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John Constable Cloud Study, Early Morning, Looking East from Hampstead
John Constable, 1776–1837, British
Cloud Study, Early Morning, Looking East from Hampstead
1821
Not on view
John Constable A View on Hampstead Heath, Early Morning
Attributed to John Constable, 1776–1837, British
A View on Hampstead Heath, Early Morning
ca. 1821
Not on view
John Constable Horse and Cart
John Constable, 1776–1837, British
Horse and Cart
ca. 1814
Not on view
John Constable Hampstead Heath, with a Bonfire
John Constable, 1776–1837, British
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
James Dickson Innes The Moelwyns from Llan Ffestiniog
James Dickson Innes, 1887–1914, British
The Moelwyns from Llan Ffestiniog
between 1912 and 1913
Not on view
James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889, British
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
John Vanderbank A Young Gentleman Riding a Schooled Horse
John Vanderbank, 1694–1739, British
A Young Gentleman Riding a Schooled Horse
between 1728 and 1729
Not on view
Walter Richard Sickert Dieppe Races
Walter Richard Sickert, 1860–1942, British, born in Germany
Dieppe Races
1885
Not on view
Adam Silo Dutch Shipping off the Low Countries
Adam Silo, ca. 1674–1772, Dutch
Dutch Shipping off the Low Countries
18th century
Not on view
Sir Charles D'Oyly Street in Patna
Sir Charles D'Oyly, 1781–1845, British, active in India
Street in Patna
ca. 1825
Not on view
Sir Charles D'Oyly East Gateway, Patna
Sir Charles D'Oyly, 1781–1845, British, active in India
East Gateway, Patna
1825
Not on view
Thomas Jones The Vale of Pencerrig
Thomas Jones, 1742–1803, British, active in Italy (1776–83)
The Vale of Pencerrig
1776
Not on view
unknown artist Bologna
unknown artist, nineteenth century
Bologna
ca. 1826
Not on view
Arthur Devis Gentleman with a Cannon
Arthur Devis, 1712–1787, British
Gentleman with a Cannon
1741
Not on view
William Anderson A View of Westminster Bridge and the Abbey from the South Side
William Anderson, 1757–1837, British
A View of Westminster Bridge and the Abbey from the South Side
1818
Not on view
William Anderson London Bridge, with St. Paul's Cathedral in the distance
William Anderson, 1757–1837, British
London Bridge, with St. Paul's Cathedral in the distance
1815
Not on view
Patrick Nasmyth Self portrait
Patrick Nasmyth, 1787–1831, British
Self portrait
ca. 1815
Not on view
George Chinnery George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
Related to George Chinnery, 1774–1852, British
George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
1801
Not on view
Herbert Haseltine Sudborne Premier, Suffolk Punch Stallion
Herbert Haseltine, 1877–1962, American
Sudborne Premier, Suffolk Punch Stallion
1964-1965
Not on view
Herbert Haseltine Polo Pony: Perfection
Herbert Haseltine, 1877–1962, American
Polo Pony: Perfection
cast 1963 (original model 1933)
Not on view
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925, British
Ploughing the Hillside
ca. 1905
John Constable Four East Indiamen at Archor
John Constable, 1776–1837, British
Four East Indiamen at Archor
1803
Samuel Palmer Italian Hill Town
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Italian Hill Town
after 1838
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
At Hailsham, Sussex: a Storm Approaching
1821
George Stubbs Human Skeleton, Posterior View (Relates to Table II)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Relates to Table II)
1795 to 1806
George Stubbs Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
George Stubbs, 1724–1806, British
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
George Stubbs A Tiger and a Sleeping Leopard
Print made by George Stubbs, 1724–1806, British
A Tiger and a Sleeping Leopard
1788
George Stubbs Human Body, Posterior View (Outline Drawing for Table VII)
George Stubbs, 1724–1806, British
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
George Stubbs Dorking Hen Body, Lateral View (Outline drawing of the muscles)
George Stubbs, 1724–1806, British
Dorking Hen Body, Lateral View (Outline drawing of the muscles)
1795 to 1806
George Stubbs Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
George Stubbs, 1724–1806, British
Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
1795 to 1806
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764, British
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764, British
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764, British
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764, British
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764, British
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
William Hogarth, 1697–1764, British
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764, British
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764, British
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
Joseph Mallord William Turner Stonehenge at Daybreak
Engraved by Joseph Mallord William Turner, 1775–1851, British
Stonehenge at Daybreak
1815 to 1819
Joseph Mallord William Turner Rheinfels Looking to Katz and Gourhausen
Joseph Mallord William Turner, 1775–1851, British
Rheinfels Looking to Katz and Gourhausen
1817
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851, British
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Joseph Mallord William Turner Venice, The Mouth of the Grand Canal
Joseph Mallord William Turner, 1775–1851, British
Venice, The Mouth of the Grand Canal
ca. 1840
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851, British
Andernach
1817
Joseph Mallord William Turner Lost to All Hope the Brig
Joseph Mallord William Turner, 1775–1851, British
Lost to All Hope the Brig
between 1845 and 1850
Joseph Mallord William Turner Paestum
Print made by Joseph Mallord William Turner, 1775–1851, British
Paestum
between 1820 and 1826
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851, British
Marine Dabblers
1811
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851, British
London from Greenwich
1811
Joseph Mallord William Turner A View of Boppart, with Figures on the River Bank
Joseph Mallord William Turner, 1775–1851, British
A View of Boppart, with Figures on the River Bank
1817
Edward Lear Benihassan
Edward Lear, 1812–1888, British
Benihassan
1867
Edward Lear Toske
Edward Lear, 1812–1888, British
Toske
1867
Edward Lear Wady Halfeh
Edward Lear, 1812–1888, British
Wady Halfeh
1867
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888, British
Mqabba, Qrendi
1866
Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857
Edward Lear, 1812–1888, British
On the Road, Two Hours from Tepelene, 19 April 1857
1857
Edward Lear Near Mesghouneh
Edward Lear, 1812–1888, British
Near Mesghouneh
1867
Edward Lear Dendera, 15 January 1867 (158)
Edward Lear, 1812–1888, British
Dendera, 15 January 1867 (158)
1867
Edward Lear The Pontine Marshes above Terracina
Edward Lear, 1812–1888, British
The Pontine Marshes above Terracina
ca. 1880
William Hogarth After
Print made by William Hogarth, 1697–1764, British
After
1736
William Hogarth Before
Print made by William Hogarth, 1697–1764, British
Before
1736
George Romney David Playing the Harp
George Romney, 1734–1802, British
David Playing the Harp
undated
George Romney Captive or Dejected Woman: Possibly Andromache
George Romney, 1734–1802, British
Captive or Dejected Woman: Possibly Andromache
undated
George Romney John Henderson as Falstaff
George Romney, 1734–1802, British
John Henderson as Falstaff
1780
George Romney Boy Seated beneath a Rock
George Romney, 1734–1802, British
Boy Seated beneath a Rock
undated
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827, British
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake Five Visionary Heads of Women
William Blake, 1757–1827, British
Five Visionary Heads of Women
1819 to 1820
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Complaint and the Consolation; or Night Thoughts
William Blake, 1757–1827, British
The Complaint and the Consolation; or Night Thoughts
1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798