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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Creator Young, Edward, 1683–1765

Remove constraint Creator: Young, Edward, 1683–1765

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1. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Plate 33 (page 72): 'And vapid; sense and reason shew the door'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Complaint and the Consolation; or Night Thoughts

The Complaint and the Consolation; or Night Thoughts
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Plate 37 (page 86): 'His hand the good man fastens on the skies'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Plate 22 (page 40): ' Angels should paint it, angels ever there'

Plate 22 (page 40): ' Angels should paint it, angels ever there'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Plate 21 (page 37): 'Love, and love only, is the loan for love'

Plate 21 (page 37): 'Love, and love only, is the loan for love'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Plate 13 (page 23): 'We censure nature for a span too short'

Plate 13 (page 23): 'We censure nature for a span too short'
Creator:
Engravings by William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Plate 15 (page 25): 'Behold him, when past by; what then is seen'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Complaint and the Consolation; or Night Thoughts (and title page)

The Complaint and the Consolation; or Night Thoughts (and title page)
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Plate 41 (page 92): 'When faith is virtue, reason makes it so'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

Plate 3 (page 4): 'What, though my soul fantastick measures trod'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Plate 7 (page 12): 'Its favours here are trials, not rewards'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Plate 9 (page 15):' The longest night though longer far, would fail'

Plate 9 (page 15):' The longest night though longer far, would fail'
Creator:
Engravings by William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

Plate 12 (page 19): 'Emblem of that which shall awake the dead'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Plate 6 (page 10): 'Disease invades the chastest temperence'

Plate 6 (page 10): 'Disease invades the chastest temperence'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Plate 8 (page 13): 'The present moment terminates our sight'

Plate 8 (page 13): 'The present moment terminates our sight'
Creator:
William Blake, 1757–1827, British
Date:
1797
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection