Creator Gender: male - YCBA Collections Search Search Results

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Profile of Woman facing Right (numbered XXIV)

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Man with Wreath of Laurels (numbered XVII)

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Profile of a Woman wearing an Ivy Wreath facing Right

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Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Profiles of two Bearded Men facing each Other

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Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Head of a Man with Short Hair (Lettered AEXIOE)

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Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Bust of Woman with bared Shoulder and an Arrow or Spear

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Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Fantastic Head of an Animal (? Canine) wearing a Collar Lettered (VIXEI7O1E1)

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Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Head and Shoulders of a Man in Profile Helmet and Armour with Grotesque Faces on It

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Francesco Bartolozzi Ticket? Two Medallions linked by Mercury's Staff, Left Medallion Lettered: "Georgius III...", Right Medallion lettered Academ "Institut"

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket? Two Medallions linked by Mercury's Staff, Left Medallion Lettered: "Georgius III...", Right Medallion lettered Academ "Institut"

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Fragment of a Frieze from Temple at Ephesus

1764

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Specchio son L'Acque a Rustica Beltade

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Da' L'esca un picciol rivo a sobria mensa

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ruins, Three Men on the Left

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ruins, Three Figures and a Lamb in the Center

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ruins, Woman riding a Horse and Man Driving a Cow in Foreground

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ruins, Woman leaning against Horse talking to Man sitting on a Stone

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Woman Picnicing on River Bank with Men Bathing

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Classical Landscape with Deer on the Left and Travellers on the Right

1763

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Laban searching for his Idols

unknown artist, nineteenth century

Plan of the Building in Hyde Park for the Exhibition of 1851

1850

Samuel William Reynolds, 1773–1835, British

Thomas Girtin

Thomas Stothard, 1755–1834, British

Battle Scene (probably intended for Hume's "History of England")

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Thomas Stothard, 1755–1834, British

Battle Scene (probably intended for Hume's "History of England")

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Thomas Stothard, 1755–1834, British

A Family Group at a Cottage Door

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Free-Masons Hall, The Gods decending on a Library Table on which are Globes and Scientific Instruments

1786

unknown artist

Lambeth Palace in 1647

Martin Hardie, 1875–1952, British

The Groote Kerk: Doredrecht

1912

George Hunt, active 1820–1840, British

Stage Coach

1827

Charles Hunt, 1803–1877, British

[Coaching]: Royal Mails, starting from the Post Office, Lombard Street

1827

Perhaps Thomas Vialls, 1719–1781, British

British, Neoclassical frame

4th quarter of 18th century

Joseph Green Jr., 1840–1870, British

British, Artist's frame: Pre-Raphaelite

1861

attributed to Thomas Allwood, ca. 1750–ca.1800, British

British, 'Carlo Maratta' frame

4th quarter of 18th century

Perhaps Thomas Vialls, 1719–1781, British

British, 'Carlo Maratta' frame

3rd quarter of 18th century

Ernest Wheatley, British

British, Neoclassical style frame

20th century

Bourdier, (?), 19th century, French

French Régence 'Duveen' frame

late 19th to early 20th century

Design Adam brothers, for Inveraray Castle (?), 1728–1792, British

British, Neoclassical frame

2nd half of 18th century

Original pattern by Thomas Allwood, ca. 1750–ca.1800, British

British, Neoclassical frame

early 19th century

Perhaps Isaac Gosset, 1713–1799, British

British, Neoclassical frame

late 18th century

Bourdier, (?), 19th century, French

French, Rococo Revival frame

early 20th century

Perhaps Richard Fisher of York, ca. 1705–ca. 1770, British

British, Rococo frame

2nd and 3rd quarters of 18th century

probably Joseph Green Jr., 1840–1870, British

British, Artist's frame

3rd quarter of 19th century

Perhaps Isaac Gosset, 1713–1799, British

British, Rococo Trophy frame

mid-18th century

Perhaps Thomas Allwood, ca. 1750–ca.1800, British

British, Neoclassical frame

late 18th century

James Richards, 1721–1767, British

British, Palladian frame

1730

Emile Joseph Remy, ca. 1868–1949, French, active in London

British 'Lely' frame

20th century

workshop of Robert Adam carver, 1728–1792, British

British, Neoclassical frame

4th quarter of 18th century

workshop of Robert Adam carver, 1728–1792, British

British, Neoclassical frame

4th quarter of 18th century

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