Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
7
Giovanni Battista Borra, 1713–1770, Italian
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
8
Giovanni Battista Borra, 1713–1770, Italian
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
9
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
10
Giovanni Battista Borra, 1713–1770, Italian
An Altar at Delos
1751
11
Giovanni Battista Borra, 1713–1770, Italian
Posizione delle Piramidi di Sachara
ca. 1750
12
Giovanni Battista Borra, 1713–1770, Italian
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
13
Giovanni Battista Borra, 1713–1770, Italian
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
14
Capt. Thomas Hastings, 1778–1854, British
Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
1814
15
Capt. Thomas Hastings, 1778–1854, British
Cheshunt Church, 23 May 1814
1814
16
Print made by Thomas Shotter Boys, 1803–1874, British
Château des Comtes de Flandre, Ghent
ca. 1833
17
Print made by John Sell Cotman, 1782–1842, British
Castle Above a Rocky Gorge
undated
18
Robert Dixon, 1780–1815, British
The Black Tower Norwich
between 1810 and 1811
19
Robert Dixon, 1780–1815, British
The Greyfriars Tower, Lynn, as it appeared 1801
between 1810 and 1811
20
Robert Dixon, 1780–1815, British
Cottage at Diss
1811
21
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
22
Robert Dixon, 1780–1815, British
Sketch at Mulbarton
between 1810 and 1811
23
Robert Dixon, 1780–1815, British
Remains of the Priory, Beeston Regis
1810
24
Robert Dixon, 1780–1815, British
Beeston Priory, Beeston Regis
between 1810 and 1811
25
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Chelsea
ca. 1882
26
George Shepheard, ca. 1770–1842, British
Devereux House, the Strand, London
1811
27
James Holland, 1799–1870, British
The Zattere, Sunset
undated
28
John Hassell, 1767–1825, British
Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq
ca. 1812
29
John Hassell, 1767–1825, British
The Entrance to King John's Palace, Eltham, Kent
ca. 1812
30
John Hassell, 1767–1825, British
Sluice House, Hornsey, Middlesex
ca. 1812
31
Thomas Harrison, 1744–1829, British
Design for Clifton Castle, Yorkshire: Ground Floor Plan
undated
32
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
33
Richard Banks Harraden, 1778–1862, British
Pembroke College, Cambridge
undated
34
Thomas Hearne, 1744–1817, British
Windsor Castle from the Eton Playing Fields
undated
35
Attributed to John Henderson, 1764–1843, British
Gateway to a Castle: approached by a bridge
undated
36
Thomas Harrison, 1744–1829, British
Design for Clifton Castle, Yorkshire: Ground Floor Plan
undated
37
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Ground Floor
undated
38
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
39
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
40
Luke Sullivan, 1705–1771, British
Badminton Church and Part of the Duke of Beaufort's House
undated
41
Thomas Wyck, (?), 1616–1677, Dutch
A Coastal Scene (Italian) with Breakwater, High Cliffs and a Fort
undated
42
John Inigo Richards, 1730/31?–1810, British
Inside of Castle Gate, Taunton, Somerset
1752
43
Thomas Wyck, (?), 1616–1677, Dutch
A Village in a Rocky Coastal Inlet (Italian ?) with Round Tower on the Left Bank
undated
44
C. John M. Whichelo, 1784–1865, British
Part of the Monastery of St. Saviours, Southwark
1809
45
John Martin, 1789–1854, British
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
46
James Malton, 1761–1803, British
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
47
James Malton, 1761–1803, British
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
48
James Malton, 1761–1803, British
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
49
James Malton, 1761–1803, British
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
50
Sir David Young Cameron, 1865–1945, British
Rosslyn Chapel
1901
51
Sir David Young Cameron, 1865–1945, British
The Five Sisters, York Minister
1907
52
Sir David Young Cameron, 1865–1945, British
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
53
Sir David Young Cameron, 1865–1945, British
The Belfry of Bruges [Belgian Set: No. 6]
1907
54
Sir David Young Cameron, 1865–1945, British
The Five Sisters, York Minister
1907
55
Joseph Murray Ince, 1806–1859, British
Exeter College, Oxford
1835
56
Giovanni Battista Borra, 1713–1770, Italian
Frieze and Capitals (from Priene?)
ca. 1750
57
Print made by James Walker, 1748–1808, British
Elgin Cathedral, Morayshire
1797
58
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
59
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Basement
undated
60
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Temple of Venus, Bay of Baie
ca. 1788-1820
61
William Callow, 1812–1908, British, active in France
Château d'Ecouen
1833
62
Frederick Calvert, ca. 1785–1845, Irish
Carisbrook Castle, Isle of Wight
undated
63
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
64
James Paine, 1717–1789, British
Design for a Shop Front: Elevation
undated
65
Print made by Bartholomew Howlett, 1767–1827, British
Sleaford Church
1801
66
Augustus Welby Northmore Pugin, 1812–1852, British
Two Views of a Gothic Table
1830
67
Augustus Welby Northmore Pugin, 1812–1852, British
Window West End, South Aisle, Saint Vincent
undated
68
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Stained Glass Window
undated
69
Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
70
Edward Francis Burney, 1760–1848, British
Farmhouse
1802
71
Print made by William Miller, 1796–1882, British
Berwick on Tweed
1834
72
Print made by William Spencer Bagdatopolous, 1888–1965, Greek
Entry of the Rajah, Ogmor
1935
73
Sir John Benjamin Stone, 1838–1914, British
Windsor Castle, Ornamental Waters, Frogmore
1901
74
Stephen Thompson, active 19th century, British
Marble Portrait Statue of a Veiled Priestess at the British Museum
early 1870s
75
Bill Brandt, 1904–1983, British
St. Paul's Cathedral in the Moonlight
1944, printed 1955-60
76
Lewis Morley, 1925–2013, British
The Fringe Boys, Brighton Pier
1961
77
Print made by Morgan Dennis, 1892–1960, American
Muckross Abbey, Killarney
undated
78
Alfred Diston, active 1818–1829
The Convent and Part of the Town of Candelaria, on the south side of Tenerife
1820
79
Print made by William Woolnoth, active 1806–1830, British
Triad Figure, Interior of Elephanta
1833
80
Thomas Shotter Boys, 1803–1874, British
Courtyard of an Inn on the Thames
undated
81
John Scarlett Davis, 1804–1845, British
The Tomb of Van Balen, Antwerp, September 7, 1832
1832
82
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
83
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
84
Attributed to Rev. Daniel Finch, 1757–1840, British
At Ashford
1818
85
Heneage Finch fourth Earl of Aylesford, 1751–1812, British
Facade of Ruined (?) Roman Temple, with Columns and Doorway
after 1771
86
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
87
Henry Edridge, 1769–1821, British
Clock Tower, St. Alban's Abbey
1801
88
Print made by Auguste Boulard, 1852–1927, French
A Difference of Opinion
1897
89
Print made by unknown artist, nineteenth century
Part of Westminster
ca. 1850
90
unknown artist
Westminster Hall
ca. 1850
91
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
92
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
93
attributed to Peter DeWint, 1784–1849, British
Houses at Kingston on the Thames
undated
94
Thomas Daniell, 1749–1840, British, active in India
Narada Muni
undated
95
attributed to Peter DeWint, 1784–1849, British
Mill at Teddington on the Thames
1809
96
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Chelsea
undated
97
Thomas Daniell, 1749–1840, British, active in India
Landscape Sketch
undated
98
Print made by John Thomas Smith, 1766–1833, British
Four Illustrations of Westminster
1804
99
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
100
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber