View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
12
James Bruce, 1730–1794, British
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
13
James Bruce, 1730–1794, British
No. 8 Architecture of the Temple of Ceres Legitera
undated
14
James Bruce, 1730–1794, British
No. 9 architecture of the temple of Neptune the King
undated
15
James Bruce, 1730–1794, British
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
16
James Bruce, 1730–1794, British
No. 26 drawings of temple remains at Baalbec or Palmyra
undated
17
James Bruce, 1730–1794, British
Finished Drawing of Unidentified Palladian Mansion
undated
18
James Bruce, 1730–1794, British
Veduta di Tunga
undated
19
James Bruce, 1730–1794, British
Euphorbia helioscopia L. (Sun Spurge): finished drawing of flowering plant with details of flowers and leaf and fruit
undated
20
Giovanni Battista Borra, 1713–1770, Italian
View of Ruins of the Asclepium at Pergamon
ca. 1750
21
Giovanni Battista Borra, 1713–1770, Italian
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
22
James Bruce, 1730–1794, British
Triumphal Arch Thamugas
undated
23
James Bruce, 1730–1794, British
Plan of Temple at Baalbec
undated
24
James Bruce, 1730–1794, British
Elevation of the Front of the 1st temple fronting the sea
undated
25
James Bruce, 1730–1794, British
Plan of temple at Baalbec
undated
26
James Bruce, 1730–1794, British
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
27
James Bruce, 1730–1794, British
Plan of part of the temple at Baalbec
undated
28
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
29
Print made by Bernard Baron, 1696–1762, French
Marriage à la Mode, Plate 3
1745
30
Print made by Simon François Ravenet, 1706–1774, French, active in Britain
Marriage à la Mode, Plate 5
1745
31
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
32
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Morning
1745
33
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Night and a Ship on Fire
1745
34
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Noon
1745
35
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Sun Under a Cloud
1745
36
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Ship in Distress
1745
37
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Evening
1745
38
Giovanni Battista Borra, 1713–1770, Italian
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
39
Giovanni Battista Borra, 1713–1770, Italian
Reconstruction of the Second Theatre at Laodicea
ca. 1750
40
Giovanni Battista Borra, 1713–1770, Italian
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
41
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
42
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
43
Giovanni Battista Borra, 1713–1770, Italian
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
44
Giovanni Battista Borra, 1713–1770, Italian
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
45
Giovanni Battista Borra, 1713–1770, Italian
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
46
Giovanni Battista Borra, 1713–1770, Italian
Situazione Di Ceramo
ca. 1750
47
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
48
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Bay of Tyre
ca. 1750
49
Giovanni Battista Borra, 1713–1770, Italian
Napolosa in Samaria
ca. 1750
50
Giovanni Battista Borra, 1713–1770, Italian
Pianta di Rodi
ca. 1750
51
Giovanni Battista Borra, 1713–1770, Italian
Veduta Occidentale del Monte Tabor
ca. 1750
52
Giovanni Battista Borra, 1713–1770, Italian
Samos
ca. 1750
53
Giovanni Battista Borra, 1713–1770, Italian
View of Micale Promontorio
ca. 1750
54
Giovanni Battista Borra, 1713–1770, Italian
Ruines à Troye
ca. 1750
55
Giovanni Battista Borra, 1713–1770, Italian
Scutari
ca. 1750
56
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
57
Giovanni Battista Borra, 1713–1770, Italian
View of Artaki (now Erduk)
ca. 1750
58
Giovanni Battista Borra, 1713–1770, Italian
View of Tivoli in the Direction of the North Wind
ca. 1750
59
Giovanni Battista Borra, 1713–1770, Italian
View of a Long Aqueduct
ca. 1750
60
Giovanni Battista Borra, 1713–1770, Italian
Aquedotto Angolare
ca. 1750
61
Giovanni Battista Borra, 1713–1770, Italian
View of Tivoli
ca. 1750
62
Giovanni Battista Borra, 1713–1770, Italian
Scoglio di Silla nel Faro di Mesina
ca. 1750
63
Giovanni Battista Borra, 1713–1770, Italian
Reconstruction of the Proscenium of the Theater at Hierapolis