Collection: Prints and Drawings / Date: 1745 / Genre: genre subject

William Hogarth, 1697–1764, British

The First Stage of Cruelty

ca. 1750

Isaac Taylor, 1730–1807, British

Unidentified Periodical / Play Illustration

undated

Isaac Taylor, 1730–1807, British

Unidentified Periodical/Play Illustration

undated

James Bruce, 1730–1794, British

Man Loading a Pack Horse

undated

Paul Sandby, 1731–1809, British

Cart Bearing a Large Tree Trunk

undated

James Bruce, 1730–1794, British

Study for Man Playing a Harp

undated

James Bruce, 1730–1794, British

Man Playing a Harp

undated

James Bruce, 1730–1794, British

Studies of Ceremonial Weaponry

undated

James Bruce, 1730–1794, British

Man on Horseback Approaching a Seated Man

undated

James Bruce, 1730–1794, British

Traveler and a Man atop a Camel

undated

James Bruce, 1730–1794, British

Old Man, Warrior and Boy in a Classical Landscape

undated

James Bruce, 1730–1794, British

Six Men Talking

undated

James Bruce, 1730–1794, British

A Servant Bringing Water to Three Hunters

undated

James Bruce, 1730–1794, British

Figures in a Landscape

undated

James Bruce, 1730–1794, British

Five Men Talking

undated

James Bruce, 1730–1794, British

One Side of a Coin with Inscription

undated

James Bruce, 1730–1794, British

Decorative Border For Title Page

undated

James Bruce, 1730–1794, British

Decorative Wall Designs

undated

James Bruce, 1730–1794, British

Parts of Mechanical Device

undated

James Bruce, 1730–1794, British

Two Youths

undated

James Bruce, 1730–1794, British

A Man Riding a Mule, a Traveler, and Two Men Resting

undated

James Bruce, 1730–1794, British

Horseman Approaching Traveller Beside River

undated

James Bruce, 1730–1794, British

One Side of a Coin

undated

James Bruce, 1730–1794, British

A Vase

undated

James Bruce, 1730–1794, British

A Three-Faced Urn

undated

James Bruce, 1730–1794, British

Weighing Scale

undated

James Bruce, 1730–1794, British

Mechanical Device

undated

Thomas Gainsborough, 1727–1788, British

A Milkmaid Climbing a Stile

ca. 1750

Alexander Bannerman, ca. 1730–1780

Boit. Baker

undated

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745