Cader Idris
1803
25
Charles Towne, 1763–1840, British
Woman with Cattle
1803
26
George Morland, 1763–1804, British
Fisherman and Dog Sitting by the Coast
1803
27
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Tour in Scotland; Near Wyburn Lake
1803
28
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Casterton Hall near Shirkby Lonsdale
1803
29
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Furness Abbey
1803
30
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Colwith Force
1803
31
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Near Capel Cerrig
1803
32
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Beyond Barden Tower
1803
33
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: The Pass of Penmanmawr
1803
34
Attributed to Daniel Lysons, 1762–1834, British
Memorial to Mr. Nathaniel Ravener from Greenford Church
1803
35
William Collins, 1788–1847, British
Dartmouth
undated
36
George Moutard Woodward, ca. 1760–1809, British
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
37
George Moutard Woodward, ca. 1760–1809, British
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic
ca. 1808
38
George Moutard Woodward, ca. 1760–1809, British
The Sleeper
ca. 1808
39
George Moutard Woodward, ca. 1760–1809, British
The Extinguisher
ca. 1808
40
George Moutard Woodward, ca. 1760–1809, British
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
41
George Moutard Woodward, ca. 1760–1809, British
The Monopolizer
ca. 1808
42
George Moutard Woodward, ca. 1760–1809, British
The Oracle
ca. 1808
43
George Moutard Woodward, ca. 1760–1809, British
The Everlasting Peruser
ca. 1808
44
Sir Jeffry Wyatville, 1766–1840, British
Hyde Hall, Hertfordshire: Perspective View
1803
45
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front
c.1803
46
Archibald Skirving, 1749–1819, British
An Elderly Woman
1803
47
William Ridley, 1764–1838, British
George Romney
1803
48
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
49
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
50
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
51
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
52
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
53
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
54
unknown artist, ( W. Hawkins )
Pamela pointing an error in a direction, Vide, vol. 6, letter 30, page 200
1803
55
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
56
Print made by William Daniell, 1769–1837, British
An Elevated View of the New Dock in Wapping
1803
57
Print made by William Daniell, 1769–1837, British
Brunswick Dock on the Thames at Blackwall
1803
58
John Downman, 1750–1824, British
Miss Campbell
1803
59
Print made by Caroline Watson, 1760–1814, British
Judith, or Cowper's Oak
1803-1804
60
Anthony Vandyke Copley Fielding, 1787–1855, British
Cattle Watering by Corinthian Columns
undated
61
Robert Hills, 1769–1844, British
Tree Study
between 1800 and 1805
62
Richard Earlom, 1743–1822, British
Shakespeare, King Lear, Act I, Scene I
1803
63
William Daniell, 1769–1837, British
Portrait Study of Thomas Hearne
between 1803 and 1819
64
John White Abbott, 1763–1851, British
Trees Overhanging a Lake
between 1803 and 1807
65
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
66
Henry Bone, 1755–1834, British
Portrait of Samuel Lyons
1803
67
Robert Thew, 1758–1802, British
Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle
1803
68
Benjamin West, 1738–1820, American, active in Britain (from 1763)
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
69
James Parker, 1750–1805, British
MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"
1803
70
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Twelfth Night, Act V, Scene I: The Street
1803
71
Thomas Ryder, 1746–1810, Irish
Twelfth Night, Act III, Scene IV: Olivia's House
1803
72
John Rubens Smith, 1775–1849, British
[Shooting]: Innocence Alarm'd
1803
73
Thomas Rowlandson, 1756–1827, British
The Gardener's Offering
between 1803 and 1805
74
George Moutard Woodward, ca. 1760–1809, British
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
75
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
76
Print made by Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, & c
1803
77
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
78
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
79
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
80
Robert Thew, 1758–1802, British
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
81
Print made by Thomas Trotter, ca. 1750–1803, British
MacBeth, Act I, Scene III: "A Heath"
1803
82
Robert Thew, 1758–1802, British
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
83
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
84
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
85
Samuel Middiman, ca. 1750–1831, British
As You Like It: Act II, Scene I: Forest of Arden
1803
86
James Gillray, 1756–1815, British
Evacuation of Malta
1803
87
Amos Green, 1735–1807, British
Views in England, Scotland and Wales
1803
88
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
89
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
90
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
91
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
92
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
93
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
94
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
95
James Gillray, 1756–1815, British
Maniac Ravings or Little Boney in a Strong Fit
1803
96
James Gillray, 1756–1815, British
Patriotic Petitions on the Convention
ca. 1808
97
Robert Thew, 1758–1802, British
Henry IV, Part II: Act IV, The Palace at Westminster
1803
98
Robert Thew, 1758–1802, British
Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc
1803
99
Thomas Ryder, 1746–1810, Irish
Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire
1803
100
John Ogborne the Elder, 1755–1795, British
Henry VI, Part I: Act II, Scene IV, London. The Temple Garden