Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
5
Paul Sandby, 1731–1809, British
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
6
Paul Sandby, 1731–1809, British
James Gandon and Family
1780
7
Attributed to Thomas Harrison, 1744–1829, British
Laid Out Wall Plan of a Room for Clifton Castle
between 1780 and 1790
8
Attributed to Thomas Harrison, 1744–1829, British
Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York
ca. 1780-1790
9
William Lewin, 1747–1795, British
Warbler: Reed Wren
before 1790
10
William Lewin, 1747–1795, British
Jackdaw
before 1790
11
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
12
Paul Sandby, 1731–1809, British
Halfway House, Sadler's Wells
1780
13
Attributed to Thomas Harrison, 1744–1829, British
Variant Ceiling Plan for Clifton Castle
ca. 1780-1790
14
Attributed to Thomas Harrison, 1744–1829, British
Ceiling Plan for Clifton Castle
ca. 1780-1790
15
Attributed to Thomas Harrison, 1744–1829, British
Working Drawing for the Plasterwork of a Frieze for Clifton Castle
ca. 1780-1790
16
William Lewin, 1747–1795, British
Falcon: Hen Krestel
before 1790
17
William Lewin, 1747–1795, British
Hoopoe: Common Hoopoe
before 1790
18
William Lewin, 1747–1795, British
Roller: Garrulous Roller
before 1790
19
William Lewin, 1747–1795, British
Owl: Little Owl
before 1790
20
Jacob More, 1740–1793, British
Naples from Posillipo
1780's
21
Nicholas Pocock, 1740–1821, British
The Ranger, Private Ship of War, with her Prizes
1780
22
Paul Sandby, 1731–1809, British
Group of Figures: A Dogfight
ca. 1785
23
Angelica Kauffmann, 1741–1807, Swiss, active in Britain (1766–81)
Seated Woman
1780
24
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
25
William Marlow, 1740–1813, British
Rochester
1780
26
Robert Marris, 1750–1827
Waterfall near Lynton
1780
27
Thomas Hearne, 1744–1817, British
Goodrich Castle on the Wye
ca. 1785
28
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
29
unknown artist
Design for a blacksmith's shop
between 1780 and 1790
30
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style
ca. 1780-1790
31
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
32
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
33
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style
ca. 1780-1790
34
unknown artist
Design for stables, plan with 2 elevations
undated
35
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
36
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
37
Henry Tresham, 1751–1814, British
Playing at Dice, Trepani
between 1780 and 1790
38
Paul Sandby, 1731–1809, British
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
39
Thomas Rowlandson, 1756–1827, British
Bucks of the First Head
ca. 1785
40
Print made by John Raphael Smith, 1752–1812, British
A Lady at Haymaking
1780
41
Print made by John Raphael Smith, 1752–1812, British
Proverbs, Chapter VII, verses 7, 10, 13
1780
42
Print made by John Raphael Smith, 1752–1812, British
A Man-Trap
c.1780
43
Thomas Rowlandson, 1756–1827, British
George Morland
between 1780 and 1799
44
Thomas Rowlandson, 1756–1827, British
Skating on the Serpentine
before 1790
45
Thomas Rowlandson, 1756–1827, British
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
46
Francis Towne, 1740–1816, British
The Foot Bridge
1780
47
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket for the Benefit of Mr. Giardini
1780
48
Rev. William Gilpin, 1724–1804, British
River Forth with the Town and Castle of Stirling in the Distance
1780
49
Joseph Farington, 1747–1821, British
Palace on a Cliff Above a River
1780-1789 (?)
50
Thomas Gainsborough, 1727–1788, British
Open Landscape with Horsemen and Covered Cart
between 1780 and 1788
51
Mary Hoare, 1744–1820, British
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
52
Prince Hoare, 1755–1834, British
Head of a Young Girl
1780
53
Joseph Farington, 1747–1821, British
Landscape with Trees by a Lake
1780-1789
54
Thomas Daniell, 1749–1840, British, active in India
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
55
Thomas Daniell, 1749–1840, British, active in India
Boats near a Dutch Folly Fort, Canton
ca. 1785
56
Willey Reveley, (?), 1760–1799, British
Views in the Levant: The Colossus of Barletta
ca. 1785
57
John Hoppner, 1758–1810, British
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
58
Thomas Rowlandson, 1756–1827, British
An English Postilion
ca. 1785
59
Thomas Bowles, ca. 1712–died 1753, British
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
60
Thomas Bowles, ca. 1712–died 1753, British
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
61
Thomas Bowles, ca. 1712–died 1753, British
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
62
J. Couse, active 1750
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
63
Thomas Bowles, ca. 1712–died 1753, British
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
64
Remi Parr, active 1723–1750, British
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
65
Julius Caesar Ibbetson, 1759–1817, British
Skating in Hyde Park
ca. 1785
66
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
67
William Hodges, 1744–1797, British
Original Drawings for Choix de Vues de L'Inde and Others, Volume III
between 1780 and 1788
68
William Hodges, 1744–1797, British
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
69
William Hodges, 1744–1797, British
Original Drawings for Choix de Vues de L'Inde and Others, Volume II
between 1780 and 1788
70
Charles Reuben Ryley, 1752–1798, British
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
71
Charles Reuben Ryley, 1752–1798, British
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
72
unknown artist, eighteenth century
[ man with a candle ]
178-?
73
Engraved by unknown artist
The Ladies' Shooting Poney
1780
74
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Concert Ticket: Benefit Night of Luigi Borghi
1780
75
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket for the Benefit of Mr. Giardini
1780
76
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Angelica Kauffman
1780
77
Thomas Bowles, ca. 1712–died 1753, British
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
78
John Bowles, 1701–1779, British
A Perspective View of Venice
between 1780 and 1815
79
Nathaniel Parr, active 1742–1751, British
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
80
Nathaniel Parr, active 1742–1751, British
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
81
James Gillray, ?, 1756–1815, British
National Discourse
1780
82
Print made by unknown artist
Political Reformation
1780
83
Richard Cooper the Younger, 1740–1814, British
Classical Landscape
ca. 1785
84
Richard Cooper the Younger, 1740–1814, British
Classical Italian Landscape with Temples and a Ruined Aquaduct
ca. 1785
85
Attributed to Sir Joseph Ayloffe, 1709–1781, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
86
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
87
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
88
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
89
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
90
Engraved by James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
91
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
92
John Robert Cozens, 1752–1797, British
On the Lake of Nemi
between 1780 and 1783
93
Samuel Davis, 1760–1819, British
March of Troops in India
1780
94
Samuel Alken, 1756–1815, British
P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle
ca. 1785
95
Alexander Cozens, 1717–1786, British
Fantastic Landscape
1780 to 1785
96
John Robert Cozens, 1752–1797, British
The Pays de Valais
between 1780 and 1785
97
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with Two Figures overlooking a Lake
between 1780 and 1790
98
Print made by unknown artist
Captain Jonathan Carver
1780
99
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
100
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)