Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
before 1841
Not on view
4
Lawrence Gahagan, 1756–1820, Irish
George III
ca. 1820
Not on view
5
James Tassie, 1735–1799, British
David Garrick
1780
Not on view
6
attributed to John Constable, 1776–1837, British
Wormingford Church
between 1813 and 1815
7
John Constable, 1776–1837, British
Leatherhead Church, Near Epsom, from the Northeast
1806
8
John Constable, 1776–1837, British
Dedham Vale from Langham
between 1830 and 1831
9
John Constable, 1776–1837, British
Dawn
between 1831 and 1832
10
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Pastoral Scene
1835
11
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Shoreham, Kent
between 1831 and 1832
12
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Thatched Cottage and Church
undated
13
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Crescent Moon
undated
14
George Stubbs, 1724–1806, British
Dog [A Foxhound on the Scent]
1788
15
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1877
16
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
17
Edward Lear, 1812–1888, British
Desenzano
1867
18
Edward Lear, 1812–1888, British
El Areesh
1867
19
George Romney, 1734–1802, British
Study of a Horse's Hooves
undated
20
George Romney, 1734–1802, British
Figure Composition Study 29
undated
21
George Romney, 1734–1802, British
Richard Cumberland Frontispiece
undated
22
George Romney, 1734–1802, British
David Playing the Harp
undated
23
George Romney, 1734–1802, British
Seated Woman, Possibly Mrs. Harris
undated
24
George Romney, 1734–1802, British
Manuscript Notes
1773
25
George Romney, 1734–1802, British
Manuscript Notes
1773
26
George Romney, 1734–1802, British
Manuscript Notes
1773
27
George Romney, 1734–1802, British
Manuscript Notes
1773
28
George Romney, 1734–1802, British
Manuscript Notes
1773
29
George Romney, 1734–1802, British
Manuscript Notes
1773
30
George Romney, 1734–1802, British
Manuscript Notes
1773
31
George Romney, 1734–1802, British
Manuscript Notes
1773
32
George Romney, 1734–1802, British
Manuscript Notes
1773
33
George Romney, 1734–1802, British
Manuscript Notes
1773
34
George Romney, 1734–1802, British
Manuscript Notes
1773
35
George Romney, 1734–1802, British
A Man with a Horse, Possibly Ward Thomas
undated
36
George Romney, 1734–1802, British
Two Sketches of Children at Play
undated
37
George Romney, 1734–1802, British
Head
undated
38
George Romney, 1734–1802, British
Two Standing Figures Wearing Tall Hats
undated
39
George Romney, 1734–1802, British
Kneeling Woman
undated
40
George Romney, 1734–1802, British
Standing Figure
undated
41
George Romney, 1734–1802, British
Head in Profile
undated
42
George Romney, 1734–1802, British
Standing Figure with Arm Upraised and Seated Figure
undated
43
George Romney, 1734–1802, British
Standing Female Figure
undated
44
George Romney, 1734–1802, British
Figure Supporting a Fainting Figure
undated
45
George Romney, 1734–1802, British
Dancers and Musicians, Probably for "L'Allegro"
undated
46
George Romney, 1734–1802, British
Three Lamenting Women
undated
47
George Romney, 1734–1802, British
A Pensive Lady
undated
48
William Blake, 1757–1827, British
The Book of Thel
1789
49
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
50
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 18
1821
51
William Blake, 1757–1827, British
Epicurus
1821
52
William Blake, 1757–1827, British
Theocritus
1821
53
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
54
William Blake, 1757–1827, British
From Antique Coins
1821
55
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
56
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 15
1821
57
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 14
1821
58
William Blake, 1757–1827, British
Caius Julius Cæsar
1821
59
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
60
William Blake, 1757–1827, British
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
61
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
62
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
63
William Blake, 1757–1827, British
Publius Virgilius Maro
1821
64
William Blake, 1757–1827, British
For Children. The Gates of Paradise, London, by William Blake
1793
65
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 14 (Bentley 14)
1794
66
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
67
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
68
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 21 (Bentley 27)
1794
69
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
70
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
71
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
72
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
73
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
74
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
75
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
76
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 8 (Bentley 9)
1794
77
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
78
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
79
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
80
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Title Page; Plate 2
1793
81
Print made by William Blake, 1757–1827, British
I Found Him Beneath a Tree; Plate 3
1793
82
Print made by William Blake, 1757–1827, British
Air; Plate 6
1793
83
Print made by William Blake, 1757–1827, British
Fire; Plate 7
1793
84
Print made by William Blake, 1757–1827, British
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
85
Print made by William Blake, 1757–1827, British
Alas!; Plate 9
1793
86
Print made by William Blake, 1757–1827, British
I Want! I Want!; Plate 11
1793
87
Print made by William Blake, 1757–1827, British
My Son! My Son!; Plate 10
1793
88
Print made by William Blake, 1757–1827, British
Help! Help!; Plate 12
1793
89
Print made by William Blake, 1757–1827, British
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
90
Print made by William Blake, 1757–1827, British
Fear & Hope Are -- Vision; Plate 15
1793
91
Print made by William Blake, 1757–1827, British
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
92
Print made by William Blake, 1757–1827, British
What is Man!, Frontispiece; Plate 1
1793
93
Print made by William Blake, 1757–1827, British
Water; Plate 4
1793
94
Print made by William Blake, 1757–1827, British
Earth; Plate 5
1793
95
Print made by William Blake, 1757–1827, British
Aged Ignorance; Plate 13
1793
96
Print made by William Blake, 1757–1827, British
The Traveller Hasteth in the Evening; Plate 16
1793
97
Print made by William Blake, 1757–1827, British
Death's Door; Plate 17
1793
98
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
99
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
100
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."