Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
4
unknown artist, ( Lewis )
Returning from a Review...Paris
1802
5
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Peasants Going to Market
1802
6
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
7
Print made by James Basire the younger, 1769–1822, British
Inside View of the East End of Merton College Chapel
1802
8
Print made by S. Porter, active 1802
Durham Cathedral
1802
9
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
10
Thomas Girtin, 1775–1802, British
View of the Pantheon from the Arsenal
1802
11
Pierre-Joseph Redouté, 1759–1840, French of Flemish birth
Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816
between 1802 and 1816
12
Print made by George Chinnery, 1774–1852, British
Henry Tresham, Esq, R.A
1802
13
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
14
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
15
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
16
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
17
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
18
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
19
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
20
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
21
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
22
Print made by William Daniell, 1769–1837, British
Thomas Hardwick
between 1802 and 1814
23
Print made by William Daniell, 1769–1837, British
Edmund Garvey, R.A
between 1802 and 1814
24
Thomas Girtin, 1775–1802, British
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
25
Print made by Samuel William Reynolds, 1773–1835, British
James Northcote
1802
26
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
27
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
28
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
29
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
30
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
31
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
32
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
33
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
34
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
35
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
36
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
37
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
38
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
39
Print made by William Daniell, 1769–1837, British
Nathaniel Marchant, R.A
between 1802 and 1814
40
Print made by William Daniell, 1769–1837, British
Henry Howard
between 1802 and 1814
41
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
42
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
43
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
44
Print made by Edward Harding, 1755–1840, British
Thomas Holles, Duke of Newcastle
1802
45
Print made by Edward Harding, 1755–1840, British
Thomas Holles, Duke of Newcastle
1802
46
Print made by William Finden, 1787–1852, British
Attacking Stag
undated
47
Print made by W. Pickett, active 1792–1820, British
View in the Carse of Gowrie
1802
48
Print made by Thomas Medland, 1755–1823, British
Ruins of Castle-Gloom
1802
49
Print made by Francis Jukes, 1747–1812, British
Loch-vana-choir
1802
50
Print made by W. Pickett, active 1792–1820, British
Wemyss Castle
1802
51
Print made by Samuel Alken, 1756–1815, British
The Windings of the Forth
1802
52
Print made by Samuel Alken, 1756–1815, British
Inverkeithing Bay
1802
53
Print made by W. Pickett, active 1792–1820, British
Hill of Binion from the Lake
1802
54
Published by Longman, active 1804–1914, British
Loch-Lubnaig, West End
1802
55
Print made by Thomas Medland, 1755–1823, British
Loch-Kaitrin, East End
1802
56
Print made by Thomas Medland, 1755–1823, British
Kinloch Rannoch
1802
57
Print made by Thomas Medland, 1755–1823, British
Loch-Lubnaig, East End
1802
58
Print made by Thomas Medland, 1755–1823, British
Windings of the Tay, Looking toward the Mountains of Athol
1802
59
Print made by Thomas Medland, 1755–1823, British
Pass of Killicrankie
1802
60
Print made by Thomas Medland, 1755–1823, British
View from the Heights of Dunkeld
1802
61
Print made by Thomas Medland, 1755–1823, British
Loch Tay Looking toward Killin
1802
62
Print made by Thomas Medland, 1755–1823, British
Down Castle, Craigforth and Stirling in the Distance
1802
63
Print made by Samuel Alken, 1756–1815, British
Taymouth
1802
64
Print made by Francis Jukes, 1747–1812, British
Loch-tay, from Killin
1802
65
Print made by Samuel Alken, 1756–1815, British
Cori-nan-Urischin
1802
66
Print made by Francis Jukes, 1747–1812, British
Benledi
1802
67
Print made by W. Pickett, active 1792–1820, British
Loch-leven
1802
68
Print made by W. Pickett, active 1792–1820, British
Loch-erin-head
1802
69
Print made by Thomas Medland, 1755–1823, British
Fall of the Brahan
1802
70
Print made by W. Pickett, active 1792–1820, British
St. Andrews from the East
1802
71
Print made by Francis Jukes, 1747–1812, British
View on the Water of Lieth
1802
72
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Distinguishing Characteristic of Masonry
1802
73
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
He Was Wounded For Our Transgressions
1802
74
Print made by Richard Earlom, 1743–1822, British
A Landscape, with the Story of Europa
1802
75
Print made by James Basire the younger, 1769–1822, British
Inside View of the East End of Merton College
1802
76
Print made by William Daniell, 1769–1837, British
Francis Wheatley, R.A
between 1802 and 1814
77
Print made by William Daniell, 1769–1837, British
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
78
Print made by William Ward, 1766–1826, British
The Snake in the Grass
1802
79
Samuel William Reynolds, 1773–1835, British
Lord Hugh Seymour
1802
80
James Heath, 1757–1834, British
"Hubert, let me not be bound!"
1802
81
James Heath, 1757–1834, British
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
82
Samuel William Reynolds, 1773–1835, British
Vice Admiral Lord Hugh Seymour
1802
83
James Heath, 1757–1834, British
"Then go, bid the huntsmen wake them with their horns"
1802
84
James Heath, 1757–1834, British
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
85
Richard Earlom, 1743–1822, British
Tiger Hunting in the East Indies
1802
86
Print made by Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
87
Print made by Thomas Girtin, 1775–1802, British
View of the City with the Louvre & Taken from Pont Marie
1802
88
Print made by Thomas Girtin, 1775–1802, British
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
89
Print made by Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
90
Print made by Charles Wilkin, 1750–1814, British
The Right Honourable The Countess of Euston
1802
91
Print made by Charles Wilkin, 1750–1814, British
The Right Honourable Lady Catherine Howard
1802
92
Print made by William Say, 1768–1834, British
The Cottar's Door
1802
93
Print made by Thomas Girtin, 1775–1802, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
94
unknown artist, ( Lewis )
Inn Yard at Calais
1802
95
unknown artist, ( Lewis )
Changing Horses Near Clermont
1802
96
Print made by Thomas Girtin, 1775–1802, British
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
97
Print made by Thomas Girtin, 1775–1802, British
View of Pont St. Michel, Taken from Pont Neuf
1802
98
Print made by Thomas Girtin, 1775–1802, British
View of the Tuileries and Bridge taken from the Pont de la Concorde