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1. The Mountain Torrent

The Mountain Torrent
Creator:
Francis Danby, 1793–1861, Irish
Date:
between 1820 and 1830
Medium:
Oil on canvas
Dimensions:
39 5/16 × 61 inches (99.9 × 154.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Conversation with Fate

Conversation with Fate
Creator:
John Bellany, 1942–2013, British
Date:
1989
Medium:
Oil on canvas
Dimensions:
79 x 91 inches (200.7 x 231.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Patricia and Morris Orden, New York

3. The Chalon Family in London

The Chalon Family in London
Creator:
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Date:
ca. 1800
Medium:
Oil on Academy Board
Dimensions:
5 3/8 x 7 3/4 inches (13.7 x 19.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Conversation Piece

Conversation Piece
Creator:
John Vanderbank, 1694–1739, British
Date:
undated
Medium:
Gray wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 5 5/8 inches (18.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Creator:
Jacob More, 1740–1793, British
Date:
1783
Medium:
Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. St Paul Preaching in Athens

St Paul Preaching in Athens
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:
Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:
Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"

Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1847
Medium:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 5/16 x 17 3/8 inches (31.2 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.

Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1848
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 15/16 inches (30.8 x 45.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Louis Bernal

Louis Bernal
Creator:
Bill Jay, 1940–2009, British
Date:
2004
Medium:
Digital Ink jet print on medium, smooth, white wove paper
Dimensions:
Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

20. Two Women Talking to a Man at a Counter

Two Women Talking to a Man at a Counter
Creator:
John Flaxman, 1755–1826, British
Date:
undated
Medium:
Gray ink, brown ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 6 1/8 inches (20 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Mr. Wood Offers to Adopt Little Jack Sheppard

Mr. Wood Offers to Adopt Little Jack Sheppard
Creator:
Print made by George Cruikshank, 1792–1878, British
Date:
1835
Medium:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 11/16 x 7 7/16 inches (22 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

22. Mrs. Sheppard Expostulating with her Son

Mrs. Sheppard Expostulating with her Son
Creator:
Print made by George Cruikshank, 1792–1878, British
Date:
1839
Medium:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 1/4 x 6 15/16 inches (21 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

23. Night

Night
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
undated
Medium:
Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 10 5/8 inches (32.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786, British
Date:
1751
Medium:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786, British
Date:
1751
Medium:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786, British
Date:
1751
Medium:
Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786, British
Date:
1751
Medium:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Graceful Speciman of The Retort Courteous

A Graceful Speciman of The Retort Courteous
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1831
Medium:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 5/16 inches (30.5 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

29. Summer

Summer
Creator:
Richard Corbould, 1757–1831, British
Date:
undated
Medium:
Watercolor, pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 × 5 1/8 inches (17.5 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Sketch for the Passions: Jealousy

Sketch for the Passions: Jealousy
Creator:
Richard Dadd, 1817–1886, British
Date:
1853
Medium:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 x 10 1/8 inches (35.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Mother and Child in Conversation

Mother and Child in Conversation
Creator:
unknown artist
Date:
undated
Medium:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 3 3/4 inches (11.1 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

32. Change

Change
Creator:
George Augustus Sala, 1828–1895, British
Date:
undated
Medium:
Graphite with pen and black ink on medium slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/16 × 3 3/4 inches (7.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

33. Bathsheba Bringing Abishag to David

Bathsheba Bringing Abishag to David
Creator:
Print made by Richard Earlom, 1743–1822, British
Date:
1779
Medium:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 5/8 × 19 3/8 inches (65.1 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. Groups of Men and Women in Conservation

Groups of Men and Women in Conservation
Creator:
Joseph Nash, 1808–1878, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 5 5/8 inches (11.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1762
Medium:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Christ's Charge to Peter

Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Nightingale

The Nightingale
Creator:
Print made by Alfred W. Cooper, active 1850–1901, British
Date:
undated
Medium:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Rich Man and Lazarus

The Rich Man and Lazarus
Creator:
Print made by John Baptist Jackson, 1701–1780, British
Date:
1743
Medium:
Chiaroscuro woodcut
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Ralph Kirkpatrick, Yale MA (HON.) 1965

40. Croix de Moulin les Planches

Croix de Moulin les Planches
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1827
Medium:
Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. La Conversation

La Conversation
Creator:
Print made by Lemercier, Benard & Cie, 1803–1887, French
Date:
1826
Medium:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Last Supper

The Last Supper
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
ca. 1854
Medium:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Scene Illustration: Milton's 'L'Allegro'

Scene Illustration: Milton's 'L'Allegro'
Creator:
Print made by Benjamin Fawcett, 1808–1893, British
Date:
between 1860 and 1885
Medium:
Wood-engraving, printed in color with additional hand-coloring on moderately thick, smooth, cream card
Dimensions:
Sheet: 6 13/16 x 9 3/4 inches (17.3 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Le Silence Favorable

Le Silence Favorable
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1826
Medium:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Les Plaisirs Paternels

Les Plaisirs Paternels
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1826
Medium:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Baron's Hall

The Baron's Hall
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1844
Medium:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Plate: 6 7/8 x 9 13/16 inches (17.4 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Stanford, the Seat of Sir Edward Winnington, Baronet

No cover image available
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812, British
Date:
undated
Medium:
Etching with stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 13/16 inches (28.8 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. St Paul Preaching in Athens

No cover image available
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 11/16 x 10 1/8 inches (19.6 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. A Family Group at a Cottage Door

No cover image available
Creator:
Thomas Stothard, 1755–1834, British
Date:
undated
Medium:
Oil and black ink on moderately textured, laid paper
Dimensions:
Sheet: 10 3/4 x 8 1/2in. (27.3 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection