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Collection Paintings and Sculpture

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On-site Access Not on view

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Exhibition History Shakespeare in Western Art (Takamatsu City Museum of Art, 1993-01-09 - 1993-02-08)

Remove constraint Exhibition History: Shakespeare in Western Art (Takamatsu City Museum of Art, 1993-01-09 - 1993-02-08)

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Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
Creator:
Francis Wheatley, 1747–1801, British
Date:
1792
Medium:
Oil on canvas
Dimensions:
65 1/2 x 52 1/2 inches (166.4 x 133.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
Creator:
William Hamilton, 1751–1801, British
Date:
ca. 1790
Medium:
Oil on canvas
Dimensions:
13 1/2 x 17 inches (34.3 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
Creator:
Landscape by William Hodges, 1744–1797, British
Date:
1790
Medium:
Oil on canvas
Dimensions:
36 1/4 x 48 1/2 inches (92.1 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Return of Othello, 'Othello,' Act II, Scene II
Creator:
Thomas Stothard, 1755–1834, British
Date:
ca. 1799
Medium:
Oil on paper mounted on canvas
Dimensions:
8 1/4 x 10 inches (21 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Procession of Characters from Shakespeare's Plays
Creator:
unknown artist, nineteenth century
Date:
ca. 1840
Medium:
Oil on board
Dimensions:
12 1/4 x 54 1/4 inches (31.1 x 137.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
Creator:
Charles Hunt, 1803–1877, British
Date:
1863
Medium:
Oil on canvas
Dimensions:
18 x 26 inches (45.7 x 66 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund