<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Width [cm] 35

Remove constraint Width [cm]: 35

Search Results

Richard Parkes Bonington Calais Jetty, France
Richard Parkes Bonington, 1802–1828, British
Calais Jetty, France
ca. 1824
William Hogarth William Augustus, Duke of Cumberland
William Hogarth, 1697–1764, British
William Augustus, Duke of Cumberland
1732
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798, British
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Charles Reuben Ryley, 1752–1798, British
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
Marcellus Laroon the Younger The Barber
Marcellus Laroon the Younger, 1679–1772, British
The Barber
between 1760 and 1769
Not on view
Thomas Hudson Alexander van Aken
Attributed to Thomas Hudson, 1701–1779, British
Alexander van Aken
ca. 1770
Not on view
George Augustus Wallis Study of Rocks and Branches
George Augustus Wallis, 1770–1847, British
Study of Rocks and Branches
ca. 1795
Not on view
John Sell Cotman Ruined House
John Sell Cotman, 1782–1842, British
Ruined House
between 1807 and 1810
Not on view
Arthur Devis An Unknown Woman in a Drawing Room
Arthur Devis, 1712–1787, British
An Unknown Woman in a Drawing Room
between 1740 and 1741
Not on view
Arthur Devis An Unknown Man in a Library
Arthur Devis, 1712–1787, British
An Unknown Man in a Library
between 1740 and 1741
Not on view
Samuel John Egbert Jones Pheasant Shooting
Samuel John Egbert Jones, active 1820–1845, British
Pheasant Shooting
mid-19th century
Not on view
Richard Parkes Bonington Barges on a River
Richard Parkes Bonington, 1802–1828, British
Barges on a River
1826
Not on view
Richard Parkes Bonington Grand Canal, Venice
Richard Parkes Bonington, 1802–1828, British
Grand Canal, Venice
1826
Not on view
Harold Gilman Nude in an Interior
Harold Gilman, 1876–1919, British
Nude in an Interior
ca. 1911
Not on view
Thomas Bardwell Portrait of a Gentleman
Thomas Bardwell, 1704–1767, British
Portrait of a Gentleman
ca. 1740
Not on view
Thomas Bardwell Portrait of a Lady
Thomas Bardwell, 1704–1767, British
Portrait of a Lady
ca. 1740
Not on view
Richard Parkes Bonington In the Forest at Fontainebleau
Richard Parkes Bonington, 1802–1828, British
In the Forest at Fontainebleau
ca. 1825
Not on view
Frederick Richard Lee Southampton Water, near Hamble
Frederick Richard Lee, 1798–1879, British
Southampton Water, near Hamble
after 1837
Not on view
unknown artist Mountainous Landscape with Figures and Cattle
unknown artist, nineteenth century
Mountainous Landscape with Figures and Cattle
1806 to 1807
Not on view
John Frederick Herring The Royal Mail Coach on the Road
John Frederick Herring, 1795–1865, British
The Royal Mail Coach on the Road
1841
Not on view
Herbert Haseltine The Chaser: Sergeant Murphy
Herbert Haseltine, 1877–1962, American
The Chaser: Sergeant Murphy
cast 1963 (original model 1926)
Not on view
Herbert Haseltine Harboro’ Nulli Secundus, Shire Stallion
Herbert Haseltine, 1877–1962, American
Harboro’ Nulli Secundus, Shire Stallion
1968
Not on view
Robert Polhill Bevan Sketch of a Horse
Robert Polhill Bevan, 1865–1925, British
Sketch of a Horse
undated
Robert Polhill Bevan Crocks
Robert Polhill Bevan, 1865–1925, British
Crocks
undated
Robert Polhill Bevan Farm Buildings and Well, Poland
Robert Polhill Bevan, 1865–1925, British
Farm Buildings and Well, Poland
ca. 1908
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
George Stubbs Human Skeleton, Anterior View (Final study)
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View (Final study)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
1795 to 1806
George Stubbs A Sleeping Leopard
Print made by George Stubbs, 1724–1806, British
A Sleeping Leopard
1791
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806, British
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806, British
Tiger Body, Lateral View
1795 to 1806
George Stubbs Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
George Stubbs, 1724–1806, British
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
George Stubbs Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
George Stubbs, 1724–1806, British
Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
1795 to 1806
George Stubbs Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
George Stubbs, 1724–1806, British
Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
1795 to 1806
Robert Polhill Bevan Horse in Breton Yard
Robert Polhill Bevan, 1865–1925, British
Horse in Breton Yard
undated
William Hogarth Hudibras and the Lawyer (no.7)
William Hogarth, 1697–1764, British
Hudibras and the Lawyer (no.7)
William Hogarth Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
Print made by William Hogarth, 1697–1764, British
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
William Hogarth Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Print made by William Hogarth, 1697–1764, British
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
William Hogarth Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
Print made by William Hogarth, 1697–1764, British
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
William Hogarth Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
Print made by William Hogarth, 1697–1764, British
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
William Hogarth Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
Print made by William Hogarth, 1697–1764, British
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
William Hogarth Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
Print made by William Hogarth, 1697–1764, British
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
William Hogarth Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
Print made by William Hogarth, 1697–1764, British
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
William Hogarth Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
Print made by William Hogarth, 1697–1764, British
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
William Hogarth Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
Print made by William Hogarth, 1697–1764, British
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764, British
Hogarth Painting the Comic Muse
1764
Joseph Mallord William Turner Dent de Lion, Margate
Joseph Mallord William Turner, 1775–1851, British
Dent de Lion, Margate
ca. 1791
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851, British
Jason
1807
Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi
Etched by Joseph Mallord William Turner, 1775–1851, British
Chain of Alps from Grenoble to Chamberi
1812
Edward Lear North Stoke. Oct. 21.1834.
Edward Lear, 1812–1888, British
North Stoke. Oct. 21.1834
1834
Edward Lear View Across a Meadow to a Church
Edward Lear, 1812–1888, British
View Across a Meadow to a Church
ca. 1834
Edward Lear Amada, 9:30 am, 12 February 1867
Edward Lear, 1812–1888, British
Amada, 9:30 am, 12 February 1867
1867
Edward Lear Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
Edward Lear, 1812–1888, British
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
1867
Edward Lear Tapha, 7:50 a.m., February 17, 1867
Edward Lear, 1812–1888, British
Tapha, 7:50 a.m., February 17, 1867
1867
Edward Lear Hyacinthine Maccaw (Plate 9)
Edward Lear, 1812–1888, British
Hyacinthine Maccaw (Plate 9)
1832
Edward Lear El Luxor
Edward Lear, 1812–1888, British
El Luxor
1867
Edward Lear Albogasio
Edward Lear, 1812–1888, British
Albogasio
1837
Edward Lear Platycercus Pacificus / Pacific Parrakeet (Plate 26)
Edward Lear, 1812–1888, British
Platycercus Pacificus / Pacific Parrakeet (Plate 26)
1832
Edward Lear Segni, 6 October 1838
Edward Lear, 1812–1888, British
Segni, 6 October 1838
1838
Edward Lear Wied Zurrik (Malta)
Edward Lear, 1812–1888, British
Wied Zurrik (Malta)
1848
Edward Lear Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
Edward Lear, 1812–1888, British
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
George Romney Mother and Son
George Romney, 1734–1802, British
Mother and Son
undated
George Romney Prospero and Miranda
George Romney, 1734–1802, British
Prospero and Miranda
ca. 1787
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802, British
Classical Male Nude with a Rearing Horse
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802, British
Duke of Dorset (So-called)
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
Sir Robert Smirke the younger Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
1802-1804
Sir Robert Smirke the younger Study of the Capital of a PIllar
Sir Robert Smirke the younger, 1781–1867, British
Study of the Capital of a PIllar
1802-1804
Sir Robert Smirke the younger Study of the Capital of a Pillar
Sir Robert Smirke the younger, 1781–1867, British
Study of the Capital of a Pillar
1802-1804
Sir Robert Smirke the younger Ruins at Capua
Sir Robert Smirke the younger, 1781–1867, British
Ruins at Capua
1802-1804
Sir Robert Smirke the younger View From Cori Towards Villetri
Sir Robert Smirke the younger, 1781–1867, British
View From Cori Towards Villetri
1802-1804
John Copley Study No. 2: Listening
Print made by John Copley, 1875–1950, British
Study No. 2: Listening
1914
Joseph Farington Skiddaw & Derwent water
Joseph Farington, 1747–1821, British
Skiddaw & Derwent water
Joseph Farington Lodore Rocks -- fall & cottage - distance
Joseph Farington, 1747–1821, British
Lodore Rocks -- fall & cottage - distance
Joseph Farington View across Windermere looking to the Great Island
Joseph Farington, 1747–1821, British
View across Windermere looking to the Great Island
Joseph Farington No. View on the Road from Ambleside to Keswick from 6 mile Stone
Joseph Farington, 1747–1821, British
No. View on the Road from Ambleside to Keswick from 6 mile Stone
Samuel Henry Baker Pont Mallwyd
Samuel Henry Baker, 1824–1909, British
Pont Mallwyd
1863
Sir Frank Short Huntsmen in a Wood
Print made by Sir Frank Short, 1857–1945, British
Huntsmen in a Wood
1891
James Watson Miss Francis Lascelles
James Watson, 1740–1790, British
Miss Francis Lascelles
undated
Victor Marie Picot A Pastoral Scene with Cow
Victor Marie Picot, 1744–1805, French
A Pastoral Scene with Cow
1777
Henry Swinburne Coastal Landscape Scene
Henry Swinburne, 1743–1803, British
Coastal Landscape Scene
undated
Henry Swinburne Mountainous Landscape, with a Small Village in its Valley
Henry Swinburne, 1743–1803, British
Mountainous Landscape, with a Small Village in its Valley
undated
Henry Swinburne Montpellier, France
Henry Swinburne, 1743–1803, British
Montpellier, France
1775
Charles William Cain The Nautch Dancers
Print made by Charles William Cain, 1893–1962, British
The Nautch Dancers
ca. 1925
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811, British
The Siege of Namur
between 1773 and 1817
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811, British
The Battle of the Cataplasm
between 1773 and 1817
Henry William Bunbury Overthrow of Dr. Slop
Print made by Henry William Bunbury, 1750–1811, British
Overthrow of Dr. Slop
between 1773 and 1817
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878, British
Fitting out. - Plate 1
1820
Sir Frank Short Crowhurst, Sussex
Print made by Sir Frank Short, 1857–1945, British
Crowhurst, Sussex
1902
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
1797
Thomas Frye Portrait of a Man Wearing Turban
Print made by Thomas Frye, 1710–1762, Irish
Portrait of a Man Wearing Turban
1760
Thomas Frye Self-portrait
Thomas Frye, 1710–1762, Irish
Self-portrait
ca. 1760
Thomas Frye Portrait of a Young Man Leaning on His Right Elbow
Print made by Thomas Frye, 1710–1762, Irish
Portrait of a Young Man Leaning on His Right Elbow
1760
Thomas Girtin Ruins of the Savoy Palace, London
Thomas Girtin, 1775–1802, British
Ruins of the Savoy Palace, London
undated
James Ward Ruins of Richbro' Castle, Isle of Thanet
James Ward, 1769–1859, British
Ruins of Richbro' Castle, Isle of Thanet
undated
William James Muller Study of a Cottage by a lane
William James Muller, 1812–1845, British
Study of a Cottage by a lane
undated