The Society for the Encouragement of the Arts (2 copies)
after 1783
5
James Barry, 1741–1806, Irish
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
6
John Harris, active 1686–1740
West Prospect of ...Great Yarmouth
undated
7
Newton Limbird Smith Fielding, 1799–1856, British
Le Crotoy from the Mouth of the Somme
1825
8
James Duffield Harding, 1798–1863, British
View of the Clifton Suspension Bridge
undated
9
Print made by Charles William Cain, 1893–1962, British
The Nautch Dancers
ca. 1925
10
Print made by James Clark, 19th century
Cowdray Ruins
1824
11
William James Ward, ca. 1800–1840, British
David Wilkie, R.A
1818
12
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
13
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1814 to 1826
14
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1826
15
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
16
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1818-1823
17
Print made by William Radclyffe, 1780–1855, British
Hornby Castle from Tatham Church
1822
18
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
19
Print made by Stanley Anderson, 1884–1966, British
Somerset House, London
1910
20
Print made by Paul Angier, active 1749, French (active in London)
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
21
unknown artist
The Fatal Conflagration of the Custom House, 12th February 1814
1814
22
Print made by Charles William Cain, 1893–1962, British
Burmese Dancers
between 1920 and 1924
23
Augustus Charles Pugin, 1762–1832, French
The Opening of the Waterloo Bridge on the 18th June 1817
1818
24
Print made by James Basire the younger, 1769–1822, British
View of the Cathedral of Christ Church and Part of Corpus Christi College
1808
25
Print made by William Bernard Cooke, 1778–1855, British
Torbay from Brixham
1814 to 1826
26
Print made by Robert Wallis, 1794–1878, British
Ramsgate
1814 to 1826
27
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
28
Print made by James Basire the younger, 1769–1822, British
South View of Christ Church, etc. from the Meadows
1799
29
Print made by Joseph Pennell, 1860–1926, American
Laying the Floor of Pedro Miguel Lock
1912
30
Print made by James Caldwall, 1739–1819, British
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
31
Print made by Joseph Pennell, 1860–1926, American
The Choir or The Nave, Washington Cathedral
1923
32
Print made by Joseph Pennell, 1860–1926, American
The Gun Shop
1917
33
Print made by Johannes Kip, 1653–1722, Dutch
St James's House, Le Palais Royal de St James
1707
34
Print made by John Russell, 1745–1806, British
Lunar Planisphere, Flat Light
1805
35
Johannes Kip, 1653–1722, Dutch
Fair Lawn in ye County of Kent
1707
36
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
37
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
38
John Harris, 1811–1865, British
Coaching: The Early Delivery
1863
39
John Harris, 1811–1865, British
Coaching: The Right Sort
1863
40
John Harris, 1811–1865, British
Coaching: The Last Change Down
1863
41
Print made by Day & Haghe, 1824–1913, British
The High Street, Southampton
1828
42
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
43
Charles Hunt, 1803–1877, British
Shooting [A Pair]: 2. The Sportsman Preparing
1829
44
Allen Jones, born 1937, British
Title Page
1971
45
Print made by Samuel Cousins, 1801–1887, British
Field Marshal the Duke of Wellington, K. G
1848
46
Francis Jukes, 1747–1812, British
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
47
James Gillray, 1756–1815, British
Junction of Parties
1783
48
James Gillray, 1756–1815, British
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
49
James Gillray, 1756–1815, British
Duke William's Ghost
1799
50
James Gillray, 1756–1815, British
Playing in Parts
1801
51
James Gillray, 1756–1815, British
Miss, I have a Monstrous Crow to pluck with you!!
1794
52
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
53
Georg Paul Nusbiegel, 1713–1776
Jacob Bates / The Famous English Horse Rider
1766
54
John Wood, 1728–1781, British
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
55
John Harris, 1811–1865, British
Coaching: The First Change Up
1863
56
James Pollard, 1792–1867, British
The Ceremony of the Procession ad Montem
57
Theodore Henry Adolphus Fielding, 1781–1851, British
Fox Hunting: Leicestershire - The Meeting
1827
58
James Gillray, 1756–1815, British
The Injured Countess
1786-1788
59
James Gillray, 1756–1815, British
Sawney in the Bog-House
1779
60
James Gillray, 1756–1815, British
The Fall of Phaeton
1788
61
James Gillray, 1756–1815, British
The Royal Joke or Black Jacks Delight
1788
62
James Gillray, 1756–1815, British
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
63
James Gillray, 1756–1815, British
The Bolgna Sausages or Opposition Flux'd
1788
64
James Gillray, 1756–1815, British
Patience on a Monument
1791
65
James Gillray, 1756–1815, British
Swearing to the Cutting Monster or A Scene in Bow Street
1790
66
James Gillray, 1756–1815, British
The Monster going to take his Afternoons Luncheon
1790
67
James Gillray, 1756–1815, British
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
68
James Gillray, 1756–1815, British
Lubber's Hole - alias - The Crack'd Jordan
1791
69
James Gillray, 1756–1815, British
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
70
James Gillray, 1756–1815, British
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
71
James Gillray, 1756–1815, British
The Physick; - or - The News of Shooting the King of Sweden
1792
72
James Gillray, 1756–1815, British
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
73
James Gillray, 1756–1815, British
Going to London, through "Epping Forest"
1802
74
James Gillray, 1756–1815, British
Wha Wants Me?
1792
75
James Gillray, 1756–1815, British
National Conveniences
1796
76
James Gillray, 1756–1815, British
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
77
James Gillray, 1756–1815, British
Fashionable Jockeyship
1796
78
James Gillray, 1756–1815, British
Ladies Dress, as it soon will be
1796
79
James Gillray, 1756–1815, British
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
80
James Gillray, 1756–1815, British
Brisk Cathartic
1804
81
James Gillray, 1756–1815, British
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
82
James Gillray, 1756–1815, British
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
83
James Gillray, 1756–1815, British
The French Invasion; or John Bull, bombarding the Bum Boats
1793
84
James Gillray, 1756–1815, British
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
85
James Gillray, 1756–1815, British
The Grand - Signior retiring
1796
86
James Gillray, 1756–1815, British
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
87
James Gillray, 1756–1815, British
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
88
James Gillray, 1756–1815, British
The Man of Feeling, in search of Indispensibles
1800
89
James Gillray, 1756–1815, British
Palemon and Lavinia
1805
90
James Gillray, 1756–1815, British
Evacuation of Malta
1803
91
James Gillray, 1756–1815, British
- "and would'st thou turn the vile Reproach on me?"
1807
92
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
93
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
94
James Gillray, 1756–1815, British
The Castle in the Moon
1782
95
James Gillray, 1756–1815, British
Wouski
1788
96
James Gillray, 1756–1815, British
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
97
James Gillray, 1756–1815, British
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
98
James Gillray, 1756–1815, British
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
99
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
100
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower