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1. Christening of the Heir

Christening of the Heir
Creator:
William Redmore Bigg, 1755–1828, British
Date:
ca. 1799
Medium:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Night

Night
Creator:
Francis Wheatley, 1747–1801, British
Date:
1799
Medium:
Oil on canvas
Dimensions:
17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Artist and His Family

The Artist and His Family
Creator:
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Date:
ca. 1772
Medium:
Oil on canvas
Dimensions:
20 1/2 x 26 1/4 inches (52.1 x 66.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Education of Achilles

The Education of Achilles
Creator:
James Barry, 1741–1806, Irish
Date:
ca. 1772
Medium:
Oil on canvas
Dimensions:
40 1/2 x 50 3/4 inches (102.9 x 128.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Birth of the Heir

Birth of the Heir
Creator:
William Redmore Bigg, 1755–1828, British
Date:
ca. 1799
Medium:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
Creator:
Robert Smirke, 1752–1845, British
Date:
between 1798 and 1801
Medium:
Pen and ink and oil on panel
Dimensions:
15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 24 (Bentley 26)

The First Book of Urizen, Plate 24 (Bentley 26)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. At Length for Hatching Ripe He Breaks the Shell; Plate 8

At Length for Hatching Ripe He Breaks the Shell; Plate 8
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. What is Man!, Frontispiece; Plate 1

What is Man!, Frontispiece; Plate 1
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1826
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The First Book of Urizen, Plate 25 (Bentley 26)

The First Book of Urizen, Plate 25 (Bentley 26)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1826
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Europe. A Prophecy, Plate 8 (Bentley 9)

Europe. A Prophecy, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The West India Washer-Women

The West India Washer-Women
Creator:
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Date:
1779
Medium:
Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 13/16 x 13 1/8 inches (50.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Sleeping Infant's Arm

Sleeping Infant's Arm
Creator:
Sir David Wilkie, 1785–1841, British
Date:
1806
Medium:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 2 x 3 1/8 inches (5.1 x 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Mother and Infant

Mother and Infant
Creator:
James Ward, 1769–1859, British
Date:
ca. 1798
Medium:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Studies: Newborn Baby's Head

Studies: Newborn Baby's Head
Creator:
Mervyn Peake, 1911–1968, British
Date:
undated
Medium:
Pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 12 11/16 inches (24.8 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

37. A Christening in Chevening Church, Kent

A Christening in Chevening Church, Kent
Creator:
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Date:
undated
Medium:
Graphite and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Man and Woman Holding Baby, Seated on Bank

Man and Woman Holding Baby, Seated on Bank
Creator:
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Date:
undated
Medium:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 5 3/16 inches (16.4 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Auld Brig, Ayr

Auld Brig, Ayr
Creator:
Print made by Robert Bryden, 1865–1939, British
Date:
1904
Medium:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

40. Grace Before Meat

Grace Before Meat
Creator:
Sir David Wilkie, 1785–1841, British
Date:
1839
Medium:
Watercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Adoration

The Adoration
Creator:
Hamlet Winstanley, 1698–1756, British
Date:
1723
Medium:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 9 1/4 inches (20.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. A Christening

A Christening
Creator:
Thomas Shotter Boys, 1803–1874, British
Date:
undated
Medium:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834, British
Date:
1800
Medium:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A Mother and Child

A Mother and Child
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Graphite with pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961, British
Date:
undated
Medium:
Pen and black ink on thin, smooth, cream graph paper
Dimensions:
Sheet: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

46. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961, British
Date:
undated
Medium:
Pen and black ink on thin, smooth, cream graph paper
Dimensions:
Sheet: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

47. A Nose for Bargains

A Nose for Bargains
Creator:
Bert Hardy, 1913–1995, British
Date:
1948
Medium:
Vintage gelatin silver print on photographic paper
Dimensions:
Sheet: 9 1/2 × 5 5/8 inches (24.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

48. Knives or Scissors to Grind

Knives or Scissors to Grind
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 x 2 3/4 inches (10.6 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Lady Wigram with Her Infant Son, William Pitt Wigram

Lady Wigram with Her Infant Son, William Pitt Wigram
Creator:
John Smart, 1741–1811, British
Date:
undated
Medium:
Graphite and beige wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 5/16 × 5 3/8 inches (16 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Back View of a Woman with Child Looking Over Her Shoulder

Back View of a Woman with Child Looking Over Her Shoulder
Creator:
John Flaxman, 1755–1826, British
Date:
undated
Medium:
Gray ink with graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 3 3/8 inches (15.2 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Bodmin Cornwall: The Arrival of the Stage-Coach

Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1795
Medium:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Flight into Egypt

Flight into Egypt
Creator:
Richard Cosway, 1742–1821, British
Date:
undated
Medium:
Gray ink, gray wash, watercolor, black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 7 1/2 inches (23.5 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

53. The Palm Offering

The Palm Offering
Creator:
Print made by Frederick Stacpoole, 1813–1907, British
Date:
1868
Medium:
Mezzotint and stipple engraving on thick, slightly textured, cream wove paper mounted on canvas
Dimensions:
Sheet: 37 3/8 × 27 3/4 inches (94.9 × 70.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

54. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1820
Medium:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1820
Medium:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Bath

The Bath
Creator:
Print made by John Copley, 1875–1950, British
Date:
undated
Medium:
Lithograph on medium, slightly textured, beige Japan paper
Dimensions:
Sheet: 11 x 15 9/16 inches (28 x 39.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

57. St. Catherine's Hill, near Guildford, Surrey

St. Catherine's Hill, near Guildford, Surrey
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1832
Medium:
Line engraving and etching, 2nd state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Infant Hercules

The Infant Hercules
Creator:
Print made by William James Ward, ca. 1800–1840, British
Date:
1819
Medium:
Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:
Sheet: 26 × 18 3/4 inches (66 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. The Infant Jupiter

The Infant Jupiter
Creator:
Print made by John Raphael Smith, 1752–1812, British
Date:
1775
Medium:
Mezzotint (third state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 14 15/16 inches (53 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

60. The Holy Family

The Holy Family
Creator:
Print made by unknown artist, eighteenth century
Date:
undated
Medium:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 11 5/8 inches (39.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

61. The Flight from Belgium

The Flight from Belgium
Creator:
William Lee Hankey, 1869–1952, British
Date:
1914
Medium:
Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

62. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792, British
Date:
undated
Medium:
Pen and brown ink, over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. Two Sketches of a Woman and Infant

Two Sketches of a Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792, British
Date:
undated
Medium:
Graphite, pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 × 7 3/8 inches (31.1 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

64. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792, British
Date:
undated
Medium:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 15/16 × 7 5/16 inches (22.7 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

65. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792, British
Date:
undated
Medium:
Pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 13/16 × 8 1/8 inches (32.5 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792, British
Date:
undated
Medium:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 8 1/16 inches (23.5 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

67. La Retour du Marche

La Retour du Marche
Creator:
Robert Strange, (after Wouverman), 1721–1792, British
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

68. Virgin and Child

Virgin and Child
Creator:
Print made by Abraham Blooteling, 1640–1690, Dutch
Date:
between 1670 and 1690
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 x 6 3/16 inches (18.3 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

69. The Birth of Christ (Luke 2:15)

The Birth of Christ (Luke 2:15)
Creator:
Richard Westall, 1765–1836, British
Date:
before 1836
Medium:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 1/4 x 1 3/4 inches (10.8 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

70. Sunday Morning, A Cottage Family Going to Church

Sunday Morning, A Cottage Family Going to Church
Creator:
William Nutter, 1754–1802, British
Date:
1795
Medium:
Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Crucifixion

The Crucifixion
Creator:
John Martin, 1789–1854, British
Date:
1834
Medium:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 30 15/16 inches (54.9 × 78.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Paphian Bower

The Paphian Bower
Creator:
George H. Phillips, active 1819–1825, British
Date:
1826
Medium:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/8 × 26 11/16 inches (52.4 × 67.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1820
Medium:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Pomare, Queen of Tahiti

Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867, British
Date:
1845
Medium:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Moses in the Bulrushes [Reclining Child]

Moses in the Bulrushes [Reclining Child]
Creator:
John Dean, 1754–1798, British
Date:
1786
Medium:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Time Clipping the Wings of Cupid

No cover image available
Creator:
Print made by James McArdell, ca. 1729–1765, Irish
Date:
undated
Medium:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/2 × 14 1/2 inches (52.1 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

77. Moses in Bullrushes

No cover image available
Creator:
Print made by James McArdell, ca. 1729–1765, Irish
Date:
undated
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/16 × 14 5/16 inches (51.6 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

78. The Descent of Man into the Vale of Death

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808
Medium:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Elkanah, Hannah and Samuel

No cover image available
Creator:
Print made by George Graham, active 1786–1813
Date:
1815
Medium:
Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

80. The Counsellor, King, Warrior, Mother & Child, in the Tomb

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808
Medium:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Descent of Man into the Vale of Death

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808
Medium:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Counsellor, King, Warrior, Mother & Child, in the Tomb

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808
Medium:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Bacchus

No cover image available
Creator:
John Raphael Smith, 1752–1812, British
Date:
1776
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 17 3/4 inches (60.3 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Children's Bacchanal

No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
1680-1690s
Medium:
Mezzotint, proof before inscriptions on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 7 3/4 inches (28.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

85. Pomona

No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
1680-1690s
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

86. The Infant Hercules

No cover image available
Creator:
James Walker, 1748–1808, British
Date:
1792
Medium:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 26 1/16 × 22 15/16 inches (66.2 × 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection