Etched by Joseph Mallord William Turner, 1775–1851, British
Frontispiece
1812
2
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
3
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
4
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
5
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
6
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
7
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 1, Frontispiece
1804 to 1820
8
Print made by William Blake, 1757–1827, British
What is Man!, Frontispiece; Plate 1
1793
9
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
10
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
11
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
12
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
13
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
14
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
15
Robert White, 1645–1703, British
Frontispiece to John Nalson's "Impartial Collection of the Great Affairs of State"
1682
16
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
Frontispiece to Mr. Fawkes Catalogue
1820
17
Print made by George Cooke, 1781–1834, British
Antiquities at Pola, Frontispiece
1818
18
Print made by George Cooke, 1781–1834, British
Antiquities at Pola, Frontispiece
1818
19
Alfred Henry Forrester, 1804–1872, British
Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
ca. 1845
20
Print made by Edward Goodall, 1795–1870, British
Frontispiece for 'Pilgrim's Progress'
1836
21
Print made by Francesco Curti, 1610–1690, Italian
Frontispiece: Hercules Fighting the Hydra
ca. 1633
22
Charles Dyce, active 1848, British
Titlepage and thirteen sheets of ms. description for "Thoughts and Pencillings"
undated
23
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Group of Allegorical Figures
undated
24
James Heath, 1757–1834, British
Travels to Discover the Source of the Nile. Edinburgh: J. Ruthven, for G. G. J. and J. Robinson, 1790
1770
25
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Shepherds with Flock
undated
26
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
undated
27
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Drawing for a Frontispiece: "The Toast"
1735
28
John Fayram, op.1713–1743, British
Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
29
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Bust of a Roman Man
undated
30
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Allegorical Landscape
undated
31
Thomas Rowlandson, 1756–1827, British
The Vicar of Wakefield: Frontispiece
1817
32
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
33
Samuel Howitt, 1756–1822, British
A Tiger Resting: the frontispiece for "Oriental Field Sports"
1805
34
Print made by George Cruikshank, 1792–1878, British
Frontispiece: The Progress of a Midshipman
1820
35
William Alexander, 1767–1816, British
Frontispiece for Costume of China
ca. 1804
36
Charles Hamilton Smith, 1776–1859, Belgian
Frontispiece - Peter Simon Pallas
ca. 1837
37
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
1782
38
Print made by Luigi Schiavonetti, 1765–1810, Italian
William Blake, Frontispiece
1808, published 1813
39
Samuel Rawle, 1771–1860, British
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
1820
40
Print made by Edward Goodall, 1795–1870, British
Frontispiece (Fisher's `Pilgrim's Progress)
1838
41
John Hamilton Mortimer, 1740–1779, British
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
42
Print made by Edward Goodall, 1795–1870, British
The Lake of Geneva; Frontispiece, Title Page, and Index
1830
43
Print made by Philippe Soye, active 1565–1568, French
Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae
1568
44
Edward Fisher, 1722–1785, British
Paul Sandby
1742
45
unknown artist
Frontispiece: Conrad Gesner 1516-1565
ca. 1837
46
unknown artist
Songs of Innocence and Experience, pl. 33: 'Experience, Frontispiece'
ca. 1808
47
unknown artist
Songs of Innocence and Experience, pl. 4: Innocence, Frontispiece: [A shepherd in tights leads his grazing flock through a forest and glances upward at a naked boy on a cloud.]
ca. 1808
48
Print made by Luigi Schiavonetti, 1765–1810, Italian
William Blake, Frontispiece
1808
49
Print made by Luigi Schiavonetti, 1765–1810, Italian
William Blake, Frontispiece
1808
50
Print made by Luigi Schiavonetti, 1765–1810, Italian